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France France, St Laurent d'Aigouze
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Jean, Fran?ois-Xavier: Aphorisme Op.25, No.01

Aphorism Op.25, No.01

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1 comment

By francois-xavier-jean, at 00:00

Thank you my dear Aaron for your encouragement even if all is result of imposed rules I freely followed. The chant that sings indifferently with flute, bassoon or viola ... is free. It may adopt all intervals. For counterpoint, it's different. (1) their melody follows the same direction (2) they adopt changing-skipping intervals fixed in advance and who determine the color. Color is not the same with min and maj 2nd, min & maj 3rd or Golden intervals (min & ma, 2nd, min 3rd, 4th1 min 6th. Looking forward to read you. Friendships. François. Merci mon cher Aaron pour tes encouragements même si ce ne sont ici que des règles imposées que j'ai suivies. Le chant qui chante indifféremment à la flûte, au contrebasson ou à l'alto ? est libre. Il peut adopter tous les intervalles. Par contre le contrepoint observe (1) une mélodie qui suit la même direction (2) qui évolue par saut d'intervalles fixés à l'avance. C'est précisément ces intervalles fixés qui décideront de la couleur. L'aspect général ressemble à du bleu avec la 2de min et maj, à du vert si la 3ce est min ou maj, à du blanc enfin avec les intervalles dorées connus: 2de min et maj, 3ce min, 4te et 6te min. A bientôt le plaisir de te lire. Amitiés. François.
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By aaron-alexander-cotton (visitor), at 00:00

What a wonder and success, mon cher Francois! You have achieved part-writing I think, principally because of its modal and contrapuntal structure. I indulge the sounds, a musical fete. Very neo-Romantic. Very professional. Bis! par musique du genie!
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