SKU: CL.012-4725-01
Feature your outstanding or guest soloist with Petite Piece Concertante, for solo cornet, trumpet, or euphonium with concert band accompaniment. A standard repertoire contest/festival solo for generations, this arrangement requires a minimum of rehearsal and coordination with soloist. Allows soloist the opportunities to display excellence in lyrical and technical playing, but well within reasonable difficulty levels. Part of the Barnhouse Spotlight series of works for solo instruments with band accompaniment. Superb!
SKU: CL.012-4725-00
SKU: FZ.5805
ISBN 9790230658058. 24.00 x 33.00 cm inches.
This facsimile of an original by Isidore Bertheaume is part of our French classical music collection. Edition : Paris, l'Auteur, 1787. The orchestra is modest in size: strings, 2 oboes, 2 horns. The solo parts may be played by the orchestra,s section leaders. The second symphonie concertante adds to the two solo violins either a solo viola or solo horn. For this project, which led to a concert performance at th Abbaye aux Dames, a full score was prepared and has been added to the facsimile. Preface by the students of the formation superieure aux metiers de l'orchestre des musiques classiques et romantiques - Abbaye-aux-Dames-Saintes: biography of Bertheaume, the symphonies of Bertheaume at the Concert Spirituel, hints for performance. Separate parts: violino primo principale, violino secondo principale, alto viola principale, corno principale, violino primo, violino secondo, alto, basso, oboe primo, oboe secondo, corno primo, corno secondo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CL.012-2224-00
The opening allegro section of this imaginative work contains marvelous rhythmic vitality before moving through two lovely slow sections featuring solos for Trumpet, Flute, and Alto Sax. Niehaus’ use of mixed meters adds color and interest, which makes this number fun to rehearse and a definite pick’’ for contest.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.012-2343-01
Driving syncopation and a unique combination of changing meter and dynamic contrasts make composition the ideal selection for contest, festival or concert. Very playable, yet dramatically dynamic.
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-4725-75
SKU: CL.012-1827-01
This brilliantly conceived concert overture by award-winning composer, John Cacavas displays the mark of a true craftsman. A sparkling contest showpiece featuring all sections of the band.
About Bach Series arranged by Alfred Reed
Masterful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!
SKU: CL.012-2224-75
SKU: CL.012-2224-01
SKU: CL.012-2343-00
SKU: CL.012-1827-00
SKU: HL.50513910
SKU: HL.50513329
SKU: DZ.DZ-3570
ISBN 9782897954871.
SKU: BT.AL-0845
English.
SKU: HL.50512092
SKU: HL.50512908
SKU: BT.AL-1227
SKU: BT.ALHE31564
French.
Duo Concertante, Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born, to jazz and other melodies of SouthAmerica. Lasting approximately 7 minutes, Duo Concertante, Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France, followed by a simple and moderate clarinet partly joined by piano chords. Theinitial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at443.
