Format : Score and Parts
SKU: CA.608300
ISBN 9790007010386.
SKU: CA.160100
ISBN 9790007005368.
SKU: BA.BA04492
ISBN 9790006449019. 27.5 x 19.8 cm inches.
Chorsatze zu vier und funf Stimmen. Teil 1: Nr. 1-156 (ein Satz zu 6 Stimmen von Seth Calvisius)/ Teil 2: Nr. 157-313. 2 Teilbande.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: PR.433400210
ISBN 9781491134221. UPC: 680160094271. Text: Johann Walther; Martin Luther; Michael Frank; Seth Calvisius. Wolfgang Dachstein, Michael Frank, Martin Luther, Sethus Calvisius, Johann Walther.
SKU: CA.119400
ISBN 9790007001629. Key: F sharp minor. Language: German.
SKU: HL.49007676
ISBN 9783795717728. German.
Das Institut fur Neue Musik und Musikerziehung Darmstadt fordert zeitgenossische Musik aller Bereiche und ihre padagogische Vermittlung. Das thematische Spektrum reicht von der Tradition der kompositorischen Avantgarde uber Klangkunst, Performance, Neue Medien und grenzuberschreitende Konzepte bis zur Improvisation, zum Jazz und zur Musik der Jugendkulturen.
SKU: HL.286427
''Witold Lutoslawski treated the surrealistic poem of Jean Francois Chabrun as a symbolist story about love and death. In his musical interpretation, according to its default course he distinguished the subsequent stages of the opus which are characterised by different kinds of expression. The first stage is of an epic and lyrical character, the second refers to a lullaby, the third is of a dramatic nature and constitutes the culmination of the work, finally, the fourth stage is a kind of a lament ending with a reflective message. Lutoslawski's musical language is characterised by contemporary means of composing technique. One should take note of the unique twelve-note system elaborated by the composer, a characteristic time organisation based on contrasting the conducted sections against the ad libitum ones, and finally the vast repertoire of sound articulation allowing for unusual differentiation of the timbre. [Regina Chlopicka: Paroles tissees Witolda Lutoslawskiego, in: Muzyka polska 1945-1995'', Akademia Muzyczna w Krakowie, 1996].
SKU: CA.119100
ISBN 9790007001599. Key: D dorian. Language: Latin.
SKU: CA.328590
ISBN 9790007169077. Key: F major. Language: German.
SKU: CA.118900
ISBN 9790007001575. Key: G major. Language: German.
Priority Direct Import titles are specialty titles that are not generally offered for sale by US-based retailers. These items must be obtained from our overseas suppliers. When you order a Priority Direct Import title, our overseas warehouse will ship it to you directly at the time of order, typically within one business day. However, the shipment time will be slower than items shipped from our US warehouse. It may take up to 2-3 weeks to get to you. Orders containing these items may have limited shipping methods and incur an additional surcharge.
SKU: CA.119200
ISBN 9790007001605. Key: G major. Language: German.
SKU: BT.HU569
SKU: M7.DOHR-16339
ISBN 9790202033395.
Der Text dieses Liedes basiert auf dem Hymnus Christe, qui lux es et dies aus dem 6. Jahrhundert, deutsch von Erasmus Alkberg um 1556. Die Melodie stammt aus Frankfurt am Main 1557, bei Cyriakus Spangenberg 1568 / Seth Calvisius 1597 (GL 90 / EG 469). Bei geistlichen Musiken ist das Stück am besten als Abschluss zu spielen. Das Lied eignet sich besonders als gesamte Choralsuite bei einer Abendandacht mit Textauslegung. (Lothar Graap).
SKU: CA.118610
ISBN 9790007188245. Key: G major. Language: German.
Score available separately - see item CA.118600.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.