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Camille Saint-Saens
Camille Saint-Saens: Solo Piano Rarities
$18.99
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A Collection of Never-before Published Works, Edited from the Composeras Own Manuscripts. Composed by Camille Saint-SaA< Item Number: CF.PL1062 ISBN 9781491158807. Camille Saint-SaA<Preface My first glimpse of the six solo piano works in this volume came via several visits I made to the music archives of the BibliothAque Nationale de France (BnF) in Paris in June of 2013. I had known of the existence of unpublished manuscripts of these pieces through Sabine Teller Ratneras comprehensive bibliographic volume focusing on Saint- SaA<
Composer/Artist :
Camille Saint-Saens
Instrumentation :
Piano solo
Publisher :
Carl Fischer
See all
Camille Saint-Saens
sheet music
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Camille Saint-Saens: Cello Concerto #2
Cello, Piano
[Singles]
Kalmus
Composed by Camille Saint-Saens (1835-1921), edited by Marty Winkler. Cello solo...
(+)
Composed by Camille Saint-Saens (1835-1921), edited by Marty Winkler. Cello solo single for cello solo and piano accompaniment. With standard notation, solo part and piano accompaniment. 56 pages. Published by Edwin F. Kalmus.
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Camille Saint-Saens : Trio No. 2, Op. 92
Piano Trio: piano, violin, cello
[Sheet music]
Kalmus
Violin, Cello, and Piano. Composed by Camille Saint-Saens (1835-1921). Masterwor...
(+)
Violin, Cello, and Piano. Composed by Camille Saint-Saens (1835-1921). Masterworks; Solo Small Ensembles; String Ensemble - Mixed; Trio. Kalmus Edition. Masterwork; Romantic. Book. 100 pages. Kalmus Classic Edition #00-K09637. Published by Kalmus Classic Edition
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Saint Saens / Piano Concerto #2 (Advanced Piano Duet)
2 Pianos, 4 hands
[Sheet music]
-
Advanced
Kalmus
Composed by Camille Saint-Saens (1835-1921). This edition: 2 copies required. Du...
(+)
Composed by Camille Saint-Saens (1835-1921). This edition: 2 copies required. Duet or Duo; Masterworks; Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Kalmus Edition. Form: Concerto. Masterwork; Romantic. Book. 68 pages. Kalmus Classic Edition #00-K03854. Published by Kalmus Classic Edition
(1)
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Saint Saens / Danse Macabre
Piano solo
-
Intermediate/advanced
Alfred Publishing
Saint-Saens, Camille (1835 - 1921), transcr. Franz Liszt. For Piano. Piano Solo....
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Saint-Saens, Camille (1835 - 1921), transcr. Franz Liszt. For Piano. Piano Solo. Masterwork. Level: Intermediate / Advanced. 24 pages. Published by Alfred Publishing.
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Camille Saint-Saens : Six Etudes, Op. 111
Piano solo
[Sheet music]
Alfred Publishing
By Camille Saint-Saens. For Piano. Piano Collection. Masterwork. Level: Intermed...
(+)
By Camille Saint-Saens. For Piano. Piano Collection. Masterwork. Level: Intermediate / Advanced. Book. 44 pages. Published by Alfred Publishing.
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Camille Saint-Saens - Piano Works (1): Studies and Fugues
Piano solo
Barenreiter
Composed by Camille Saint- Saens (1835-1921). Edited by Catherine Massip. Thi...
(+)
Composed by Camille Saint- Saens (1835-1921). Edited by Catherine Massip. This edition: Edition of selected works, Urtext edition. Cloth bound. Saint-Saens, Camille. OEuvres instrumentales completes IV/3. Edition of Selected Works , Performance score, anthology. Baerenreiter Verlag #BA10310- 01. Published by Baerenreiter Verlag
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Camille Saint-Saens : The Swan
Piano solo
-
Intermediate
Alfred Publishing
By Camille Saint-Saens. Arranged by Allan Small. For Piano. Piano Solo. Simply C...
(+)
By Camille Saint-Saens. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.
