I Can Play That! Pops 2: Melody Lyrics & Chords: Mixed Songbook

Saxophone Play-Along Volume 7-The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation listen to the audio tracks to hear how the saxophone should sound and then play-along using the separate backing tracks. The melody and lyrics are also included in the book to help you follow along. The online audio is available for download or streaming using the unique access code printed in the inside cover and features PLAYBACK . a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right available exclusively from Hal Leonard. This volume includes: East River Drive Just the Two of Us Let It Flow Make Me a Memory (Sad Samba) Mr. Magic Take Five Take Me There Winelight.

This new method makes learning strumming patterns a much easier and fulfilling experience. Featuring easy-to-read lead sheets that include melody line words fingerings and strumming patterns each song also includes an additional one-page version of each song consisting of words and chord changes.In additional the included CD is jam packed with features to help you along the way to playing the songs including short Mpeg film clips demonstrating the songs in detail and professional backing tracks in MP3 format in 3 versions:Full version (Guitar Bass Drums Vocals)Play-along version (Bass Drums Vocals)Learning version(Guitar click)With text in German and English.

with Piano Accompaniment-This compilation of 11 Clarinet solos from the legendary Rubank educational library now includes online access to:Full-performance and accompaniment-only audio tracksPDF Piano accompaniment filesPLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch change keys and create practice loops - available exclusively from Hal Leonard.Contents: 'Andante from Pathetique Symphony' (Tchaikovsky) 'Cielito Lindo' (Beautiful Heaven) 'Funeral March of a Marionette' (Gounod) 'Jolly Coppersmith' 'Largo from New World Symphony' (Dvorak) 'The Lonely Birch Tree' 'Melody Op 68 No. 1'(Schumann) 'Ode to Music' (Chopin) 'Sleeping Beauty Waltz' (Tchaikovsky) 'Spirit Dance from Orpheus' (Gluck) 'Theme from Unfinished Symphony' (Schubert).

Learn five Steve Vai tracks note for note with Andy James and Jamie Humphries. This superb 2 DVD set will teach you the fretboard pyrotechnics and superb melodic playing that define one of today's most influential guitarists. Songs include: Die To Live The Boy From Seattle Juice The Animal and Boston Rain Melody.

A great selection of popular classical pieces arranged for easy-play piano by Stephen Duro complete with chord symbols. Includes Lullaby (Brahms) Meditation from Thais (Massenet) Toreador's Song(Bizet) and William Tell Overture (Rossini). Suitable for pianists from grade 1-3 standard.

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition

Simple Sheet Music Audio Play-Along-The Instant Piano Songs series will help you play you favorite songs quickly and easily - whether you use one hand or two! Start with the melody in your right hand then add basic left-hand chords when you're ready. Letter names inside each note speed up the learning process and optional rhythm patterns take your playing to the next level. Online backing tracks are also included. Stream or download the tracks using the unique codes inside each book then play along to build confidence and sound great! This edition includes 30 Christmas songs: Blue Christmas · The Chipmunk Song · Frosty the Snow Man · A Holly Jolly Christmas · I'll Be Home for Christmas · Jingle Bell Rock · LittleSaint Nick · Mary Did You Know? · Rudolph the Red-Nosed Reindeer · Silver Bells · Winter Wonderland · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.