Collected Works, Volume 1

Chamber Music 2: Sonata No. 1 for Violin and Piano Op.9; Sonata No. 2 for Violin and Piano Op.35; Fantasy Pieces for Oboe and Piano Op.2; Canto Serioso; Serenata in vano; Quintet for Flute Oboe Clarinet French Horn and Bassoon Op.43; Three Pieces for Langeleik; Allegretto for two Recorders.With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music organ and piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of thiscentury. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.Since his death there has been a grooving demand for modern practical editions of his music. Therefore for the first time a complete edition of his works suitable for both the performer and the scholar will now be published organised according to critical scholarly principles.The Collected Works of Carl Nielsen comprises both publisher and as yet unpublished compositions.

For Guitar Vol. 1-The product of decades of scholarly investigation Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agust n Barrios Mangoré (1885-1944). This is the first edition of Barrios? music based on all availablesources: manuscripts phonograph recordings and published editions (pre-1970s). Written in standard notation only the two volumes of this definitive collection are illustrated with period photographs concert programs andBarrios? own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar and it is with great pride that Mel Bay Publications offers here for the first time in oneedition the collected works of Agust n Barrios Mangoré.

This is the second volume of Modern Piano miniatures by American-Armenian composer Dianne Goolkasian Rahbee and is intended for Intermediate to early Advanced pianists. The natural musicality present in this tremendous collection of studies demands the same kind of careful attention that we expect from the standard canon of repertoire. These teaching pieces follow in the modern tradition of pedagogical works by Bartók Kabalevsky and others; they are written to challenge a student's mind fingers imagination and soul. The style is varied allowing students to tackle a broad range of study and practice such as Perfect fourths Staccato and Seconds. Contents include:Floating In Space Here and There Harlequin Waltz Popcorn Toccatina and more! Arranged in order of difficulty it is a practical volume that offers students interesting and absorbing study material. The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.

Full Score-SATB unaccompanied unless otherwise noted. Contents: As I Was a Young Girl • The Black Sea • Cuckoo • Dark Nights Lowering Clouds • Glory to Our Soviet Motherland • Great Day Has Come • I ToldMy Dear Friend • In My Father's Garden • Loyalty (TTBB) • March of Peace Champions • Novorossiisk Chimes (TTBB/Piano) • O Fir Grove • The October Dawn • Our Motherland Hears (with Soloist) •Our Song (Bass solo/Chorus/Piano) • Out of the Thicket of Spears • The People's Lament (King Lear) • Song from Volochayevka Days • Song from Zoya • Song of Guards Division • Splinter • ThereBeyond the Mountains • 3 Songs from Meeting on the Elbe • Thunder Suddenly Crashed • A Toast to Our Motherland • 2 Songs from Unity • Vocalise from Friends • We Cherish October Dawns in Our Hearts• We Sing Glory to Our Country • What Songs • Winds Were Blowing • 10 Poems • 2 Songs from the Counterplan • 2 Songs from the Fall of Berlin • 2 Songs from the First Echelon • 4 Chorusesfrom Belinsky. From The Collected Works of Dmitri Shostakovich published by Mezhdunarodnaya Kniga Moscow Russia. Hard-cover bound and includes editorial notes (Russian/English) and background information.

This is an artistic collection of over thirty Piano miniatures by gifted American-Armenian composer Dianne Goolkasian Rahbee. With variations on familiar melodies and nursery rhymes included among Rahbee’s original teaching pieces these miniatures serve to help expand the student’s grasp of sound and texture along with rhythmic and harmonic concepts. Use your imagination to create your very own interpretation and enjoy these wonderful new pieces! The style is varied contrasting between energetic lyrical and humorous while others have a melancholy feel. Contents include: The Little Troll Jack and Jill Counting Mary Had a Little Lamb Crossing Bridges Little Miss Muffet Toy Soldiers March Rocking Chair Hobby Horse Saturday Afternoon Hickory Dickory Dock and more! The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.

