Bud Orr: Learn To Play Bluegrass Mandolin: Mandolin: Instrumental Tutor

Par PAGE JEANNE. Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow,' 'Angel Band,' 'Keep on the Sunny Side,' and 'Will the Circle be Unbroken,' are included along side hot instrumentals such as 'Jerusalem Ridge,' 'Rawhide,' 'Big Mon,' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham,' 'Farewell to Whiskey,' 'Forked Deer,' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only. / Niveau : Intermédiaire / Bluegrass - Solos / Recueil / Dulcimer (Cordes frappées)

Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow ' 'Angel Band ' 'Keep on the Sunny Side ' and 'Will the Circlebe Unbroken ' are included along side hot instrumentals such as 'Jerusalem Ridge ' 'Rawhide ' 'Big Mon ' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham ' 'Farewell toWhiskey ' 'Forked Deer ' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes andperforming them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass styleand players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only.

There aren't many banjos players more widely heard, or who have performed before more people, than Ron Block. Working with Alison Krauss and Union Station since 1991, Ron's distinctive banjo sound has become nearly as much a part of the group sound as Alison's voice. Ron has taught in a limited number of worshops, but this is his first instructional DVD of any kind, offering a detailed look at his unique approach to the banjo. This 2 DVD release from AcuTab begins with Ron explaining how he learned, and what resources have been useful to him, plus how he looks at both left and right hand patterns. AcuTab's John Lawless leads him through a discussion of several topics, including tone production, Ron's use of bends and chokes, how he arranges solos, and improvisation. Ron goes into great detail about his practice routine, showing examples of exercises and drills he uses to stay in shape. He discusses how to use a metronome in your practice, with several examples. He also describes a number of guitar techniques and concepts which have informed his banjo playing, such as working within 'boxes,? or blocks of frets, and learning to visualize and play scales and patterns both vertically and horizontally. The meat of the DVD is in the songs Ron teaches, which are played in a number of keys and tunings. You'll learn Cluck Old Hen, Tiny Broken Heart, Man Of Constant Sorrow, I'll Remember You Love In My Prayers, Everytime You Say Goodbye, Bright Sunny South, My Poor Old Heart and Smashville. Each song is played with a band before Ron breaks it down lick by lick, and is then shown (medium and slow) in a split screen orientation. Three screen orientations are available for the split screen sections, based on whether the left or right hand is of greater interest - or seeing them both at equal size. Two audio mixes are available for the band sections: normal, and banjo-heavy. 3 hours and 45 minutes on 2 DVDs, with tab booklet. / Banjo (5 Cordes) / 225 pages / niveau : Débutant/Intermédiaire / 2-Dvd Set - Format: 7,5 X 5,25

Beginning with basic left- and right-hand techniques, Dennis Caplinger guides you through developing great backup parts and playing all over the neck. You'll learn the classic Scruggs style of picking along with the melodic style. Plus you'll study over 20 classic bluegrass standards, and you'll learn how to play them in several different styles. All books in the Ultimate Beginner Bluegrass Basics series are fully correlated to work together. This is the ideal method for the family that wants to play music together!

The Getting Into Bluegrass Banjo book and audio by Alan Munde is the accumulation of successful teaching concepts developed in his 40 plus years as a professional bluegrass musician and teacher.Munde presents a straight-forward and well-founded course of bluegrass Banjo essentials. Designed for those who have never played a stringed instrument to those taking up bluegrass Banjo as a second instrument. Access toonline audio available provided. Getting Started - Covers the parts of the Banjo hand positions first picking patterns pull-offs hammer-ons slides exercise songs ending with the professional sounding'Levelland Mountain Breakdown.' Review of Rolls New rolls and combinations of Rolls with Examples - Offers the most used rolls in bluegrass Banjo playing with often-played examples of each. The player learns many ofthe licks used in the style with an example of how to combine them to make a solo. Roll Logic - How to place a melody into the several different roll patterns. Tools and Techniques - Helps develop left handtechniques through the use of intervals of thirds and sixths. Creating Solos to Songs - At the heart of the book is this revealing section with many examples of how to create many many solos to the song 'JesseJames.' Songs - Put to use all you have learned on these great standards 'Ground Hog ' 'Wildwood Flower' (two versions) 'Nine Pound Hammer ' 'Worried Man Blues ' 'Lost All MyMoney ' 'Old Country Church ' 'Kneel at the Cross ' and 'Train 45.'

Description Bluegrass Jamming on Fiddle is Wayne's newest instruction book and the second in a 4-part series of fun books that will teach the tools, tricks and tunes to jam in bluegrass style. It covers: 31 bluegrass jam standards, how to jam with others, how to improvise and make up your own tasteful licks and fills, almost painless music theory, how to play harmony, how to transpose and play in different keys, and pretty much everything you'll need to march fearlessly into your next jam or picking session! This FUN book is fully illustrated with almost 200 vintage photos. Coming soon: Bluegrass Jamming on Banjo (available Winter, 2012) and Bluegrass Jamming on Guitar (available Spring, 2013). All the books in the series will teach the same 31 tunes and will be 96 pages, 9 x 12 and will include an audio instructional CD. Price: $22.95 (a steal!) You WILL learn how to play and jam on: All the Good Times Are Past & Gone, Back Up and Push, Black-Eyed Susie, Cherokee Shuffle, Columbus Stockade, Colleen Malone, Dark Hollow, Deep Elem Blues, East Virginia, Footprints in the Snow, Katie Dear, Hand Me Down My Walking Cane, High on a Mountain, I Am a Pilgrim, I've Just Seen the Rock of Ages, John Henry, Just Over in the Gloryland, Little Birdie, Lonesome Road Blues, Love of the Mountains, Mama Don't Allow, Man of Constant Sorrow, More Pretty Girls Than One, Pig in a Pen, Pretty Polly, Red Rocking Chair, Rocky Road Blues, Roll on Buddy, Run and Hide, Sittin' on Top of the World, Working on a Building.