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Bach, Johann Sebastian : Complete Organ Works in 9 Volumes, Vol.8
Format : Sheet music
Instrumentation :
Organ
Publisher :
Peters
Sellers, prices & stock
Note4Piano :
3-5 days
Bach, Johann Sebastian : Complete Organ Works in 9 Volumes, Vol.8
27.20 EUR
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Johann Sebastian Bach: Organ Works Vol.8: Organ: Instrumental Album
28.95 GBP
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Complete Organ Works In 9 Volumes, Vol.8
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Johann Sebastian Bach - 'uvres Completes Pour Orgue (edition De Marcel Dupre, Vol. 5)
Organ
Leduc, Alphonse
Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. CD. 94 pages....
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Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. CD. 94 pages. Alphonse Leduc #AL27719. Published by Alphonse Leduc
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Johann Sebastian Bach - Well Tempered Clavier
Piano solo
Ashley Publications
(World's Favorite Series Volume 106). Composed by Johann Sebastian Bach (1685-17...
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(World's Favorite Series Volume 106). Composed by Johann Sebastian Bach (1685-1750). Edited by Carl Czerny, Alexander Shealy. For Piano/Keyboard. World's Favorite (Ashley). Classical. 249 pages. Ashley Mark Publishing Company #AS10106. Published by Ashley Mark Publishing Company
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Johann Sebastian Bach: Notebook for Anna Magdalena Bach
Piano solo
[Sheet music]
G. Henle
Figured bass by Siegfried Petrenz, composed by Johann Sebastian Bach (1685-1750)...
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Figured bass by Siegfried Petrenz, composed by Johann Sebastian Bach (1685-1750), edited by Ernst-Gunter Heinemann. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes, fingerings and realized figured bass. Urtext edition-paper bound. 65 pages. Published by G. Henle.
(4)
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Johann Sebastian Bach: Lute Suites For Guitar
Guitar
Classical guitar
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Intermediate/advanced
Music Sales
Composed by Johann Sebastian Bach (1685-1750), edited by Jerry Willard. For guit...
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Composed by Johann Sebastian Bach (1685-1750), edited by Jerry Willard. For guitar. Format: guitar solo book. With standard guitar notation (no tablature), fingerings, performance notes and introductory text. Baroque. 96 pages. 9x12 inches. Published by Music Sales.
(3)
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Bach, Johann Sebastian: Das Wohltemperierte Klavier - Teil II, BWV 870-893 (The Well-Tempered Clavier, Part II)
Piano solo
[Sheet music]
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Advanced
G. Henle
By Johann Sebastian Bach. Edited by Otto von Irmer. Piano (Harpsichord), 2-hands...
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By Johann Sebastian Bach. Edited by Otto von Irmer. Piano (Harpsichord), 2-hands. Pages: 136. Urtext edition-paper bound. Published by G. Henle.
(6)
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Concerti after Other Composers (16)(Complete in 1 Volume)
Piano solo
Peters
By Johann Sebastian Bach. For piano (harpsichord). Vivaldi,Marcello,Telemann ,et...
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By Johann Sebastian Bach. For piano (harpsichord). Vivaldi,Marcello,Telemann,etc.Edited by Czerny,Griepenkerl,Roitzsch. Published by C.F. Peters.
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First Lessons In Bach
Piano solo
[Sheet music]
-
Intermediate
Alfred Publishing
By Johann Sebastian Bach. Keyboard. Level: Early Intermediate/Intermediate (3/4/...
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By Johann Sebastian Bach. Keyboard. Level: Early Intermediate/Intermediate (3/4/5). Published by Alfred Publishing.
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Oeuvres Completes Pour Orgue Volume 12
Organ
Leduc, Alphonse
Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. Softcover. 10...
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Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. Softcover. 105 pages. Alphonse Leduc #AL27727. Published by Alphonse Leduc
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The Complete Sacred Vocal Works (Das geistliche Vokalwerk)
Choral
Carus Verlag
Complete edition in 23 volumes
. Composed by Johann Sebastian Bach (1685-1...
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Complete edition in 23 volumes
. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger, Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Set with study scores. Sacred vocal music, Cantatas, Masses, Latin, Oratorios, Passions. Package. 12808 pages. Carus Verlag #CV 31.500/00. Published by Carus Verlag (CA.3150000).
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Chaconne from Partita no. 2 (Johann Sebastian Bach)
Piano solo
-
Advanced
G. Henle
Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750...
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Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750). Edited by Valerie Woodring Goertzen. Arranged by Johannes Brahms. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1187. Published by G. Henle
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Bach-Schaum, Book Two
Piano solo
[Sheet music]
Alfred Publishing
By Johann Sebastian Bach. Arranged by John W. Schaum. For Piano. Piano - Schaum ...
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By Johann Sebastian Bach. Arranged by John W. Schaum. For Piano. Piano - Schaum Method Supplement. Schaum Master Composer Series. Book. 32 pages. Published by Alfred Publishing.
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The Best Of Bach
Piano solo
-
Intermediate
Music Sales
By Johann Sebastian Bach. For Piano. Baroque, Classical. Sheet Music. 72 pages. ...
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By Johann Sebastian Bach. For Piano. Baroque, Classical. Sheet Music. 72 pages. Published by Wise Publications.
(1)
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Bach: Two-Part Intention (No. 1)
Piano solo
[Sheet music + CD-ROM]
Music Sales
By Johann Sebastian Bach. For Piano. Baroque, Classical. Sheet Music and CD-ROM....
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By Johann Sebastian Bach. For Piano. Baroque, Classical. Sheet Music and CD-ROM. 2 pages. Published by Music Sales.
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J.S. BACH 'Triple' Concerto in A minor, BWV1044; Brandenburg Concerto No. 5 in D major (1st mvmt)
Piano solo
[Sheet music + CD]
Music Minus One
For Piano. Includes a high-quality printed music score and a compact disc contai...
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For Piano. Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.
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Johann Sebastian Bach: Das Wohltemperierte Klavier - Teil I, BWV 846-869 (The Well-Tempered Clavier, Part I)
Piano solo
[Sheet music]
-
Advanced
G. Henle
By Johann Sebastian Bach. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord),...
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By Johann Sebastian Bach. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: XIII and 121. Urtext edition-paper bound. Published by G. Henle.
(8)
$29.95 - See more - Buy online
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Johann Sebastian Bach: The Well-Tempered Clavier, Complete
Piano solo
-
Advanced
Schirmer
Schirmer Library of Musical Classics, Volume 2057. By Johann Sebastian Bach. Pia...
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Schirmer Library of Musical Classics, Volume 2057. By Johann Sebastian Bach. Piano Collection. 256 pages. Published by G. Schirmer, Inc.
SMP Level 10 (Advanced).
(3)
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Charles Francois Gounod, Franz Schubert, Johann Sebastian Bach: The Complete Ave Maria
Piano, Voice
[Sheet music]
Hal Leonard
Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Joh...
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Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Johann Sebastian Bach (1685-1750). For high voice, medium voice, low voice, piano (accompaniment and solo) and organ (accompaniment and solo). Format: Vocal/piano/organ book. With vocal melody, vocal text, piano accompaniment, organ accompaniment, piano solo, organ solo and introductory text. Baroque and classical period. 80 pages. 9x12 inches.
(7)
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Johann Sebastian Bach: Violin Concerto in D Minor, BWV 1043 ( Double Concerto ) - Music Minus One
Violin
[Sheet music + Audio access]
Music Minus One
Music Minus One Violin. Composed by Johann Sebastian Bach (1685-1750). Music Min...
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Music Minus One Violin. Composed by Johann Sebastian Bach (1685-1750). Music Minus One. Baroque and Play Along. Softcover Audio Online. With solo parts and standard notation. BWV 1043. 24 pages. Music Minus One #MMO3103. Published by Music Minus One
(6)
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Great Instrumental Works Of J. S. Bach (BACH JOHANN SEBASTIAN)
Bass guitar
-
Intermediate
Mel Bay
Transcribed For Solo Electric Bass. Par BACH JOHANN SEBASTIAN. While many electr...
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Transcribed For Solo Electric Bass. Par BACH JOHANN SEBASTIAN. While many electric bassists study the Bach cello suites at some point, fewer attempt the sonatas and partitas for un- accompanied violin (BWV 1001-1006). Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata (BWV 1002), which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita (BWV1006) and the complete A minor partita for solo flute (BWV 1013), transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Man's Desiring (from BWV 147) takes advantage of the bass's natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Guitare Basse Tablatures
19.22 EUR - Sold by LMI-partitions
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Johannespassion (BACH JOHANN SEBASTIAN)
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
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Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
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Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2006-02-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johannespassion (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2004-03-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach Â’s Four Orchestral Suites belong to that ...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...
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Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
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6 Sonatas And Partitas (BACH JOHANN SEBASTIAN (ARR)
Violin
[Sheet music]
Carl Fischer
Par BACH JOHANN SEBASTIAN (ARR.RACHEL BARTON PINE). Johann Sebastian Bach's Six ...
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Par BACH JOHANN SEBASTIAN (ARR.RACHEL BARTON PINE). Johann Sebastian Bach's Six Sonatas and Partitas have captivated violinists for centuries. Rachel Barton Pine now offers this unparalleled edition complete with detailed historical notes, performance suggestions, and downloadable study materials including a new Urtext edition and a specifically prepared manuscript. Pine's interpretation is informed by thorough historical study polished by years of performance insight, but also encourages those studying Bach's repertoire to craft their own unique interpretation of these timeless masterpieces./ Répertoire / Violon
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Suite Nr.1 In G Major, Bwv 1007 (BACH JOHANN-SEBASTIAN)
Clarinette Basse Solo
Metropolis Music Publishers
Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the f...
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Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo
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Fuga BWV 1001 (BACH JOHANN SEBASTIAN)
Français
Guitar
[Sheet music]
Volonte and Co
dalla Sonata prima a Violino Solo senza Basso. Par BACH JOHANN SEBASTIAN. For th...
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dalla Sonata prima a Violino Solo senza Basso. Par BACH JOHANN SEBASTIAN. For this transcription the author used a photographic copy of the autograph manuscript of Sonatas and Partitas for Solo Violin (BWV 1001-1006) by Johann Sebastian Bach, dated 1720 and kept in the Staatbibliothek Preussicher Kulturbesits, Berlin. The adjustments to the original text mainly concern: harmonic enrichments suggested by the implicit polyphony, which is typical of the works for string instruments by Bach, necessary corrections to remedy simple misprints, a clearer and more complete polyphony. For this reason, when two or more voices moves homorhythmically, the related pauses are grouped to avoid graphic overload, according to the current practice./ Recueil / Guitare
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St. John Passion BWV 245 (BACH JOHANN SEBASTIAN)
Choral SATB
SATB A Cappella
Barenreiter
Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already av...
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Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already available performance material for Johann Sebastian Bach?s St. John Passion. The choral score contains no solo parts or piano reduction. For a full vocal score see BA05037-90 / Date parution : 2022-02-10/ Répertoire / SATB sans Accompagnement
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
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Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
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Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
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Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
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Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
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Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
[Sheet music]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. BachÂ’s...
(+)
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins
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