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JEAN, FX FX JEAN
France France, St Laurent d'Aigouze
Composer Arranger Interpreter
712 sheet music
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Jean, Fran?ois-Xavier: Bokmål, op.22, No.03

Bokmål, op.22, No.03
FX JEAN




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2 comments


By francois-xavier-jean, at 00:00
owner

thank you, thank you, dear Aaron. We must work hard to reap little. After 10 hours of zero composition, failed, incoherent, it happens here as a small musical composition like this. The Celtic side just accents. I love accents. This is the dialogue between the voices. The accents are never placed in the same place. The word minimalist suits me really well. I will compose a series with each time a different algoritme. For example create a work with the numbers 5-7 or 2-3 or even other numbers. Again thank you for the warmth of your words. François. merci, merci, cher Aaron. Il faut travailler beaucoup pour récolter peu. Après 10 heures de composition nulle, ratée, incohérente, il arrive comme ici une petite composition musicale comme celle-ci. Le côté celtique vient des accents. J'aime beaucoup les accents. C'est le dialogue entre les voix. Les accents ne sont jamais placés au même endroit. Le mot minimaliste me va vraiment bien. Je vais composer une série avec chaque fois un algoritme différent. Par exemple créer toute une oeuvre avec les nombres 5 - 7 ou 2 - 3 ou d'autres nombres encore. Encore merci pour la chaleur de tes mots. François.
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By aaron-alexander-cotton (visitor), at 00:00


A marvelous dance! You say you are experimenting contrapuntally. It pays well for you, my genius friend. Celtic influences abound. Lovely, enchanting, minimalist. Wonderful.
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By francois-xavier-jean, at 00:00
owner

Thank you dear Alain. The composer is surely "Paul Dukas'" (see wikipedia). It's true, counterpoint pleasantly blurs the tracks. What has resulted, with counterpoint, a melody can accompany with itself. Next to the pleasure to listen to you and read you. Friendly. François. Merci cher Alain. Le compositeur est sûrement ?Paul Dukas? (voir wikipedia). C'est vrai, le contrepoint brouille agréablement les pistes. Ce qui a pour conséquence, qu'avec le contrepoint, on peut accompagner une mélodie avec elle-même. Au plaisir prochain de t'écouter et de te lire. Amicalement. François.
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By aprl , at 00:00


Cette pièce donne raison à je ne sais plus quel compositeur qui affirmait que l'avenir de la musique était dans le contrepoint.Nous avons là une somptueuse synthèse de temps (il y a du baroque et du moderne) et d'espace avec des accents notamment irlandais ou écossais.Bravo François et merci pour cette dédicace.
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This sheet music is part of the collection of francois-xavier-jean :
Hardanger Fele - opus 22
Hardanger Fele - opus 22

Sheet music list :
› Poulpican awakening, op 22, No 14 - Wind quartet
› Bokmål, op.22, No.03 - String Quintet : 2 Violins, Viola, Cello and Bass
› Finnmarksvidda, op. 22, No.13 - oboe and orchestra
› Harøyfjord, op.22, No.11 - English horn and string orchestra
› Hardanger Fele - op.22, No.01 - String Quintet : 2 Violins, Viola, Cello and Bass
› Heddal, op.22, No.09 - flute, viola and orchestra
› Hykjeberg, op.22, No.10 - oboe and orchestra
› Lofoten, op.22, No.07 - Harp and Orchestra
› Polar Counterpoint, exercise op.22, No.05 - String trio
› Poulpican ael-mat, exercise, op.22, No.16 - Choir and Strings