SKU: CF.CM9563
ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.
Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2].
SKU: HL.49045613
ISBN 9790001166164. UPC: 841886032538. 7.5x11.0x0.05 inches. Latin.
The extremely compositional versatility of Enjott Schneider is evident even in the small(est) form of choral music. In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), the award-winning composer combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. Imbued with calmness and sensuality, the church music composition is based on the text of a Latin antiphon from the Maundy Thursday liturgy. According to the composer, these anonymous verses represent for him the central statement of Christian faith: Ubi Caritas - Where there is love, there is God!In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), Enjott Schneider combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. According to the composer, the text represents for him the central statement of Christian faith: Ubi Caritas - Where there is love, there is God!
SKU: CA.965300
ISBN 9790007164881. Language: Latin.
For the moving moment in the Good Friday liturgy, when the priest symbolically washes the feet of several people thereby recalling the thoughtful, loving gesture of Christ at the Last Supper, the Christian church provides a specially intimate, conciliatory text in the antiphon Ubi caritas. Matsushita's composition sets this text quite simply to reflect this moment in a beautiful motet, which is both charming and grateful to sing. In an entirely tonal setting in F major, with chromatic accents sparingly employed, he uses elements from organum and pedal points to create tonally atmospheric expanses contrasting with the syllabic setting which runs throughout. In his writing he uses unisons, thirds and contrary motion, spanning quasi-Gregorian melodies. Matsushita sets the three verses of the hymn usually set nowadays, and these also divide the composition. Each verse is introduced with the ascending pentatonic motif Ubi caritas, but the melody is transformed according to the text and expresses the immeasurable joy of the glory of God in the third verse in a brief forte outburst with leaps of a fifth, before the composition concludes with a final Ubi caritas and an Amen lost in reverie. voice range: S: c' - f'' / A1:adeg - es'' / A2: gdeg - b' / T: fdeg - f' / B1: B - des' / B2: F - a'.
SKU: GI.G-8312INST
This piece beautifully incorporates Chris de Silva's own adaptation of the English translation of Ubi Caritas with the Latin text along with a combination of his own modern lyric setting against the plainsong chant. This is the instrumental edition.
SKU: GI.G-8312G
English, Latin. Text source: Latin chant, 9th c.
This piece beautifully incorporates Chris de Silva's own adaptation of the English translation of Ubi Caritas with the Latin text along with a combination of his own modern lyric setting against the plainsong chant. This is the guitar edition.
SKU: HL.14028847
UPC: 884088810375. 8.5x11.0x0.386 inches.
Vocal Score for the Opera in Two Acts.Caritas' is in two acts, the first consisting of 12 short scenes, the second being a continuous scena. The overall form of the opera retains the architecture of Wesker's stage play, but alters the proportions, in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch, the second act is a Passacaglia, whose 'ground' is a Cantus Firmus, each repetition of which begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in, and derived from, the musical material itself.
SKU: GI.G-9050
UPC: 785147905004. Latin. Text Source: 'Ubi caritas et amor,' Latin, 9th c., alt.
SKU: BT.PMC3456
Latin.
A setting of an antiphon for Maunday Thursday, Ubi caritas et amor was written in 1999 in memory of the choral conductor and scholar, Richard H. Trame, SJ. In this motet, Lauridsen subtly adapts the plainchant melody, adorning itwith contrapuntal elaborations that create a glowing nimbus of sound. -- Byron Adams.
SKU: GI.G-009410
UPC: 641151094106.
SKU: AP.48849
UPC: 038081561738. English. Andy Beck.
The traditional Ubi Caritas text is uniquely set as an uptempo jazz waltz. Just one sentence in Latin plus a few English lyrics make it clear that this song is all about charity and love. As you've come to expect from this composer, the canon is a true skill-builder---with a modal melody that moves from unison to two and eventually three independent layers (using descant singers for 2-part choirs). Don't miss the jazzy flute obbligato available free online.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: GI.G-10801
UPC: 785147080114. Text Source: Caritas abundat: Words by Hildegard von Bingen, ca. 1098-1179. Psalm 85 for Hildegard: Psalm 86:8-13, NRSV. Text by Hildegard von Bingen. Scripture: Psalm 85:8–13.
SKU: HL.466842
UPC: 196288070702. 6.75x10.5x0.036 inches.
We believe the “Ubi Caritas” chant came from the 8th century, and it has been further enhanced by many of the best composers over the ages. This setting brings many fresh colors into view, but most notable is the narrative section, which requires singers to complete the sentence, “If only the world could...” and share it at a point in the music. It is a powerful and unique addition to this song of unity and love. For high school and college choirs.
SKU: GI.G-9504
UPC: 785147950400. English, Latin. Text Source: Trad. Latin, 9th c., composite tr.
This lovely setting of of the Latin hymn “Ubi caritas” starts simply, with the melody in the soprano section, then moving into a lovely treble duet. The men’s voices enter alone, singing in English, then are joined by the trebles, combining the Latin and English texts for a dynamic conclusion in a beautiful three-part texture.
SKU: CF.CM9615
ISBN 9781491156698. UPC: 680160915231. 6.875 x 10.5 inches. Key: F# minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.
This SATB work, originally commissioned for women's choir, is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.
SKU: GI.G-10520INST
SKU: GI.G-10520
English, Latin, Spanish. Text Source: Latin, 9th c. / Latín, siglo IX, Eng. tr. / Tr. al ing. Richard Proulx, 1937-2010, Span. tr. / Tr. al esp. Bernardo Velado Graña, 1922-2012; Translation: Richard Proulx.
This trilingual arrangement was envisioned for use during the Preparation of the Gifts at the Evening Mass of Holy Thursday. It would also be useful throughout the liturgical year whenever themes of love, charity, and service feature prominently in the Lectionary, as well as at wedding and anniversary liturgies.The choral parts underneath the verse and the optional parts for C instrument and cello help add color and variety. However, the hymn could be led by cantor and piano alone. When used during the Preparation of the Gifts, the optional coda allows flexibility to tailor the music to the length of the rite.
