Matériel : Conducteur
SKU: BT.WH31101
ISBN 9788759819708. International.
Preface / Programme Note (UK-TEXT TO FOLLOW)Slagtøjssolisten er den gennemgående skikkelse og hovedperson i musikkens?tre scener?.Begrebet ?scene? kan forstås flertydigt, både som det fysiske sted, platformen,hvor man optræder og spiller musik og drama og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling.Mine musikalske ?scener? udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den første scene er præget af diskrete ogmelodiske slagtøjsinstrumenter, vibrafon og marimba, med modspil fra de trestrygere.I den anden scene er spotlightet på slagtøjssolisten alene, vi møder hovedpersonen/solisten i en monolog, fremførthovedsageligt på ?syngende sav?, der skal trakteresmed den yderste mikrotonale præcision. Vi hører også solisten spille på Kalimba,ligeledes et folkeligt instrument, men nu med afrikansk baggrund i modsætningtil den hjemlige gårdsangers ?musikalske sav? et ofte hørt lydbillede frakomponistens barndom på Nørrebro.I den tredje scene er det en blæsertrio, der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen, for første og eneste gang. Værket afsluttes med en kort slagtøjssolo.I en ?programmatisk tolkning? kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle.Per Nørgård, februar 2010.
SKU: HL.288108
Three Scenes for Percussion and Six Instruments (2009) by Per Norgard. Preface / Program Note: The perpetrator soloist is the continuous figure and protagonist in the three scenes of the music. The term scene can be understood as ambiguous, both as the physical place, the platform where you perform and play music and drama - and as the term of narrative course and section in a dramatic performance. My musical scenes unfold in three different stage performances and ensembles. The first stage is characterized by discrete and melodic instruments, vibraphone and marimba, with counterplay from the three riders. In the second stage, the spotlight is on the butcher soloist alone; we meet the protagonist / soloist in a monologue, performed mainly on singing saw, which is intended to treat the utmost microton precision. We also hear the soloist playing at Kalimba, also a popular instrument, but now with African background - unlike the domestic courthouse's musical saw - an often-heard soundtrack from the childhood comrade at Norrebro. In the third stage there is a fan trio, which initially plays up to the impactor's various powerful drums. After a drum cadence, all seven music ends together for the first time. The work ends with a short sleigh solo.
SKU: P2.80096
Stephen Oberheu's Three Scenes for tuba-euphonium ensemble is a three movement work with movements titled Peasantry, Gray Noon, and Ellipses. Peasantry features a plodding rhythm and clashing harmony, Gray Noon (An Unwritten Letter) was inspired by the passing of the sister of a dear friend, and Ellipses is an energetic, borderline Rock and Roll piece.
SKU: HL.14043769
ISBN 9788759836651. 11.75x8.25x0.44 inches. English.
Turbulence - or, the underlying forces usually hidden- an Opera in three scenes by Juliana Hodkinson (2013). Libretto by Cynthia Troup. For soprano voice with electronic pocket piano- and groovebox-, young female actor with hand-held microphone and shortwave radio, vintage fans, audio samples (-may be redistributed to off-stage player or sound desk). The libretto and score for Turbulence were commissioned by Chamber Made Opera in 2012. Turbulence was first performed by Deborah Kayser (soprano) and Anneli Bjorasen (actor), and directed by David Young, with sound design in performance by Jethro Woodward &mdash, the premiere season opened in Melbourne on 3 October 2013, as partof Chamber Made Opera&rsquo,s Living Room Opera series.
SKU: CN.S11242
Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.
SKU: HL.49046417
ISBN 9781540090553. UPC: 840126915457.
The Seven Ballet Scenes have been extracted from a ballet music that I composed in 2008. The basic idea was to use different combinations of the three instruments and to get very different characters and forms of movement, which nevertheless form a whole. There is a piece for cello solo, one for violin and piano, one for violin and cello etc. At the beginning, in the middle and at the end there are different variants of a fast movement for all three instruments, which form a kind of refrain. Anno Schreier.
SKU: KN.18692
UPC: 822795186925.
