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France France, St Laurent d'Aigouze
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Jean, Fran?ois-Xavier: Au sillon des notes

Path in notes

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1 comment

By francois-xavier-jean, at 00:00

Merci Henrik de tes commentaires judicieux. Pour moi les mathématiques s'arrêtent à la construction des accords. J'essaie souvent de prolonger cette construction dans l'enchainement des accords: ex: d g a Bb c db d g ab . C'est la relation entre la dernière note de l'accord précédent et la première note de l'accord suivant qui est importante. La plupart du temps, pardonne-moi mais je sui perdu, je ne sais plus d'où je viens mais je sais où je vais: c'est une musique un peu ?alzheimer? - Je vais être plus attentif à mes progressions: tu as bien fait de m'en parler: si tu étais perdu dans le chemin harmonique, c'est qu'au fond je l'étais moi aussi. Passe une bonne journée. François - - -

Thank you for your thoughtful comments Henrik. Math for me to stop the construction of agreements. I often try to extend this construction in the sequence of agreements: eg dga Bb c db ab dg. It is the relationship between the last note of the previous agreement and the first note of the following agreement that is important. Most of the time, forgive me but I lost following, I do not know where I am but I know where I go: it's a little music "Alzheimer's" ... I'll be more attentive to my progression: you have done well to tell me: if you were lost in the path harmonic is at the bottom I was too. Have a nice day. François
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By henrik-von-hraesvelg (visitor), at 00:00

your "open form" technique bleeds lyrically and cruelly through aggregates and yearning for realization. The senza interruzione lifts & fells the piece. A legato soliloquy---clash of ascent and descent without being violent; perhaps smoothed by the legato direction. This "texture music" would fit well as a movie score. Francois, a marvel and delight to wander into these emotions you lead me through. If my perfect pitch is correct, you center your foundation at Concert pitch. Then, unfold through melodic minor & harmonic Major miscibly. Given C, d, f, and a', you unfold in a mathematical way my ears have a hard time discerning. but, this is a masterful work, Francois! Bis!
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