Format : Score
SKU: CA.158900
ISBN 9790007005252. Language: Latin.
SKU: CA.2800100
ISBN 9790007038939.
SKU: PE.EP72840
ISBN 9790577011752. English.
Jesu Dulcis Memoria is based on a text by St. Bernard of Clairvaux (1090-1153) and medieval anon. The work was commissioned by Headington School as part of the School?s Centenary celebrations at St Paul?s Cathedral, 27 April 2015.
SKU: CA.2005300
ISBN 9790007143800.
SKU: GI.G-2295
UPC: 785147229506. Translation: William Ferris.
SKU: SU.80300148
This mellifluous setting is achingly sweet but never sappy, with distinctive writing for all parts and an independent keyboard accompaniment. An unusually good match of a 12th century hymn text (known in English as Jesus, the very thought of thee) and its musical setting. Latin, with full translation. SSAA and keyboard. Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: MN.50-0305
UPC: 688670503054. Latin.
This piece was conceived as a TTBB piece which was very popular at All-State choral events. The composer has written this SATB version, which is a lovely and moving setting of a beautiful Latin text that, when translated, is Jesus, the Very Thought of Thee..
SKU: OU.9780193954182
ISBN 9780193954182. 10 x 7 inches.
For SATTB and organ continuo This is a setting of the opening verses of the hymn attributed to Saint Bernard of Clairvaux which is used at Vespers on the Feast of the Holy Name of Jesus. It is typical of Dering's writing with marked contrast in movement and expressive use of the augmented triad. Useful for any time of the year.
SKU: CA.314970
ISBN 9790007153359. Key: G major. Language: Latin.
SKU: CA.335440
ISBN 9790007240486. Language: Latin. Text: Bonaventura.
Score available separately - see item CA.335400.
SKU: GI.G-9657
UPC: 785147965763.
Characteristic of Powellâ??s writing style, Five Organ Preludes on Plainsong Tunes is very musical and expressive throughout. The melodies flow smoothly in and outâ?? sometimes in a polyphonic texture and sometimes clearly stated with a solo organ stop. The unmeasured notation and beaming of each tune matches the style of the original chants. Most of the sections are written for three manuals, but they can easily be adapted to a two-manual instrument. Registration suggestions are provided.