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Tartini, Giuseppe Giuseppe Tartini
Italia Italia
(1692 - 1770)
62 sheet music
10 MP3
1 MIDI







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Oboe Sheet music Oboe solo, String quartet Giuseppe Tartini
Tartini, Giuseppe: Sonata in G Minor (Devil's Trill) for Oboe & Strings

Sonata in G Minor (Devil's Trill) for Oboe & Strings
B.g5
Giuseppe Tartini




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ViewDownload PDF : Cello (115.27 Ko)
ViewDownload PDF : Viola (110.18 Ko)
ViewDownload PDF : Violin 2 (120.22 Ko)
ViewDownload PDF : Oboe (179.91 Ko)
ViewDownload PDF : Violin 1 (147.18 Ko)



Composer :Giuseppe TartiniGiuseppe Tartini (1692 - 1770)
Instrumentation :

Oboe solo, String quartet

Style :

Baroque

Arranger :
Publisher :
Giuseppe TartiniMagatagan, Mike (1960 - )
Key :G minor
Date :1799
Copyright :Public Domain
Giuseppe Tartini (1692 – 1770) was an Italian Baroque composer and violinist.

Half a century ago, Giuseppe Tartini might have been the only composer of the Italian Baroque most classical music listeners could name. That was thanks to the so-called Devil's Trill, which appears as the final track on disc one of this two-disc set. Here one can experience the "trillo del Diavolo" in its proper place, as the final movement of a three-movement Sonata in G minor for violin and continuo, and within a larger slice of his output, including a published set of violin sonatas from around the time of the Devil's Trill (around the early 1730s), and several later sonatas. In a way, the rest of the music makes the Devil's Trill seem less remarkable. There's nothing elsewhere to match the double trills that gave rise to a legend that Tartini had six fingers on his left hand, but in the capable hands of violinist Elizabeth Wallfisch, playing a period instrument, the level of ornamentation in much of the other music on disc one shows what a virtuoso Tartini was. Too, the music is filled with tempo shifts and other dramatic surprises akin in spirit to the story of Tartini awakening to the Devil playing the violin at the foot of his bed. The sonatas conform to the simpler structures of the by-then classic sonatas of Corelli but contains an intriguing programmatic piece of its own, the Violin Sonata in A minor "sopra lo stile che suono il Prette dallas Chitarra Portoghese" (in the style of the Portuguese priest who plays the guitar). This piece, with its vigorous Iberian accents, gives you an idea of what Domenico Scarlatti might have written if he had composed for the violin, but elsewhere one can't help but feel that where Vivaldi remade the structures of his music in response to new societal winds, Tartini settled for elaborating old models. He is ultimately a decadent composer, but he is given the best possible treatment here.

Source: AllMusic (https://www.allmusic.com/album/tartini-the-devils-tril l-mw0001869263 ).

Although originally composed for Violin & Keyboard, I created this Interpretation of the Sonata in G Minor (Devil's Trill) for Oboe & Strings (2 Violins, Viola & Cello).
Sheet central :Sonate pour Violon en Sol mineur "Le trille du diable" (10 sheet music)
Added by magataganm the 2018-10-19


1 comment


By flamen, 21 Oct 2018 at 09:38


Beautiful transcription and remarkable historical notes !
magataganm Owner , 21 Oct 2018 at 10:04
Thank you!
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This sheet music is part of the collection of magataganm :
Woodwind
bois
Woodwind Arrangements
Sheet music list :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Oboe and bassoon
› "Élévation ou Communion" from "L'Organiste Moderne" for Oboe & Harp
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Oboe, English horn, Bassoon
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings




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