Format : Score and Parts
SKU: HL.49042481
ISBN 9790001116039. 12.0x8.25x0.43 inches.
Museumsstucke is how Dieter Schnebel entitled his two collections of experimental music theatre pieces which he sees 'almost as sound images, acoustic counterparts of what is hanging on museum walls'. In the first cycle he refers to different types and genres of pictures, in the second cycle he applies typical working methods of painters such as Marcel Duchamp, Yves Klein, Anselm Kiefer or Mark Rothko to the music.1. Veduta - Signalinstrumente * 2. Tempesta - Stuhle * 3. Landschaft - Stimmen, Werkzeuge * 4. Nachtstimmung - Stimmen, Schwirrholz * 5. Nature morte - Plastikmaterialien * 6. Skulpturen und Portrats - Stimmen, Korperklange * 7. Blumen und Arabesken - Stimmen, Windchimes, Glockenspiel * 8. Selbstportrat (II) - ad lib. * 9. Bauernszene - Teller, Glaser, Besteck, Stimmen * 10. Seebild - Stimmen, Wasser, Rainmaker, Mowen-schrei * 11. Waldstuck - Wasser, Vogelpfeifen, Knacker, Steine * 12. Battaglia - Ratschen * 13. Triptychon * Stimme, Waldteufel[Museumsstucke (I) wurde speziell fur das Museum fur Moderne Kunst in Frankfurt/Main konzipiert.].
SKU: SP.TS558
ISBN 9781585609185.
Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.
SKU: C4.9790902260312
ISBN 9790902260312. 8.27 x 11.7 inches.
Michael Leighton Jones has created a brilliant sequence of six Marian works that take their lead from their plainsong counterparts. These wonderfully reflective and carefully-crafted motets take the practice of fauxbourdon in new directions, with free harmonic invention linking old to new in a beautifully warm soundworld. Motets may be performed individually on feast days or within the appropriate liturgical season, or the whole sequence can make an effective frame for a concert programme.
SKU: CY.CC2931
ISBN 9790530057506.
The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control.These duets or counterparts are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate difficulty.
SKU: FG.55011-514-9
ISBN 9790550115149.
Instrumentally acrobatic Buster! Caprice for clarinet and piano (2002-2003, rev. 2007) by Kirmo Lintinen gives a hint of ragtime, sings romantically and makes the fast changes of articulations, dynamics, registers, and timbres musical counterparts of the pantomime of virtuoso actors in silent films. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all genres and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.
SKU: SP.TS542
ISBN 9781585609024.
SKU: HL.690549
ISBN 9780634041945. UPC: 073999905496. 9x12 inches.
This great bass collection features note-for-note transcriptions with tab for Mark Hoppus' hot basslines for 16 songs from four albums by Blink-182.
About Hal Leonard Bass Recorded Versions
On the heels of the success of Guitar Recorded Versions, Hal Leonard introduced Bass Recorded Versions. Finally, bass guitar players can keep up with their guitar counterparts with these off-the-record transcriptions expressly done for bass guitar. Each book contains notes and tablature.
SKU: ST.PE27
ISBN 9790220222009.
A collection of five cantatas and three vocal duets, plus In a deep vision's intellectual scene ('The Complaint') for two sopranos, bass and continuo, these nine symphony songs are similar in style and structure to their sacred counterparts, the symphony anthems, and include works to texts by Charles Howe, Abraham Cowley and Anon. CONTENTS A Serenading Song (Soft notes, and gently rais'd) - SB solos, 2 treble recorders, instrumental bass and continuo Hark, Damon, hark! - SB solos, 2 violins, 2 treble recorders, instrumental bass and continuo Hark how the wild musicians sing - TTB solos, 2 violins, instrumental bass and continuo How pleasant is this flow'ry plain - ST solos, 2 treble recorders, instrumental bass and continuo If ever I more riches did desire - SSTB solos, 2 violins, instrumental bass and continuo In a deep vision's intellectual scene (The Complaint) - SSB solos, instrumental bass and continuo Oh! what a scene does entertain my sight! - SB solos, violin, instrumental bass and continuo See where she sits (Weeping) - SB solos, 2 violins, instrumental bass and continuo Soft Notes, and gently rais'd (A Serenading Song) - SB solos, 2 treble recorders instrumental bass and continuo The Complaint (In a deep vision's intellectual scene) - SSB solos, instrumental bass and continuo Weeping (See where she sits) - SB solos, 2 violins, instrumental bass and continuo We reap all the pleasures (incomplete) - STB solos, 2 treble recorders, instrumental bass and continuo.
SKU: CF.CAS95
ISBN 9781491142141. UPC: 680160630202. Key: G major.