(1)
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Piano Concerto No. 4 in C Minor, Op. 44
2 Pianos, 4 hands
[Reduction]
G. Henle
2 Pianos, 4 Hands. Composed by Camille Saint-Saens (1835- 1921). Edited by Pe...
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2 Pianos, 4 Hands. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter Jost. Henle Music Folios. Classical. Solo part and piano reduction. 84 pages. G. Henle #HN1359. Published by G. Henle
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Camille Saint-Saens: Sonata, Op. 168 - Bassoon and Piano
Bassoon, Piano (duet)
Peters
Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Op. 16...
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Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Op. 168. Instrumental solo book for bassoon solo and piano accompaniment. With solo part, standard notation, piano accompaniment and introductory text. Text language English, German and French. 27 pages. Published by C.F. Peters.
(2)
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Camille Saint-Saens : Le Cygne (The Swan)
Piano solo
-
Intermediate/advanced
Schirmer
Piano Solo. By Camille Saint-Saens. Arranged by Louis Oesterle. Piano Solo (Inte...
(+)
Piano Solo. By Camille Saint-Saens. Arranged by Louis Oesterle. Piano Solo (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 6 pages. Published by G. Schirmer, Inc.
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Camille Saint-Saens: Danse Macabre
Piano solo
[Singles]
Schirmer
(Symphonic Poem) Composed by Camille Saint-Saens (1835-1921), arranged by H. Cra...
(+)
(Symphonic Poem) Composed by Camille Saint-Saens (1835-1921), arranged by H. Cramer. Single piece for solo piano. G Minor. 19 pages. Published by G. Schirmer, Inc.
(1)
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Camille Saint-Saens : Toccata (Etude No. 6), Op. 111 (PHILIPP)
Piano solo
IMC (International Music Co.)
By Camille Saint-Saens. Piano solo. Published by International Music Co.
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Havanaise, Op. 83 (Urtext)
Violin and Piano
[Sheet music]
Alfred Publishing
By Camille Saint-Saens. Arranged by Eugene Ysaye. For Violin. String - Violin an...
(+)
By Camille Saint-Saens. Arranged by Eugene Ysaye. For Violin. String - Violin and Piano. Masterwork. 32 pages. Published by Alfred Publishing.
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Camille Saint-Saens : Introduction and Rondo Capriccioso, Op. 28
Violin and Piano
[Reduction]
Carl Fischer
For Violin and Piano. By Camille Saint-Saens. Edited by Gustave Saenger. Arrange...
(+)
For Violin and Piano. By Camille Saint-Saens. Edited by Gustave Saenger. Arranged by Gustave Saenger. For Piano, Violin. Solo part with piano reduction. Opus 28. 16 pages. Published by Carl Fischer.
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1 to 2 weeks
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Camille Saint-Saens: Carnival of the Animals
Piano solo
[Sheet music]
-
Easy
Schott
Simple Arrangement for Piano. Performed by Brigitte Smith. By Camille Saint-Saen...
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Simple Arrangement for Piano. Performed by Brigitte Smith. By Camille Saint-Saens. Arranged by Hans-Gunter Heumann. (Piano). Schott. Book only. Size 9x12 inches. 32 pages. Published by Schott.
(2)
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Camille Saint-Saens: Introduction And Rondo Capriccioso, Op. 28 - Piano / Violin
Violin and Piano
[Set of Parts]
-
Intermediate
Schirmer
Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For v...
(+)
Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For violin and piano. Schirmer Library Vol..224. Format: set of performance parts (includes separate pull out violin part). With solo part and piano accompaniment. Romantic period. 20 pages. 9x12 inches. Published by G. Schirmer, Inc..
(2)
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24 hours - In Stock
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Camille Saint-Saens: Clarinet Sonata, Op. 167
Clarinet and Piano
[Set of Parts]
Peters
Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Opus 1...
(+)
Composed by Camille Saint-Saens (1835-1921), edited by Reiner Zimmermann. Opus 167. Set of performance parts (includes separate pull-out clarinet part) for Bb clarinet and piano. With solo part and piano accompaniment. Photoprint edition - publisher prints this title after order is received. Eb Major. 35 pages. Published by C.F. Peters.
(2)
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1 to 2 weeks
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Camille Saint-Saens: Concerto No. 1 in A minor, Opus 33
Cello, Piano
[Sheet music]
-
Advanced
IMC (International Music Co.)
Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumenta...
