SKU: HL.269148
UPC: 888680737658. 5.0x5.0x0.151 inches. Isaiah 60:1, Romans 12:1.
Exploding from the page with a clarion call to service, this epic song is something to be experienced. Written in a timeless poetic style, the significant text covers the spiritual journey of the church with respect and lofty aspirations. The resolute hymn-like theme is tastefully harmonized, interspersed with unison and two-part writing for power and clarity. A new bridge recently added by the songwriters and artist Chris Tomlin proclaims a glorious call to the church to Arise, shine, for your light has come. A luxurious orchestration is also available bringing a cinematic scope to a song that has already become a modern-day sacred classic. Highly recommended! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.14030017
ISBN 9788759851562. 8.25x11.75x0.047 inches.
The Piano music of Jean Sibelius ranks among the greatest of Finnish music, and his 1924 set Five Charactereistic Impressions demonstrates his importance. The first of this set, The Village Church is a ceremonial theme bringing to mind the oaccasions and events that surround a small place of worship and that is perfect for ushering in the start of a programme. An impressionist piece that captures the imagery of reality with tonality, colour and a solemn pace.
SKU: HL.14030957
ISBN 9788759806401. UPC: 840126924107. 10.5x14.5x0.6 inches. English.
The title The Deserted Churchyards refers to several churchyards along the western coast of Northern Jutland, which long ago were safely inland, but which now are being eaten up by the threatening sea. Though The Deserted Churchyards is an independent work, it can also be played as a Prelude to Funeral Procession. The Deserted Churchyards was commissioned by Lerchenborg Music Days and is dedicated to Louise Lerche-Lerchenborg.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: WD.080689587368
UPC: 080689587368.
God's people are called to sing. His song has been written on our hearts, and we must give voice to what He has written there. And there may be nothing quite so powerful as a men's chorus joining strong voices together in songs of honor and praise to their God and King!
SKU: WD.080689875229
UPC: 080689875229.
SKU: WD.080689504679
UPC: 080689504679.
SKU: WD.080689800726
UPC: 080689800726.
SKU: WD.080689704024
UPC: 080689704024.