Hodie Christus Natus Est, by Jan Pieters Sweelinck (1562-1621), is an extremely popular Renaissance a cappella choral work that has been transcribed for string orchestra. Although the work is usually associated with the Christmas season, it is a timeless piece that can be programmed at anytime during the school year.Hodie Christus Natus Est by Jan Pieterszoon Sweelinck (1562-1621) is an extremely popular Renaissance a cappella choral work that has been transcribed for string orchestra. Although the work is usually associated with the Christmas season, it is a timeless piece that can be programmed at any time during the school year. The string parts mirror the voice parts, but are in the more comfortable key of G major, rather than the original B≤ major. String teachers may want to consult with their choral counterparts to determine if combining their groups might provide a unique experience for all of their students.All the string parts remain in first position. The work contains the less common alternating meters of ëand ò, and will provide students with insight into the unique rhythmic style of the Renaissance period. A piano part is included for rehearsal purposes.Performance suggestions: By listening to a recording of the original vocal performance and focusing on the lyrics, students will understand where to use a connected legato bowing style for running eighth-note passages and for the longer note durations, as expressed in the lyric “Ho-di-e, Ho-di-e” that alternates with a light detached style “No-e, No –e, No-e.” A most recent YouTube link is suggested here: www.youtube.com/watch?v=B2rAkZE5UU0.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: GI.G-J335
ISBN 9781579994617. English.
The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the world’s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordon’s Music Learning Theory. The 522-page Teacher’s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.
SKU: GI.G-J334
ISBN 9781579994601. English.
SKU: BT.DHP-1002135-215
A visit to the United Stetes inspired Harm Evers to write this march. It has thus become an American style march-a happy Swing March. The Pithy rhythnical melody and the simple harmony come together in a merry whole. The melodic counterparts in the tenor register, the dynamic contrasts, and the varied instrumentation keep the march exciting from the beginning to the end, both for the listener and the musician. Ein Besuch in den Vereinigten Staaten hat Harm Evers zu diesem Stück inspieriert. Entstanden ist so ein Marsch im amerikanischen Stil, ein gut gelaunter Swing-Marsch. Die markante Rhythmik der Melodie und die schlichten Harmonien fügen sich zu einem fröhlichen Ganzen. Melodische Gegennstimmen im Tenorregister, dynamische Kontraste und eine abwechlungsreiche Instrumentierung machen diesen Marsch vom Anfang bis zum Ende und für Spieler wie Zuhörer zu einem echten Erlebnis.
SKU: GI.G-J330
ISBN 9781579994571. English.
SKU: GI.G-J328
English.
SKU: AP.1-ADV13015
ISBN 9783892210733. UPC: 805095130157. English.
Odd Meter Clave for Drumset uses a unique approach to odd time signatures, taking the tried and tested rhythms of Cuba and adjusting them to fit various meters. Beginning with an in depth study of the various claves and their qualities, moving on to the basic rhythms in 4/4 which are the templates for their odd meter counterparts. The odd meter section is divided into 3 chapters, clave in 5, 7 and 9. In each section there is an analysis of odd meter pulse, the clave and their relationship. The student then builds the rhythms of Mambo, Songo, Guaguanco, Mozambique etc. to fit the new claves. These rhythms work on many different levels, as odd meter learning tools, as co-ordination studies or just great sounding grooves. Finally there is a chapter on building your own claves. Here we see some of the possible permutations that can be created by combining and adjusting claves, allowing the student to create original claves on which to build their own unique patterns. With over 300 examples this unique Book & CD opens a world of new possibilities, built on a deep musical tradition.
SKU: GI.G-J323
ISBN 9781579994520. English.
SKU: HL.49042482
ISBN 9790001116046. 12.0x8.25x0.43 inches.
Museumsstucke is how Dieter Schnebel entitled his two collections of experimental music theatre pieces which he sees 'almost as sound images, acoustic counterparts of what is hanging on museum walls'. In the first cycle he refers to different types and genres of pictures, in the second cycle he applies typical working methods of painters such as Marcel Duchamp, Yves Klein, Anselm Kiefer or Mark Rothko to the music.
SKU: GI.G-J220
SKU: CY.CC3146
ISBN 9790530111147. 8.5 x 11 in inches.
The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. Volume 2 of these duets or counterparts (numbers 17-32) are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate difficulty. Ran Whitley has done a great job adapting these beautiful melodies as duets.
SKU: SP.TS543
ISBN 9781585609031.
SKU: GI.G-J164
SKU: GI.G-J221
The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the world??s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordon??s Music Learning Theory. The 522-page Teacher??s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.
SKU: SP.TS549
ISBN 9781585609093.