This piece brings the 12-tone dodecaphonic technique
from Schoenberg and Webern works. Its dodecaphonic
series were produced with two well known tetrachords.
The Z cell from Béla Bartók works: the 0167, if we
put the coordinate of pitch above numbers (pitch
class). And the tetrachord from Webern studies, the
0156.
Along the pieces we could seen various sonorities and
rhythmic sections that remember a little kind of Jazz,
even with the dodecaphonic characteristic tangle of
clouds and notes. ...(+)
This piece brings the 12-tone dodecaphonic technique
from Schoenberg and Webern works. Its dodecaphonic
series were produced with two well known tetrachords.
The Z cell from Béla Bartók works: the 0167, if we
put the coordinate of pitch above numbers (pitch
class). And the tetrachord from Webern studies, the
0156.
Along the pieces we could seen various sonorities and
rhythmic sections that remember a little kind of Jazz,
even with the dodecaphonic characteristic tangle of
clouds and notes.
PARTITION