(+)
Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumental solo book for cello and piano accompaniment. With bowings, fingerings and piano accompaniment. Composed 1872. 33 pages. Published by International Music Co.
(3)
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24 hours - In Stock
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Camille Saint-Saens: Morceau De Concert - Horn/Piano
French Horn and Piano
[Set of Parts]
-
Intermediate
Alfred Publishing
Composed by Camille Saint-Saens (1835-1921). Set of performance parts (includes ...
(+)
Composed by Camille Saint-Saens (1835-1921). Set of performance parts (includes separate pull-out horn part) for F french horn and piano. With solo part and piano accompaniment. 15 pages. Published by Alfred Publishing.
(8)
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24 hours - In Stock
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Introduction and Rondo Capriccioso, Op. 28
Violin and Piano
[Sheet music]
Kalmus
Composed by Camille Saint-Saens (1835-1921). Masterworks; String - Violin and Pi...
(+)
Composed by Camille Saint-Saens (1835-1921). Masterworks; String - Violin and Piano. Kalmus Edition. Masterwork; Romantic. Book. 28 pages. Kalmus Classic Edition #00-K03855. Published by Kalmus Classic Edition
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4 to 6 weeks
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Camille Saint-Saens: Concerto No. 3 in B minor, Opus 61
Violin and Piano
-
Advanced
IMC (International Music Co.)
Composed by Camille Saint-Saens (1835-1921), edited by Zino Francescatti. Instru...
(+)
Composed by Camille Saint-Saens (1835-1921), edited by Zino Francescatti. Instrumental solo book for violin and piano accompaniment. With bowings and fingerings. 54 pages. Published by International Music Co.
(2)
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24 hours - In Stock
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Camille Saint-Saens: Danse Macabre, Op. 40
Piano solo
Durand
By Camille Saint-Saens. Arranged by Franz Liszt. Editions Durand. 22 pages. Publ...
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By Camille Saint-Saens. Arranged by Franz Liszt. Editions Durand. 22 pages. Published by Durand.
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Camille Saint-Saens - Piano Concerto No. 4 in C Minor, Op. 44
Piano solo
[Sheet music + CD]
Music Minus One
Composed by Camille Saint- Saens (1835-1921). Sheet music with CD. Music Minus ...
(+)
Composed by Camille Saint- Saens (1835-1921). Sheet music with CD. Music Minus One. Classical. Softcover with CD. 64 pages. Music Minus One #MMO6044. Published by Music Minus One
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The Swan From The Carnival Of The Animals
Piano solo
-
Easy
Willis Music
Mid-Elementary Level. By Camille Saint-Saens. Arranged by Edna-Mae Burnam. Willi...
(+)
Mid-Elementary Level. By Camille Saint-Saens. Arranged by Edna-Mae Burnam. Willis. 2 pages. Published by Willis Music.
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Camille Saint-Saens : Piano Works Volume I
Piano solo
Durand
By Camille Saint-Saens. Editions Durand. 118 pages. Published by Durand.
(1)
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Camille Saint-Saens: Piano Works II
Piano solo
Durand
By Camille Saint-Saens. Editions Durand. 133 pages. Published by Durand.
(1)
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Karneval Der Tiere (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
Schott
Große Zoologische Phantasie Für Klavier Leicht Bearbeitet. Par SAINT-SAENS CAM...
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Große Zoologische Phantasie Für Klavier Leicht Bearbeitet. Par SAINT-SAENS CAMILLE. Comme un spécial ' bonbons ' les paroles charmants de Loriot sont inclus dans ce numéro, et il est donc double plaisir, jouant les mélodies accrocheuses par Saint-Saëns. / Get to know Classical Masterpieces / Répertoire / Piano
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Camille Saint-Saëns: The Best of Camille Saint-Saens en treize morceaux: Piano
Piano solo
[Sheet music]
Durand
en treize morceaux pour piano-Thirteen Pieces for Piano by Camille Saint-Saens ...
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en treize morceaux pour piano-Thirteen Pieces for Piano by Camille Saint-Saens including some of his most popular and renowned works including Danse Macabre and the Swan from Carnival of The Animals
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Starke Töne - Fagott Und Klavier (BOISMORTIER JOSEPH BODIN DE / CAMILLE SAINT-SAENS)
Bassoon, Piano (duet)
[Sheet music + CD]
-
Easy
De Haske Publications
Ausgewählte Werke für den Junior- und D1-Bereich. Par BOISMORTIER JOSEPH BODIN...
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Ausgewählte Werke für den Junior- und D1-Bereich. Par BOISMORTIER JOSEPH BODIN DE / CAMILLE SAINT-SAENS . Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Répertoire / Basson et Piano
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Camille Saint-Saëns: Piano Concerto No. 4 In C Minor Op.44: Piano: Instrumental
Piano solo
[Sheet music + CD]
Music Minus One
Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Ca...
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Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the
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Camille Saint-Saëns: Elephant - The Carnival Of The Animals: Double Bass:
Double bass, Piano (duet)
[Score and Parts]
G. Henle
Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The...
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Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The Animals and is one of the few works that are attractive to learners and accomplished players alike. Its many musical and technicalchallenges have earned it a permanent place in the teaching repertoire yet it offers soloists a welcome opportunity to demonstrate their prowess and espirit even in the low register.The ease with which a greatcomposer accurately and skilfully probes the idiosyncracies of this largest of string instruments for expressive purposes - a combination of features seldom encountered in the double bass repertoire - is truly impressive. All themore astonishing therefore that the Elephant although widely known is relatively rarely heard in the concert hall.This Urtext edition of the score has been edited with critical commentaries as well as fingeringand bowing of the double bass part by Tobias Glockler. The accompaniment is notated in E flat and F and so the double bass can perform using either solo tuning or orchestra tuning.
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Camille Saint-Saëns: Le Carnaval des Animaux: Piano Solo: Instrumental Work
Piano solo
[Sheet music]
Durand
Transcription pour piano àdeux mains-Camille Saint-Saens' Le Carnaval des An...
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Transcription pour piano àdeux mains-Camille Saint-Saens' Le Carnaval des Animaux is one of the most popular sets among children. This voluime conatins the complete set of evocative miniatures and tone poems for Piano Solo.
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Camille Saint-Saëns: Sonate Opus 167: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
-
Intermediate/advanced
Chester
Camille Saint-Saens' Sonata For Clarinet And Piano Op.167 as edited by Paul Har...
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Camille Saint-Saens' Sonata For Clarinet And Piano Op.167 as edited by Paul Harvey. The solo clarinet part is also included on a separate insert.
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Saint Saens, Camille : Best en 13 morceaux pour piano
Français
Piano solo
[Sheet music]
Durand
Classique / Partition / Camille Saint-Saëns en treize morceaux pour piano.
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York Bowen: Sonatina Op. 144 for Solo Piano: Piano: Instrumental Work
Piano solo
[Sheet music]
Chester
This three-movement work written in 1953 demonstrates York Bowen’s deep u...
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This three-movement work written in 1953 demonstrates York Bowen’s deep understanding of the Piano and displays his marked individuality. York Bowne was a British composer whose fifty-year career musical career spanned much ofthe 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at the Proms amongother concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of English composers’ early in his career. His compositional style changed littlethroughout his life so that his later oeuvre was less celebrated than his earlier works as music fashion had moved on.
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York Bowen: Berceuse Op. 83 for Solo Piano: Piano: Instrumental Work
Piano solo
[Sheet music]
Chester
This berceuse or cradle song certainly manifests musically ‘rockingâ€...
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This berceuse or cradle song certainly manifests musically ‘rocking’ elements but in a style both Romantic and modern that is Bowen’s own creation. York Bowen was a British composer whose fifty-year career musical careerspanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at theProms among other concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of English composers’ early in his career.
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Jean-Philippe Rameau: Complete Works for Solo Keyboard: Piano or Harpsichord:
Piano solo
Dover Publications
Copie des éditions Durand (version Saint-Saëns)-This volume contains all 63 of...
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Copie des éditions Durand (version Saint-Saëns)-This volume contains all 63 of Rameau's works for keyboard published between 1706 and 1741 including well-known pieces as 'Musette En Rondeau' 'Tambourin' 'Les Niais De Sologne' and 'La Poule'. From the complete works edition edited by Camille Saint-Saens.
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Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
Piano solo
Dover Publications
An extensive volume filled with fugues from the last 350 years! Beginning with w...
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An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.
