adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6836 sheet music
7484 MP3
1314 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Aria: "Jesu, Brunnquell aller Gnaden" for Oboe & Cello

Aria: "Jesu, Brunnquell aller Gnaden" for Oboe & Cello
BWV 162 No 3
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 : Principal audio (4.44 Mo)57x 471x ViewDownload PDF : Aria: "Jesu, Brunnquell aller Gnaden" (BWV 162 No 3) for Oboe & Cello (2 pages - 76.23 Ko)339x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community


ViewDownload PDF : Oboe Part (55.05 Ko)
ViewDownload PDF : Cello Part (60.25 Ko)
Aria: Jesu, Brunnquell aller Gnaden for Oboe & Cello
Download MP3 (4.07 Mo) : (by Magatagan, Michael)59x 85x
Aria: Jesu, Brunnquell aller Gnaden for Oboe & Cello
Download MP3 (4.45 Mo) : (by Magatagan, Michael)38x 66x



Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Oboe and Cello

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 (Ah! I see, now, when I go to the wedding), BWV 162, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for the 20th Sunday after Trinity and first performed it in 1715 or 1716.

On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. He wrote the cantata for the 20th Sunday after Trinity, first performed on 3 November 1715 (according to the musicologist Alfred Dürr) or on 25 October 1716. The prescribed readings for the Sunday were from the Epistle to the Ephesians, "walk circumspectly, ... filled with the Spirit" (Ephesians 5:15--21), and from the Gospel of Matthew, the parable of the great banquet (Matthew 22:1--14). The cantata text was provided by the court poet Salomon Franck, published in Evangelisches Andachts-Opffer (1715). He refers to the gospel and reflects how essential it is to follow the loving invitation of the Lord. Franck's language is rich in contrasts, such as Seelengift und Himmelsbrot (poison for the soul and bread of heaven), and of images derived from the Bible, such as Der Himmel ist sein Thron (Heaven is his throne) after Isaiah 66:1. The closing chorale is stanza 7 of "Alle Menschen müssen sterben" of Johann Rosenmüller (1652).

Bach performed the cantata again on 10 October 1723 in his first year in Leipzig in a revised version, including a corno da tirarsi, a baroque wind instrument mentioned only in Bach's music and thought to have been similar to the slide trumpet (tromba da tirarsi). Bach's score is lost, and some parts seem to be missing as well.

The cantata opens with a bass aria, accompanied by three instruments in a polyphonic setting, the two violins and the viola (with the corno). The motif for the first words is present most of the time. The soprano aria seems to lack a part for an obbligato instrument. For the Bach Cantata Pilgrimage of the Monteverdi Choir (and John Eliot Gardiner), Robert Levin reconstructed a version for flauto traverso and oboe d'amore. The duet is also accompanied only by the continuo, but seems complete. The melody of the closing chorale is rare elsewhere, but appeared in Weimar not only in this work, but also in a chorale prelude of Johann Gottfried Walther.

Although this cantata is scored for a small ensemble, four soloists, corno da tirarsi (likely added in Leipzig), two violins, viola, and basso continuo, I created this arrangement for Oboe & Cello.
Source / Web :MuseScore
Sheet central :Ach! ich sehe, itzt, da ich zur Hochzeit gehe (4 sheet music)
Added by magataganm the 2014-08-27


0 comment





Report problem


This sheet music is part of the collection of magataganm :
Woodwind
bois
Woodwind Arrangements
Sheet music list :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Oboe and bassoon
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Oboe, English horn, Bassoon
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings