SKU: SU.00220627
This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: String Trios & String Quartet Masterpieces.String Trios contains the scores and parts to 49 string trios. Includies trios for two violins and viola, two violas and cello, and violin, viola and cello. Also included are articles on String Trios and related articles from the 1911 edition of Grove's Dictionary of Music and Musicians.Composers included in this volume Albrechtsberger, Johann Georg Amon, Johan Bach-Mozart Beethoven, Ludwig van Boccherini, Luigi Borodin, Alexander Bruni, Antonio Bartolomeo Cherubini, Luigi Dohnányi, Ernst von Dvorak, Antonin Fuchs, Robert Fuchs, Robert Gabrielli, Ladislao Gibbons, Orlando Giorgetti, Ferdinando Goepfart, Karl Haydn, Franz Joseph Herzogenberg, Heinrich von Hiller, Ferdinand Hofmann, Richard Hummel, Johann Nepomuk Isaac, Heinrich Jadin, Hyacinthe Josquin des Prez Kodály, Zoltán Kotzwara, Frantisek Martinů, Bohuslav Mazas-Féréol, Jacques Mendelssohn, Felix Mozart, Wolfgang Amadeus Neruda, Franz Pugni, Cesare Purcell, Henry Ratez, Emile Reger, Max Reinecke, Carl Romberg, Bernard Schubert, Franz Strong, George Templeton Taniev, Sergei Telemann, Georg Phillipp Thern, Carl String Quartet Masterpieces contains performance materials for an enormous collection of string quartets from master composers. Included are works of Bartók, Borodin, Cherubini, Chopin, Debussy, Fuchs, Hindemith, Schoenberg, Schumann, Smetana, Verdi, Wolf and many more, for an offering of 4,000 pages of music. Included also are articles on the lives of the composers and other relevant entries from the 1911 edition of Grove's Dictionary of Music and Musicians Published by: CD Sheet Music.
SKU: BA.BA06862
ISBN 9790260105300. 34.2 x 27.3 cm inches. Text Language: Church Slavic.
The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.The recently published scholarly-critical edition presents two different versions of the work in two separate volumes: the “September 1927” version (BA 6863) which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928 (BA 6862). This second version was then revised further and published after Janácek’s death by Universal Edition Wien in 1930. Known as the “final authorised version”, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janácek’s regular copyist Václav Sedlácek. The “final authorised version” is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.OB-16109-23
ISBN 9790004347409. 10 x 12.5 inches.
The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).
