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Ave Maria
$8.95
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Lead time before shipment :
4 to 6 weeks
Format : Score and Parts
By Charles Francois Gounod (1818-1893). Arranged by Eric Vireton. For Trombone or Tuba or Euphonium or Saxhorn and Piano. Classical, Chamber Music. Grade 2. Score and set of parts. 5 (score); 1 (parts). Published by FLEX Editions
Instrumentation :
Trombone and Piano
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FLEX Editions
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Ave Maria
$ 8.95
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Las Mananitas
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Camino De Guanajuato
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Mariachi Philharmonic (Mariachi in the Traditional String Orchestra)
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Si Nos Dejan
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Sin Ti
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El Hijo del Pueblo
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Mariachi Vihuela, Vol.2
Mariachi
[DVD]
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Comme une continuation Volume 1, ce cours de niveau intermédiaire vous fournira...
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Comme une continuation Volume 1, ce cours de niveau intermédiaire vous fournira les connaissances nécessaires pour devenir un musicien professionnel de mariachis. Vous apprendrez à jouer des accords mineurs et rythmes comme Waltz, Bolero et Huapango, ¡plus beaucoup plus ! Espagnol seulement / Guitare (Fingerpick) / 54 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25
26.87 EUR - Sold by LMI-partitions
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Mariachi Guitarra, Vol.1
Mariachi
[DVD]
Mayas
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Ce volume enseigne les fondements de base de guitare acoustique, y compris votre premières chords, rythmes et grattent. Vous allez être étudié avec des chansons populaires dans le style Mariachi, ainsi qu'avec les rythmes comme ranchera, Valse, cumbia, Boléro et beaucoup d'autres. Espagnol seulement / Guitare (Fingerpick) / 60 pages / niveau : Débutant / Dvd - Format: 7,5 X 5,25
26.87 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ave Maria Opus 52 n°6 ? Voix Elevées (Collection Anacrouse) (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
EBR Editions Bourges
Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confi...
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Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano
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Ave Maria (SCHUBERT FRANZ)
Treble (Alto) Recorder, Piano
Universal Edition
Par SCHUBERT FRANZ. Presented for alto recorder and piano, the two most famous A...
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Par SCHUBERT FRANZ. Presented for alto recorder and piano, the two most famous Ave Marias in music. Gounod’s, based on Bach’s first prelude and Schubert’s equally well known composition. They offer an undemanding blow for treble recorder in these arrangements by Sylvia Corinna Rosin or, perhaps a little more challenging, the Schubert will fit the tenor recorder, whose mellower tone will suit the music perfectly./ Répertoire / Flûte à Bec Alto et Piano
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Gran Maestro (LEGAZA JOSE MARIA)
Piano, Vocal and Guitar
[Sheet music]
UMV
Par LEGAZA JOSE MARIA. Lettres de plusieurs auteurs une collection de oeuvres du...
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Par LEGAZA JOSE MARIA. Lettres de plusieurs auteurs une collection de oeuvres du compositeur prolifique de chanson Granada Jose Maria Legaza, tous présentés pour voix et Piano. Comprend une biographie du master en anglais et en espagnol./ Recueil / Piano, Chant et Guitare
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Ave Maria (KIESEWETTER PETER)
Choeur SATBB
[Sheet music]
Carus Verlag
Aus: Musica Mariana. Par KIESEWETTER PETER. Auftragskomposition des Deutschen Mu...
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Aus: Musica Mariana. Par KIESEWETTER PETER. Auftragskomposition des Deutschen Musikrats zum Schwäbischen Kunstsommer 2001 der Universität Augsburg [UA 4. 8. 2001] / Mottet / Répertoire / Choeur SATBB
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
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Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
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Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
(+)
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
(+)
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
(+)
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Ave Maria (VERDI GIUSEPPE)
Solo S, 2 Violons, Alto et 2 Violoncelles
[Sheet music]
Carus Verlag
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performan...
(+)
Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles
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Beate Es, Virgo Maria (MOZART LEOPOLD)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
[Sheet music]
Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...
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Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
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Beate Es, Virgo Maria (MOZART LEOPOLD)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
[Sheet music]
Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...
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Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
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Beate Es, Virgo Maria (MOZART LEOPOLD)
Solo S, Choeur SATB, 2 Clarinettes, Timbales, 2 Vi
[Sheet music]
Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...
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Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarinettes, Timbales, 2 Vi
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Beate Es, Virgo Maria (MOZART LEOPOLD)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
[Sheet music]
Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...
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Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
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Beate Es, Virgo Maria (MOZART LEOPOLD)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
[Sheet music]
Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...
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Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
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Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
String Quartet: 2 violins, viola, cello
[Sheet music]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
String Quartet: 2 violins, viola, cello
[Sheet music]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Ave Maria, Gratia Plena. 19Th And 20Th Century Ave-Maria Settings For Solo Voice And Organ
Voice, Organ
Barenreiter
This collection contains settings from the late Romantic period through to the E...
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This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition
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Fantaisies : sept pièces (GUIMARAES MARIA INES) (GUIMARAES MARIA INES)
Français
Piano solo
Editions Buissonnieres
Par GUIMARAES MARIA INES. / Date parution : 2018-03-01/ Recueil / Piano
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Ave Maria (BRAHMS JOHANNES)
[Sheet music]
Carus Verlag
Tonalité : F-Dur - Op.: 12 -. Par BRAHMS JOHANNES. Marienfeste, Marianische Ges...
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Tonalité : F-Dur - Op.: 12 -. Par BRAHMS JOHANNES. Marienfeste, Marianische Gesänge - Langue : Latin/Anglais / Hymnes et chorals / Répertoire / Orchestre: Choeur SSAA, 2 Flûtes Traversières, 2 H
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Der Lobgesang Der Maria (ZENTNER JOHANNES)
[Sheet music]
Carus Verlag
Par ZENTNER JOHANNES. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste...
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Par ZENTNER JOHANNES. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Solo à et Orgue (2 Violons, Alto et Violoncelle (o
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