Johannes Brahms’ late Piano works in the form of the two editions HN 36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since the early 1950s. In 2011 the volume with Pianopieces (HN 6014) was published in the new Brahms Complete Edition an edition of these important works that reflected the latest in scholarly research. Having already published single volumes of the Urtext editions ofopus numbers 76 79 and 116 119 with the up-to-date musical text in the Complete Edition Henle are now rounding off this Brahms project by publishing the revised volume of collected works available as a classicpaperbound clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms’ fascinating Piano cosmos.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it - at his death he left a detailed list of ?Unpublished pieces for an eventual complete edition'.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material. / Score

Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus for example a newly-discovered copy of the first edition containing inscriptions in Bach?s own hand could be incorporated into the musical text of the Schübler Chorales.For the Orgel-Büchlein Bach?s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach?smost famous collection was played at that time.Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the ?riddle? of how these partitas were handed down.Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.Urtext of the New Bach EditionComplete new engravingNew detailed Foreword by Christine Blanken (Ger/Eng)Links to relevant sources in Bach digitalVolume 1 hardback BA5056The Complete Organ Works: The Definitive Edition Now in 11 paperback volumes in a slipcase BA 5279

Third Part of the Clavier Ubung-In 1739 Bach?s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of Organ composition as it offers an impressive cross section of Bach?s artistry.This present volume is an updated edition of Volume 4 Series IV of the New Bach Edition presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary as there were relatively few corrections affecting the musical text. However the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work?s genesis but also offers an up-to-datedescription of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach?s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach Digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must in the interest of its use by researchers and performers incorporate intervening new discoveries wherever possible. With this in mind Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach Digital thereby enabling the user to gain quick access to the sources.- With altered readings integrated into the musical text taking into account new musicological evidence.- With a new Preface by Christoph Wolff (Ger/Eng) discussing this work and its sources.- Newly engraved and with improved page

Here for the first time all of the important solo works for Guitar of Heitor Villa-Lobos have been assembled together into one convenient volume. Edited and with an introduction by Frederick Noad. Max Eschig no.: ME 9333

The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

Organ Chorales from the Neumeister Collection-Organ Chorales from the Neumeister CollectionYale University Manuscript 'LM 4708'In 1985 Christoph Wolff working at Yale University discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias fugues fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach?s broad compositional spectrum.This newly published volume is an updated edition of Series IV/9 of the ?New Bach Edition? (NBA) edited by Christoph Wolff and based on this source.In addition to a newly added concordance and corrections to the musical text it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ?Bach digital? shedding light on the manuscript for the very first time.Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ?Bach digital?. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis.Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?.- Links to relevant sources in ?Bach digital?- Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng)- Complete new engraving

Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach?s authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes? text sections. The situation of the chorale partitas is not quite so dramatic, whereby these holdings also had to be subdivided for reasons of transmission into mainsection, appendix, and online presentation. The so called ?Neumeister-Choräle? are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ?Neumeister-Sammlung? should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. / Date parution : 2021-11-25/ Recueil / Orgue

Complete Works Volume 18ACONTENTSSongs hitherto uncollected:Over the Mountains high (Bjørnson) C sharp - E; Zwei braune Augen (Hans Anderson) B - C sharp; Der Fichtenbaum (Heine) E - F; Hochgebirgsleben (Ibsen) [original version] F - A (C); O schneller mein Ross (Geibel) D sharp - G (B flat); Chanson de Fortunio (de Musset) B flat - F sharp; Mit deinen blaunen Augen (Heine) [draft] E flat - A; Ein schöner Stern (Heine) E sharp - G sharp; Hör ich das Liedchen Klingen (Heine) E dbl-flat - A flat; Aus deinen Augen fliessen meine Lieder (?Heine) E flat - G flat; Nuages (Richepin) E - G; Traum Rosen (Marie Heinitz) B flat -E flat;Five Songs from theNorwegian:Slumber Song (Bjørnson) D - FThe Nightingale (Welhaven) D - GSummer Eve (Paulsen) D sharp - F dbl-sharpLonging (Th. Kjerulf) C flat - F sharpSunset (A. Munch) D - G;Five Songs from the Danish:The Page sat in the lofty Tower (Jacobsen) D - A flatDreamy Nights (Drachmann) C - GSummer Nights (On the Seashore) (Drachmann) C - G flatThrough long long Years (Red Roses) (Jacobsen) B flat - FWine Roses (Jacobsen) C sharp - E shar