Andantino et scherzando

SKU: LM.25391

ISBN 9790230953917.

BACH C.P.E. : Allegretto scherzando - Andantino Cantabile - Marche - BACH J.C.F. : Danse paysanne - Etude - BACH J.S. : Petit prelude - Bourree - Courante - Canon - BACH W.F. : Allegro.

SKU: HF.FH-6037

ISBN 9790203460374. 9 x 12 inches.

Anonym, 18. Jhd.: 2 Menuett, 3 Rigaudon; Benoit Berbiguier (1782-1838): Allegro; Giulio Briccialdi (1818-1881): Andante mosso, Allegro; Gyula David (geb. 1913): Moderato; Giuseppe Gariboldi (1833-1905): 2 Moderato, 2 Allegretto, Studie, Andantino; Zoltan Jeney (geb. 1915): Allegro moderato, Variationen uber ein ungarisches Volkslied; Gunter Kochan (geb. 1930): Andantino, Kleine Romanze, Allegro; Caspar Kummer (1795-1870): Andante, Allegretto, 2 Allegro, Vivace; Johann Joachim Quantz (1697-1773)/Friedrich II. (1712-1786): 8 Studien, 2 Andante, 3 Allegro; Johann Christian Schickardt ( ca. 1670-1740): Gavotta, Allegro, Vivace; Heinrich Soussmann ( 1796-1848): Andante; Siegfried Thiele (geb. 1934): 3 Moderato, 3 Allegro, 5 Ruhig, 5 Lebhaft, Andante, Bewegt; Georg Tromlitz (1726-1805): 2 Allegro; 2 Volkslieder vom Balkan; Ruth Wagner (geb. 1929): 2 Allegro, 2 Moderato, Studie, Andantino, 2 Andante, Poco Allegro; Johannes Weyrauch (geb. 1897): Moderato, Tanz, 2 Cantabile, Andantino, Lustig bewegt, Scherzando.

SKU: HL.48181294

UPC: 888680867171. 9x12 inches.

“Starting with the Piano on a slow section 'Andantino Cantabile' (3/4 - tempo 88), the piece then accelerates in the 'Allegretto Scherzando' (6/3 ' tempo 120), goes back to a slower part and finishes a fast section of notes. A variation of a small section of the main score is also proposed to the player. Difficulties highlighted in the piece are the fast rhythms and the resulting endurance necessary to play them. The piece includes some trills, some staccatos and some accidentals that upper-intermediate players should be able to overcome. Denis Joly (1906-1979) is a French organist and composer. He wrote around 40 pieces of chamber music for Piano solo, Piano and strings, Piano and woodwind, Piano and brass, and solo Organ.&rdquo.

SKU: HL.49006848

ISBN 9790001073523. 9.0x12.0x0.075 inches.

SKU: HL.48187898

UPC: 888680835378. 8x11 inches.

Incantatoire (Largamente); Linéaire (Lento moderato); Obsessionel (Scherzando); Torpide (Andantino); Flamboyante (Presto).

SKU: HL.370494

ISBN 9781705147009. UPC: 840126994025.

The First String Quartet in C major, Op. 37, was written in the autumn of 1917 and earned Szymanowski the first prize in a competition organized by the Ministry of Religious and in a competition organized by the Ministry of Religious and Educational Affairs in January 1922. The First String Quartet is notable for its clar and simple construction. The first movement is in the formof a sonata allegro; the Andantino semplice (in modo iuna canzone) in the middle is a cross between ternary and variation form. The final Scherzando alla burlesca also keeps to the form of a sonata allegro. The combinations and proportions of formal factors and the treatment of thematic material betray a fairly conventional adoption of classical models. Similarly, the expressive and structural use of melodic material shows a respect for traditional norms. Szymanowski created, in other works from the same period, his own individual type of melodic line, which was strongly expressive and achieved its effect chiefly by its tonal qualieties; nevertheless in this Quartet he returns to a fluid, cantilena-like, symmetrically shaped melodic line, which runs along in broad phrases of a concentrated, reflective character. Melody becomes the chief factor in the development of the form, both in thematic usage and in the application of a more polyphonic texture. Harmonic and tonal means are considerably simplified in the Quartet []. Most of the writing is linear, or horizontal, with individual treatment of each part, the parallel continuation of the four sound planes, almost a matter of principle. The functions of the particular instruments in realizing these planes are constantly changing,which accounts for the even greater variedy of tone-colour. The decision to forego experiment with forms and sonorities is reflectedin the overall approach to musical expression. The predominant atmosphere of restrained emotion, quiet lyricism and serenity is strongly suggestive of classical aestetic models. (Based on Zofia Helman Commentary on Szymanowski Complete Edition, Vol. B6) (II) The ''Second String Quartet'' represents an interesting attempt to revert to classical form coupled with the new harmonic and tonal vocabulary worked out previously in the ''Slopiewnie'', ''Stabat Mater'' and ''Mazurkas''. It was also the first time the composer had used folk elements in the framework of a major classical form. The ''Second String Quartet'' is in a special category among Szymanowski's works. Though it dates from the composer was still occupied with folk music, it nevertheless shows him returning to classical models, but at the same time using an aesthetic of subjective expression, which gives the work its own individual stamp. The ''Second String Quartet'' synthesis of the various directions in which Szymanowski was attempting to develop. The sonority and texture used in the first.

SKU: HF.FH-2807

ISBN 9790203428077. 8.3 x 11.7 inches.

1. Allegro; 2. Andantino; 3. Allegretto Scherzando; 4. Allegro.