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Beginning Romantics For Piano
Piano solo
[Sheet music]
-
Easy
Boston Music
Faisant parti de la série Beginning ce livre comprend une sélection de solos p...
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Faisant parti de la série Beginning ce livre comprend une sélection de solos pour Piano de l'ère Romantique très inspirant. Ce superbe folio mixe inclus les chansons de composeurs tels que Elgar, Beethoven, Saint-Saens, Tchaikovsky, et Chopin. Ce livre de musique est unique et comprend une introduction historique de l'ère Romantique - ajoutant un élément intéressant à ce folio d'ores-et-déjà incroyable ! Ces morceaux sont idéals pour l'étudiant débutant - de tout âge! / Piano / 32 pages / Partition
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Fantasia 2000 Piano Solo
Piano solo
[Sheet music]
Hal Leonard
Une sélection de morceaux populaires du Fantasia 2000 de Disney, dérivés de g...
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Une sélection de morceaux populaires du Fantasia 2000 de Disney, dérivés de grands chefs d'oeuvres classiques, dont le premier mouvement de la Cinquième Symphonie de Beethoven, Le Rhapsody in Blue de Gershwin et le Carnaval des Animaux de Saint-Saens, arrangés pour piano de niveau intermédiaire. Inclues des photos couleur, des notes sur les morceaux individuels.
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Christoph Willibald Gluck: Menuet D'Orphee: Piano
Français
Piano solo
Durand
Transcription Pour Piano Par Camille Saint-Saens
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Lang Lang: Lang Lang Piano Academy level 1 (D): Piano: Instrumental Tutor
Piano solo
-
Easy
Peters
German Edition-Lang Lang Piano Academy: Mastering The Piano Level 1 (sehr leicht...
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German Edition-Lang Lang Piano Academy: Mastering The Piano Level 1 (sehr leicht) führt in die grundlegenden Klaviertechniken ein (Legato Staccato Schulung der linken Hand).Lektionen:1. Die Tastatur entdecken2. Den Grundpuls spüren3. Legatospiel4. Staccatospiel5. Geläufigkeits-Training6. Akkorde spielen7. Die linke Hand8. Spielen mit Dynamik Enthaltenes Repertoire:Laternenlied (Trad. China) Canzonetta (Christian Neefe) Hüpfspiel (Richard Harris) Mission impossible (Pam Wedgwood) Allegretto in F (Johann Georg Witthauer) Kleine Geschenke (Joseph Brackett) Dämmerung (Richard Harris) Kuckuck (Emil Breslaur) Sich selbst hinterher rennun (Alan Bullard) Menuett in C (Domenico Scarlatti) Ode an die Freude (Ludwig van Beethoven) Allemande (Ludwig van Beethoven) Der Elefant (Camille Saint-Saens) Wiegenlied (Johannes Brahms) Mo li hua (Jasminblume) (Trad. China) Embrukoi (Trad. Africa).Mastering The Piano ist die erste Reihe in fünf fortlaufenden Bänden aus der Lang Lang Piano Academy. Sie bietet einen faszinierenden Einblick in Lang Langs Leidenschaft Motivation und Meisterschaft auf dem Klavier und gibt Klavierschülern die einmalige Chance von diesem weltweit geschätzten Ausnahmetalent zu lernen. Jeder Band enthält:- Acht Lektionen in denen alle zentralen Aspekte des Klavierspiels behandelt warden- Speziell entwickelte ?'bungen für die einzelnen technischen Bereiche- Eine vielseitige Auswahl an Klavierrepertoire sowie Lang Langs Lieblingsstücke- Ansprechende Bearbeitungen von Highlights aus aller Welt- Anregende Kommentare und Spielhinweise von Lang Lang selbst- Viele tolle Fotos von Lang Lang am Klavier und von Kunstwerken die ihn als Pianist inspiriert haben
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York Bowen: Twenty-Four Preludes For Piano: Piano: Instrumental Album
Piano solo
[Sheet music]
Chester
The seemingly endless invention of the 24 Preludes for Piano follows the key sch...
