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SKU: GI.G-9393
English, Latin. Text Source: Vv. Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818–1866, alt.; Translation: John Mason Neale.
Featuring three refrain text options—“Veni Jesu,” “Come, Lord Jesus” and “Maranatha”—as well as the familiar text of “O Come, O Come, Emmanuel,” this piece by Douglas Green would be a lovely addition to any choir’s Christmas repertoire. The piece begins with a unison tenor and bass line and then steadily adds parts until it reaches a full four-part texture. Handbells provide chords at the beginning of the piece and during the verses, but it can also be performed a cappella. For six handbells.
SKU: CF.CM9546
ISBN 9781491150788. UPC: 680160908288. 6.875 x 10.5 inches. Latin. Hidegaard Von Bingen.
Michael John Trotta interpreted the well-known Latin text, Veni, Veni Emmanuel as a dialogue between petitioners and the Creator, a combination of old and new. He masterfully juxtaposes a personal longing for something still to come with the steadfast assurance of the ever-present, yet unseen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year for any concert, contest or festival. This piece is also available for SATB Voices (CM9418) and SSAA Voices (CM9436) and is a part of the MJT Signature Series.
SKU: MN.50-0076
UPC: 688670500763. English, Latin.
An original chant-like tune is used for the Latin text Veni, veni, Rex Gentium, and then the cello takes that melody against the tune VENI EMMANUEL. Then everything occurs simultaneously. Despite the accessible writing for the choir, gentle syncopation in the piano and cello add interest and forward motion to this effective Advent anthem.
SKU: GI.G-10438G
UPC: 785147043874. English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.
SKU: CY.CC2893
O Come, O Come, Emmanuel is an Advent hymn translated from the original Latin - Veni, Veni, Emmanuel first published in the 12th Century. The words and the music developed in separate paths and were linked together in a 1851 publication by Thomas Helmore.Jay Hilfiger's beautiful arrangement for 10-part Brass Ensemble and Percussion (Cymbals & Side Drum) is about 3 minutes in length and appropriate for intermediate to moderately advanced performers.Instrumen tation is for:3 Trumpets in B-flat2 Horns in F3 TrombonesEuphonium and TubaCymbals and Side DrumListen to the digital audio sample track below to get a rough example of this work.
SKU: GI.G-10438
English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.
SKU: CF.YPS201F
ISBN 9781491152898. UPC: 680160910397.
Alrea dy one of the most popular choral settings in the Carl Fischer Music catalog, Michael John Trotta's setting of Veni, Veni Emmanuel has now been skillfully transcribed by James Meredith for band. Trotta's setting of this seminal carol juxtaposes the old and new together in a refreshingly different approach to the song. The piece can work with band alone or with the popular choral setting. It is sophisticated enough for high school groups to put together quickly and can also work well with middle school groups.This piece was conceived as a dialogue between the supplicants and the creator, a combination of old and new, juxtaposing a personal longing for something still to come, with the steadfast assurance of something ever-present yet not always seen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year.This work may be performed with SATB Voices (published by Carl Fischer Music, CM9418).
SKU: AP.35339S
UPC: 038081416212. English. Traditional French Carol.
Based on the Latin text Veni, Veni, Emmanuel, the lyrics for the popular carol O Come, O Come Emmanuel were written by John M. Neale in the mid 1800s. A wonderful setting to reinforce phrasing and musicality, Michael Story's stirring setting will warm the hearts of your students and audiences alike.
SKU: CF.YPS201
ISBN 9781491152218. UPC: 680160909711. Key: F minor.
Already one of the most popular choral settings in the Carl Fischer Music catalog, Michael John Trotta's setting of Veni, Veni Emmanuel has now been skillfully transcribed by James Meredith for band. Trotta's setting of this seminal carol juxtaposes the old and new together in a refreshingly different approach to the song. The piece can work with band alone or with the popular choral setting. It is sophisticated enough for high school groups to put together quickly and can also work well with middle school groups.This piece was conceived as a dialogue between the supplicants and the creator, a combination of old and new, juxtaposing a personal longing for something still to come, with the steadfast assurance of something ever-present yet not always seen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year.This work may be performed with SATB Voices (published by Carl Fischer Music, CM9418).
SKU: CA.2770213
ISBN 9790007202651. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.
Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.
SKU: CA.2770219
ISBN 9790007133917. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.
Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and parts available separately - see item CA.2770200.
SKU: CA.2770200
ISBN 9790007097639. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.
Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task.
SKU: GI.G-10870
English. Text Source: Veni, veni, Emmanuel, Latin, 9th c., tr. John M. Neale, 1818-1866, alt.; Translation: John Mason Neale.
SKU: CA.2770211
ISBN 9790007202637. Key: C major. Language: Latin. Text: Langton, Stephen.