It's Easy To Play Hymns: (EFS 238)

Easy-to-read simplified arrangements of some of the world's best-loved hymns including 'The Lord's My Shepherd' 'Praise To the Holiest' and 'Rock Of Ages'.

The ultimate Christmas songbook for Piano, Christmas Piano Gefällt Mir! features 50 top hits from the charts and blockbuster movies, in Easy Piano arrangements by the bestselling Hans-Günter Heumann.The songbook features some new pop tunes like I'll Be Home by Meghan Trainor and Mistletoe by Justin Bieber alongside some classic Christmas songs in Wonderful Christmastime, Do They Know It's Christmas and Santa Claus Is Coming To Town. Every song is arranged for Easy Piano, so it includes standard notation, full lyrics, a fingering guide, as well as chord symbols throughout. Heumann's Piano Gefällt Mir! series has proven consistent in helping beginner and intermediate pianists play the greatest songs, and this Christmas book is no exception. Including a fine selection of popular songs as well as traditional hymns and carols, as well as some favourites from a variety of films, the 50 tunes are everything you'll need for some well-loved repertoire during the festive period.Continuing the brilliant Piano Gefällt Mir! series, Hans-Günter Heumann has brought together some of the best Christmas songs for Easy Piano, giving you an essential songbook for the festive time of year. / Piano

Large easy-to-read notation and tablature for 30 inspirational hymns: Abide with Me * Amazing Grace * Blessed Assurance * Come Christians Join to Sing * In the Garden * Jacob's Ladder * Rock of Ages * What a Friend We Have in Jesus * Wondrous Love * more.

A collection of 50 favourite Hymns and songs for children scored for Unison Voice Piano accompaniment and Guitar chords. Easy but very enjoyable to play these songs of joy are perfect for solo or group singing and performance.The Piano Accompaniments are arranged for Grades 1-2.

Easy liturgical organ music in an accessible modern style is always welcome and Nigel Ogden well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2 has composed fifteen new pieces for use within the communion service or other acts of worship.They are suitable both for traditional and electronic keyboard instruments and may be performed on single or multi-manuals with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy as well as tranquil melodies for reposeful moments of meditation and private devotion pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service which offers a really practical contribution to the repertoire of useful music for church organists.

Tenor Book/Online Audio. Par . The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Contents: ANNIE: Easy Street · BARNUM: Bigger Isn't Better · CHILDREN OF EDEN: Lost in the Wilderness · CITY OF ANGELS: Stay with Me · DIRTY ROTTEN SCOUNDRELS: Great Big Stuff · DO I HEAR A WALTZ?: Take the Moment · THE DROWSY CHAPERONE: I Am Aldolpho · GODSPELL: Alas for You o GREASE: Mooning · GREY GARDENS: Body Beautiful Beale · Drift Away · HAIRSPRAY: The Nicest Kids in Town · Hairspray · JERSEY BOYS: December 1963 (Oh, What a Night) · Can't Take My Eyes Off of You · THE LAST FIVE YEARS: Shiksa Goddess · Moving Too Fast · THE LIGHT IN THE PIAZZA: Il mondo era vuoto · Passeggiata · LITTLE WOMEN: Take a Chance on Me · MOVIN' OUT: She's Got a Way · Summer, Highland Falls · MYTHS AND HYMNS: Saturn Returns · Hero and Leander · ON THE TWENTIETH CENTURY: I Have Written a Play · THE PIRATE QUEEN: I'll Be There · THE PRODUCERS: Springtime for Hitler · Heil Myself · RENT: What You Own · SONGS FOR A NEW WORLD: She Cries · SPRING AWAKENING: Left Behind · TARZAN: Two Worlds · Strangers like Me · THOROUGHLY MODERN MILLIE: What Do I Need with Love · TICK, TICK ... BOOM!: 30/90 · Sunday · URBAN COWBOY: It Don't Get Better Than This · WEST SIDE STORY: Something's Coming · Maria. / Date parution : 2023-08-12/ Recueil / Ténor

Easy Piano-For many years now the Bock's Best Piano Solo books have been perhaps the best-selling sacred keyboard volumes of all time. Fred's unique harmonies brought a fresh face to classic hymns and new praise songs alike. Now veteranarranger Lloyd Larson has taken these classic arrangements and simplified them for the beginning player. This first volume includes: Great Is Thy Faithfulness ? Halle Halle Halle ? Morning Has Broken ? There Is aBalm in Gilead ? Come Thou Fount of Every Blessing ? We Gather Together ? When I Survey the Wondrous Cross ? What Child Is This? ? All for Jesus ? This Ol' House.

Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt’s “Christus” is an attempt to capture in music the life of Christ from his birth to his Passion and Resurrection thereby following in the tradition of Handel’s biblical oratorios. Despite the familiar subject matter Liszt was concerned less with depicting Jesus’s deeds than with producing an object of meditation. To this end he employed a full array of musical devices to create a work abounding in sharp contrasts: symphonic textures alongside simple hymns modal harmonies alongside bold chromaticism and varied combinations of voices and instrumentsalongside purely instrumental groupings. David Friddle’s new edition is the first to publish the original text of “Christus” on the basis of all available sources. His extensive introduction also sheds light on the performance practices of Liszt’s day. Our vocal score contains a German translation of the original Latin as a guide. - First Urtext edition of this work. - Straightforward easy-to-play piano reduction. - Duration: approx. 175 minutes. - Full score (BA7680) and vocal score (BA7680-90) for sale; performance material (BA7680-72) for hire.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie