orl."""'or !{ecit. (edamaiur)' edges produces the falsetto. ee- fa* del -ja efficaciously ehoc. chi eli 1'0. j. eli idf. ellltachian tube* employed english otj.f,: (entire alil e pnncipa . era e **rams. ~&erto especially in et" clear i d a * tm,preads ma !:~~etiods.~tbe * eu. in french. eurdia, stadj .r, ity au voleu example of ensemble colouring? execatiol exec:atloa. exerciaea od light and shade .** exercises od timbres *** explosion. expression and style. ezpressiodbycolor, by ornamentation 59, 65 fa ehe l'a-ida* to far as ~ fattg* .r tile vocal orgao fauces. feeaida* feu dot; ffe!-:"'1 j fig. fig. i . figures in melody fila fioriture introduced at** ~ fiq. 10. first. fla.~m&pi 01 flints o. 8ingimg. flj~'t'~ fnp-., foi'mation or ii.. for be for contraltos. for eumple *:- form a sound. for mezzo-sopranos. or for sopranos. forte-piano, the for the for the three frenctl by beata garcia from fti' fti'. ftlue add wedaciicitei ~ftt~rdeb fultsla v.1ce pndactiod gior * glottic action glottis. glottis opdii.d. glottis opened. glottis shut and vibrating. glottis, stroke of the gluck gndu.- 01 golden," should be the singer's device. guttural so8di. half-breath halla tooe. (handed. (handel). haste, have to do it haye 8bi head.~ head regilter. head reli5tel'. herd here is a table of male voices :~ (he requirements of particular passage.;. hermann i{lein. hi1ft! 011 si mgiko. * hied hied. higher the note is. hiiits on .mg1no. hikts 011 sjnging. hikts ok singing. hints 011 5inmbg. hints 011 sikgimo. hints 011 singing. hints 011 singing* hints 011 sllfging. hints 0 n 511(6 ng. hints o. 51.gina. hints ok singing. hints olf singing. hints om singirg hints on 5inoi.g. hints on sillgillg. hints on singi_a. hints on singi.g. hints on singikg. hints on singinc. hints on singing. hints on sllfgiiig. hints otf 81ngiiig. ,hints ox singing. hirts om singino. hitfts om si8gimo * hold i how is it introduced? how proclaoed~ h the remetl, h.-til';'" (hudel). hurn with the cricoid. ia peat teo ia the medium. i caatralto. @ice "ice, and those above ida* ifouth. iftl ii * aor-do iidift o. slngi.g. ii. (esophagus. or kullet. iii1fft o. "gdfg. ii produced. ilf;z.,.j iii p jl~~ ~ 2t ilia'. ' * illlf1'5 on siiiging. illlfti on singing.* indes index. inft inlpf'c?ft in our heart* felt - ; in soprano instrument and interpretation in the italian vowels, thus :- introduetiod inustrated. inwt. i par irregular for imitation. _ _ is capable of orocidgidc.--(no". h. lcj ~'i s;e :;~ fod ~rciivt1 is the is willing to linger. ,it. a.""orj it extends from "itj~ it may be placed at the itnek it shows, also, i. upper born of the thyroid cartilqe. =iwd !sui ;ixteeo noe-. j4ii'i"(j tusai. recit. * jar jchest register. je .'ed dois pia -.jibe r ji:.erd~to jis~ joft j'ortamenro. joui' jour jowe j.ric] :s- j.~. this is a common error. "'kol'chance lab* hro men* so laportance of lar,u. laryngoscopic mirrors, half size ;- larynx* latroductlod 01 * lbio 916 l'bon * aete lea, leave out the preparation :- led~h of legato, the lelacoand l:foye l. giu:m lilli,.. lie - t. lie * ta lift for tcmiay i to-m6now'. light, ligbt and shade liodem). (lladciei). llaitatloa 01 l'** man lmnea. load. lodg. loft, lound an love al * rea.. dy t 'ltj mail rends-mei ie . . -hear, mal * mal- beun male voices, descrlptlod of maltel'j man home manuel garcia. marcato, the marlie may produce the worst results. may ruin the voice for ever. mcchaaism or m. . cuv~ mechanism. mediulil medium toee. men, baste, mezzo-sop. mftniods miil;u"" and !lead. mints mit"". (rolli). (moart). moderately modes of (modit): (moiart). mom.1i- de more pathetic form. moure mouth. mouth, opening of the ..* .--mtj it,,<