Wolfgang Amadeus Mozart: Opera Arias for Soprano And Orchestra Vol. 2: Vocal

Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last.

Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music.

Par MOZART WOLFGANG AMADEUS. Mozart's Singspiel 'The Magic Flute' (or 'Die Zaubeflote')is regarded as one of the greatest operas of the entire repertoire. What makes it a great work of art is Mozart's unique ability to translate his humanistic ideals into music of extraordinary beauty and suggestiveness. This is the Faber edition of the Libretto, in English only. / Niveau : Intermédiaire à Avancé / Répertoire / Voix

arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.

Mi Tradì Quell?Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera 'Don Giovanni'. This work is scored for Soprano Voice with Piano Accompaniment. The lyrics are in Italian.

The famous opera composed by Wolfgang Amadeus Mozart. Easy arrangement for piano by Hans-Gunter Heumann. Includes the 10 page story in English and in German with pictures.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition CANTOLOPERA: ARIE PER SOPRANO + CD tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition + Cd

Opera buffa in vier Akten - ??bersetzung von Brieger/Layer-Premi?red at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozart???s and Lorenzo Da Ponte???s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart???s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the work???s spread outside the German-speaking countries. At least equally responsible for the opera???s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozart???s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ???New Mozart Edition??? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Krak?w significant portions of the original sets of parts and acts 2 to 4 of the conductor???s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ???New Mozart Edition??? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm and Facsimile (BVK1882) available for saleV43 Performance material (BA4565-72) available to hire