Antonio Vivaldi: Sonata per violoncello e BC in La Min. Rv 44: Cello

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)

Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46).   Please note this comes with a separate Cello part.

Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.

Violoncello (Fagotto) E Basso Continuo - Rv 801. Par VIVALDI ANTONIO. EDIZIONE CRITICA A CURA DI P. EVERETT/ Répertoire / Matériel D'Orchestre