Set Wind Instruments-Dvorák s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
SKU: FH.VLR03
ISBN 9781554409044.
Carefully selected and curated to support teachers and students in their artistic and technical development, the Violin Series, 2021 Edition includes pieces from a diverse range of eras and styles that represent stepping stones to major violin repertoire. Each level is constructed to link repertoire selections to necessary techniques and corresponding etudes, while illustrating step-by-step connections for developing core skills. Each Repertoire book includes access to quality video and audio recordings by some of North America's finest violinists and accompanists; both performance and accompaniment-only tracks for each Repertoire selection offer students a model for performance practice and the convenience of accompanied rehearsal at home.
Violin Repertoire 3 provides exciting and varied repertoire with entry-level concertos, sonatas, fiddle tunes, and dance styles (polkas, waltzes, and polonaises). Pieces by composers such as Johann Sebastian Bach, Natalya Baklanova, Antonin Dvorak, Edvard Grieg, Ferdinand Kuchler, Wolfgang Amadeus Mozart, Jean-Philippe Rameau, and Georg Philipp Telemann are experienced in both solo and duet form. Level 3 students continue to expand their hand-frame knowledge with the inclusion of new flat keys, while gaining comfort in the second position. Rhythmic challenges are introduced through a variety of meters and syncopation. Articulations such as brush stroke are introduced.
SKU: BA.BA10422-75
ISBN 9790260108134. 32.5 x 25.5 cm inches. Key: A minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10422-74
ISBN 9790260108127. 32.5 x 25.5 cm inches. Key: A minor.
SKU: HL.50514692
SKU: BA.TP00422
ISBN 9790260107694. 22.5 x 16.5 cm inches. Key: A minor. Preface: Iacopo Cividini.
This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorak's op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorak's autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation.* Study score based on the new Barenreiter Urtext edition* Variants in the solo part as ossia passages* Foreword by the editor on the work's genesis (Ger/Cz/Eng)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: SU.00220136
The complete Violin I & II parts [CD-ROM] for the 64 works included in The Orchestra Musician's CD-ROM Library™, Volume 5: Dvorák, Rimsky-Korsakov and more.If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BORODIN Symphony No. 2, On the Steppes of Central Asia, Polovtsian Dances; DVORÁK 9 Symphonies, 3 Concertos, 5 Overtures, Romance in F Minor, Slavonic Dances Op. 46 & 72, Slavonic Rhapsodies, Serenade for Strings, Symphonic Variations, Tone Poems (47 works); RIMSKY-KORSAKOV 2 Symphonies, Scheherazade, Capriccio Espagnole, Russian Easter Overture, Christmas Eve Suite, Le Coq d'Or Suite, Mlada Suite (incl. Procession of the Nobles), Sadko Suite, Tsar's Bride Overtures; SCRIABIN 5 Symphonies, Piano Concerto in F# Minor; SMETANA Má Vlast (complete), Bartered Bride Overture and Dances, Hakon Jarl, Richard III, Wallenstein's Camp Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: BA.BA10420
ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge.
Composed in 1876, Dvorák??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc.