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Choral Sheet music Symphonic orchestra and choral Aahs FX JEAN
Jean, Fran?ois-Xavier: Le cyste rose, Op.9.No.1

Pink cyst pink Op.9.No.1

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By francois-xavier-jean, at 00:00

Merci José Ramon, j'étais tellement excité que mes doigts n'ont pas trouvé la parenthèse. J'espère que ma musique t'a plu un peu. Amicalement. François. José Ramón, gracias, yo estaba tan emocionado que mis dedos no han encontrado el paréntesis. Espero que hayan disfrutado mi música un poco. De forma amistosa. François.
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By jose-sainz , at 00:00

Equation matematique est
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By francois-xavier-jean, at 00:00

Hi Aaron, I did not accidentally doubled the third or fourth in the violin part. When I compose, I built a melody that passes between the voice, nothing more. It's sort of content except that this "content" does not belong to one vote, but all voices. For the rest, I use rich intervals, extracted from the "golden number (Fibonacci series)." My next work is going away for a time the "divine proportion" and focus on the remarkable identities: (a + b2 = a2 + 2 ab + b2)). Of course the numbers of the mathematical equation will be transformed into interval. But hey, it will take a little. See you soon, my friend Aaron, pleased to read you. François.

Bonjour Aaron, je n'ai pas accidentellement doublé les tierces ou les quartes dans les parties de violons. Lorsque je compose, je construit une mélodie qui passe entre les voix, rien de plus. C'est une sorte de teneur sauf que cette ?teneur? n'appartient pas à une voix mais à toutes les voix. Pour le reste, j'utilise des intervalles riches, extraits du ?nombre d'or (série de Fibonacci)?. Ma prochaine oeuvre va délaisser pour un temps la ?divine proportion? et s'intéresser aux identités remarquables: (a + b2 = a2 + 2 ab + b2)). Bien sûr les nombres de cette équation mathématique seront transformé en intervalle. Mais bon, il faudra attendre un peu. A bientôt, mon cher Aaron, le plaisir de te lire. François.
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By aaron-cotton (visitor), at 00:00

Ah, Francois, a bouquet for the ears, again. Though your blossom is a bit too strong in consonant harmonics to warrant such strong fortissimo. This piece, as innovative as it is sensitive, haunts my sensibilities. Whether you intended to suspend the melodic lines over your modal writing, thus increasing the accretion of volume, the result is somewhat overbearing, to me. Did you accidentally double any thirds on the strings? There much to watch in music---we would all be mad in the end! But I adore the almost bravura quality of this song.
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By francois-xavier-jean, at 00:00

Bonsoir Alain, mais oui, bien sûr que tu as raison. j'oublie le mode de ?fa?, le mode majeur le plus éclatant et le plus ouvert. Je suis heureux que tu écoutes ma musique même si je trouve qu'elle ne se renouvelle pas assez à mon goût. J'ai l'impression de me copier moi-même, de ne plus rien inventer. Tiens, je vais reprendre mes petites recherches des années passées où je transformais les produits remarquables en intervales. Merci encore de ton généreux. A très bientôt le plaisir de te lire . François. Good evening Alain, yes, of course you're right. I forget the mode of "fa", the major mode the brightest and most open. I'm glad you listen to my music even though I find it is recharged enough for my taste. I feel like I am copying myself, not to invent anything. Here, I'll take my little research of past years where I process the products remarkable intervals. Thank you again for your generosity. See you soon the pleasure to read you. François.
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This sheet music is part of the collection of francois-xavier-jean :
(a + b) 2
(a + b) 2
series of works which the counterpoint is based on other math series that the sheer number of Gold. The intervals used are outstanding products, prime numbers, magic squares etc ...
Sheet music list :
› (a + b)2 Op.9, No.2 - String Quintet : 2 Violins, Viola, 2 Violoncellos
› Pink cyst pink Op.9.No.1 - Symphonic orchestra and choral Aahs