adblocktest
Free sheet music
My account (login)



LIBRARY

JEAN, FX FX JEAN
France France, St Laurent d'Aigouze
Composer Arranger Interpreter
761 sheet music
820 MP3
273 MIDI






"For 20 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Choral Sheet music Choral and Strings FX JEAN
Jean, Fran?ois-Xavier: Poulpican debrin uhelvarr, op. 22, No.15

Poulpican debrin uhelvarr, op. 22, No.15
FX JEAN




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 (7.13 Mo)209x 436x ViewDownload PDF : Complete sheet music (13 pages - 160.15 Ko)244x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community


Download MIDI



2 comments


By francois-xavier-jean, at 00:00
owner

Oh! How many compliments! Thank you! Anyone can invent methods and follow them. It is more enriching than digest treaties going around in circles. One of my teachers, one day, said in the classroom: "take  di-tonic or tritonic scale and compose. There will never harmony mistakes!" This phrase has always trotted in my head. There is a explanation for that. Reason is , of course, that the original scales followed  circle of fifths: CG CGD CGDA CGDAE CGDAEB.
Always starting from  ideas of others, but then reconsider it on a more personal as taught phylosophe Descartes. I hope to hear from you soon. Friendships. François.Oh ! Que de compliments. Merci ! Tout le monde peut inventer des méthodes et les suivre. C'est plus enrichissant que de digérer des traités qui tournent en rond. Un de mes maîtres, un jour, nous dit en cours: " prenez une échelle di-tonique ou tritonique et composez. Il n'y aura jamais de fautes d'harmonie? ! Cette phrase a toujours trotté dans ma tête. Il y a une explication à ça. C'est, bien sûr, que les échelles primitives suivaient le cycle des quintes: do/sol - do/sol/re - do/sol/re/la - do/sol/re/la/mi etc.
Il faut toujours partir des idées des autres, mais ensuite, repenser ça de façon plus personnelle comme l'enseigne le phylosophe Descartes. J'espère avoir bientôt de tes nouvelles. Amitiés. François.
Was this review helpful? Yes (56)   No (30)
By aaron-alexander-cotton (visitor), at 00:00


You are well ahead of your time. There IS talent behind your mathematical methods---the sensitivities of a true artist and researcher. I am gladdened to know you as friend and associate. Together we grow and flourish. I recently picked up an original copy of Orem's Harmony Book for Beginners. While rudimentary, it is so clearly stated; as you so expertly expound complex theory with simplicity and conciseness. Bravo, mon ami!
Was this review helpful? Yes (30)   No (28)
By francois-xavier-jean, at 00:00
owner

Golden Number allows wandering. Wonderful! I replaced the 154 rules of the Theodore Dubois "Treaty of Harmony" by only three rules. (1) the five golden intervals: min and maj 2nd, min 3rd, 4th & min 6th. (2) a golden melody within each measure, asc. or desc. (3) an horizontal or vertical counterpoint. Thank you for all your encouragement. Oh, I forgot, my dear Aaron, the Golden Ratio can produce every style. If the inner melody that flows through all voices is atonal, result will be atonal. If the inner scale is modal, the piece will be so too. All these explanations figures in the preface to each of my partitions. Writing a list of one's discoveries, it helps to advance. Friendly. François. Le Nombre d'Or permet l'errance. Magnifique ! J'ai remplacé les 154 règle du traité d'harmonie de Théodore Dubois par 3 règles seulements. (1) les 5 intervalles dorés: 2de min et maj, 3ce min, 4te juste, 6te min. (2) une mélodie dorée à l'intérieur de chaque mesure, asc. ou desc. (3) un contrepoint horizontal ou vertical. Merci pour tous tes encouragements. Ah, j'oubliais, mon cher Aaron, le Nombre d'Or permet d'écrire dans tous les style. Si la mélodie intérieure qui circule dans toutes les voix est atonale, le résultat le sera. Si le chant intérieur est modal, le morceau le sera également. Toutes ces explications figures dans la préface de chacune de mes partitions. Ecrire un cahier de ses découvertes, ça aide à progresser. Amicalement. François.
Was this review helpful? Yes (37)   No (28)
By aaron-alexander-cotton (visitor), at 00:00


The light glows simply. Entries elegant. Early piccolo is piquant. A faerie's funeral. Delightful. Nuances and transient modulations make for a smooth, wandering masterwork. A delicate meditation. Bravo, Francois.
Was this review helpful? Yes (30)   No (28)

Equipment & Sheet music
Voice/Choral new releases sheet music
All latest voice/choir sheet music books.


Report problem


This sheet music is part of the collection of francois-xavier-jean :
Hardanger Fele - opus 22
Hardanger Fele - opus 22

Sheet music list :
› Poulpican awakening, op 22, No 14 - Wind quartet
› Bokmål, op.22, No.03 - String Quintet : 2 Violins, Viola, Cello and Bass
› Finnmarksvidda, op. 22, No.13 - oboe and orchestra
› Harøyfjord, op.22, No.11 - English horn and string orchestra
› Hardanger Fele - op.22, No.01 - String Quintet : 2 Violins, Viola, Cello and Bass
› Heddal, op.22, No.09 - flute, viola and orchestra
› Hykjeberg, op.22, No.10 - oboe and orchestra
› Lofoten, op.22, No.07 - Harp and Orchestra
› Polar Counterpoint, exercise op.22, No.05 - String trio
› Poulpican ael-mat, exercise, op.22, No.16 - Choir and Strings