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The seemingly endless invention of the 24 Preludes for Piano follows the key scheme employed by Bach in The Well-Tempered Clavier through a landscape of harmonic subtlety and craftsmanship of the most refined sort.York Bowen wasa British composer whose fifty-year career musical career spanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered manyimportant works and his own music was featured many times at the Proms among other concert series and he had a host of critical champions. Sir Henry J Wood for instance believed Bowen had never received proper recognition andCamille Saint-Saens regarded him as the ‘finest of English composers’ early in his career. His compositional style changed little throughout his life so that his later oeuvre was less celebrated than his earlier works as musicfashion had moved on.
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Romance, Op. 51 (SAINT-SAENS CAMILLE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in ...
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Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano
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Six études pour la main gauche seule op. 135 (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
Barenreiter
Par SAINT-SAENS CAMILLE. Saint-Saëns? etudes for the left hand were written in ...
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Par SAINT-SAENS CAMILLE. Saint-Saëns? etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled ?Petites pieces? by Saint-Saëns in his manuscript and indeed the cycle, which the composer himself described as ?charming? and ?amusing?, lacks any rigour of an etude collection. Particularly the ?Bourrée? quickly enjoyed great popularity. The edition is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire. - First Urtext edition - Musical text based on ?Camille Saint-Saëns ? ?uvres instrumentales complètes? - With an insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation and a Critical Commentary (Eng) / Date parution : 2022-11-29/ Etude / Piano
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6 Etudes (Piano) (Urtext) (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
Faber Music Limited
Par SAINT-SAENS CAMILLE. The Second Book Of Trumpet Solos is for the player who ...
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Par SAINT-SAENS CAMILLE. The Second Book Of Trumpet Solos is for the player who already has a firm grasp of basic technique and is keen to develop their skills further. The pieces are arranged in order of increasing technical difficulty, and the ground they cover is equivalent to Associated Board Grades 5-7. There is a tremendous variety of pieces here including works by Brahms, Joplin, Elgar and a couple of John Wallace originals, all engaging, entertaining and enjoyable! / Répertoire d'Examen / Répertoire / Piano
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The Carnival of the Animals (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
-
Easy
Schott
Par SAINT-SAENS CAMILLE. 'Get to know classical masterpieces': Within this serie...
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Par SAINT-SAENS CAMILLE. 'Get to know classical masterpieces': Within this series you will find a simple arrangement for piano of The Carnival of the Animals, a wonderful composition by Camille Saint-Saëns. As they are presented in this ?great zoological fantasy?, we hear the animals getting together to celebrate a carnival party. With explanatory texts and fully coloured illustrations, the edition is aimed at young and adult pianists. The easily playable arrangements and original pieces provide an ideal introduction to this work. / Date parution : 2022-05-17/ Répertoire / Piano
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Camille Saint-Saëns: Complete Shorter Works For Cello And Piano: Cello:
Cello, Piano
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Intermediate/advanced
Kevin Mayhew
Saint-Saens' life-long admiration of the cello led to some of his finest composi...
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Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte.Primary sources have been consulted in preparation of the edition which includes performance notes by Steven Isserlis and an informative introduction.The solo cello part is also includedon a separate insert.
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Adolphe Sax Album (PROST NICOLAS)
Français
Saxophone and Piano
[Sheet music]
Lemoine, Henry
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846...
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Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur 'la Quena', leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. / classique / Répertoire / Saxophone et Piano
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Aus 'Karneval Der Tiere'. Par SAINT-SAENS CAMILLE. Cette nouvelle série playalo...
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Piano Play-Along-Performed by Iliana Todorova piano Accompaniment: Plovdiv Phil...
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Piano Play-Along-Performed by Iliana Todorova piano Accompaniment: Plovdiv Philharmonic Orchestra Conductor: Nayden Todorov Of Saint-Saëns' five great piano concerti this may be termed the grandaddy of them all; it has remained unflinchingly in the repertoire since its premiere over 100 years ago. Affectionately known as the concerto that 'starts like Bach and ends like Offenbach ' it is an intense and carefully crafted work in the composer's inimitable style with his trademark orchestrations. A thrilling experience for player and listener alike this is one of our most requested titles and finally it is yours to accompany! Includes an authoritative newly engraved music score printed onhigh-quality ivory paper featuring fingerings and editorial notes by Iliana Todorova; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
19.99 GBP - Sold by Musicroom UK
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9.85 EUR - Sold by LMI-partitions
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