Manue l de Falla's brilliant and descriptive Spanish ballet becomes a brass showpiece featuring each quintet member as a soloist for the ballet's opening scenes and concludes with the dramatic and energetic Dance Of The Miller. Duration 6:30.
SKU: HL.50610135
9.0x12.0x0.188 inches.
The cycle Scenes for solo flute, written in September 1997 and dedicated to Ãdám Szokolay, occupies an extraordinary place in György Kurtág's oeuvre. The premiere of the long-withheld composition was held in 2016 on the composer's 90th birthday. Each movement in the cycle reformulates familiar gestures of Kurtág's music: it develops pensive, impetuous, ethereal or playful characters. Signs, Games and Messages are collections for solo instruments and small chamber ensembles. Each of the three words refers to an essential factor in Kurtág's music. Signs ties to the composer's study year in Paris as a young man, when he could not compose but merely put graphic signs on the paper. Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are actually diary-notes and missives to musicians and friends important to Kurtág. The collection - like similar collections for string and wind instruments - does not form a coherent cycle; thepieces can be played individually, or in various orders, or together with pieces from Signs, Games and Messages written for other instruments.
SKU: BT.DHP-1012918-040
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenesâ€. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
SKU: BT.DHP-1012918-010
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenesâ€. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. Tchaikowsky ist berühmt für seine rein instrumentalen Kompositionen. Er ist jedoch auch als Opernkomponist nicht zu unterschätzen.Viele seiner OPern werden immoernoch regelmäßig auf der ganzen Welt aufgeführt, wie zum Beispiel Pique Dame und Eugen OneginEugen Onegin wurde in den Jahren 1877 bis 1878 komponiert und von Tschaikowsky selbst zunächst nicht als Oper, sondern als lyrische Szenen betitelt. Der lyrische Charakter ist im ganzen Werk vorherrschend. Zwei Stellen kontrastieren jedoch deutlich mit dieser Lyrik: zwei Ballszenen ,für die Tschaikowsky einen Walzer uns eine Polonaise schrieb.Nach einem weniger bekannten Allegro Dansant als Eröffung,stellt dieses Arrangement vor allem den oben genannten Walzer in den Vordergrund, welcher guten Herzens als ein schönes russisches Gegenstück zu Charles Gounods Faustwalzer bezeichnet werden kann. In der Oper wird dieser Walzer von einer Militärkapelle gespielt. Das Arrangement schließt mit der erwähnten pompösen Polonaise, die den letztzen Akt eröffnet: die ideale Musik, um ein Bild des Hochadels im Salon eines Petersburger Palastes zu zeichnen.
SKU: HL.14026589
Roger Quilter (1877-1953) was a British composer, best known for writing many gentle and beautiful songs. Along with Henry Balfour Gardiner and Percy Grainger, he was a member of the Frankfurt Group, a group of friends who studied composition together at the Hoch Conservatory in Frankfurt.
Three Pastoral Songs (Op.22) is a collection of three songs based on countryside scenes: I will go with my father a-ploughing - Cherry valley - I wish and I wish. They are arranged here for High Voice with Piano accompaniment.
SKU: BT.MUSMFK100089
ISBN 9781780385556.
< strong>Music For Kids: Jingle Bells features 18 favourite Christmas tunes with melody line and chord symbols, ideal for Guitar, Ukulele and Recorder. The pack is ideal to encourage your child to sing, with fun backingtracks on CD featuring sing-along versions of all the songs.
SKU: SU.50031330
Three Scenes for seven vocalists, a chamber ensemble of twenty-one instrumentalists, and a crowd of ten people. Parts available on rental.The composition is made up of three dramatic episodes concerning the last days of Mary Queen of Scots.Copyright 1977. Published by: Seesaw Music.
SKU: SU.25100290
11x17 Full ScoreThree scenes of Iceland, all based on Icelandic folk tunes.Orchestra Duration: 14' Composed: 2018 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SS.50600150
SKU: HL.48000942
UPC: 073999548426. 8.25x11.75x0.062 inches.
SKU: HL.14004182
Opera in One Act, Three Scenes. For Solo Voices (2 Soprano, Mezzo-Soprano, Tenor and Bass), SATB Chorus and Chamber Orchestra. Libretto: Eric Crozier, from the Old Testament.
