Théodore Dubois: Theodore Dubois: Douze Pieces Nouvelles Pour Orgue: Organ:

Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois became a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois' Traite D'Harmonie is well-informed. This music theory study guide covers a considerable range of theoretical aspects, from the varying musical clefs to the use of pedal notes, as well many other harmonic devices with expertise. In the preface, Dubois explains the need for his book, stating that it fills gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out, this Theodore Dubois theory guide is necessary to accompany all music studies./ Autre FM / Pédagogie Musicale

Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois' Realisation Of Figured Bass is well-informed. This music theory study guide covers a considerable range of figured bass aspects, to a high standard. Taken from his Treaty Of Harmony, Dubois explains the need for his treaty, stating that it fills the gaps in harmonic theory exceriseswhich preceding guides had missed. With no harmonic elements left out with regard to figured bass, this Dubois theory guide is necessary to accompany all music studies./ Autre FM / Solfège

At just 34 years of age Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire his teaching has had a lasting influence. Having taught successful composers including Paul Dukas it is clear that Dubois' Realisation Of Figured Bass is well-informed. This music theory study guide covers a considerable range of figured bass aspects to a high standard. Taken from his Treaty Of Harmony Dubois explains the need for his treaty stating that it fills the gaps in harmonic theory exceriseswhich preceding guides had missed. With no harmonic elements left out with regard to figured bass this Dubois theory guide is necessary to accompany all music studies.

La référence AL24696 de l'éditeur Leduc dont l'auteur célèbre est Dubois Theodore, qui a pour titre Solo De Concert, a été écrite et composée pour Trombone et plus particulièrement pour Trombone Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trombone Et Piano / Partition

Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano

Adoration Medley is wonderfully suited for blended worship experiences. It begins with an a cappella setting of Theodore Dubois's “Christ We Do All Adore Thee” from The Seven Last Words of Christ whichsets a tone of reverence and draws upon the choral tradition of the great classics. A short instrumental interlude ushers in the inspirational “Glorify Thy Name ” which has become a classic in the praise and worshipgenre. Old and new are joined by the common theme of adoration to God. Building in excitement and grandeur Adoration Medley then ends with a quiet moment of intimacy. For double choir ensemble or praise team and choir.Accessible to high school or adult choirs congregational participation during the praise chorus is encouraged. A stunning track and orchestration are also available.

20 Songs on Religious TextsInstrument : high (medium) voice and pianoNombre de Pages : 78Content : Alleluia (Antonio Vivaldi) - Ave Maria (Josef Rheinberger) - Gedenkâ?? an uns mit deiner Liebe (J. S. Bach) - Genügsamkeit ist ein Schatz in diesem Leben (J. S. Bach) - He will not suffer thy foot to be moved (John Weldon) - Jauchzet Gott, alle Lande (Julius Johann Weiland) - My song shall be of mercy and judgement (James Kent) - O vos omnes (Théodore Dubois) - Pater noster (Ernest Chausson) - Put thou thy trust in the Lord (John Camidge) - Rosa quae moritur (Antonio Vivaldi) - Scande coeli limina (W. A. Mozart) - The Lord shall preserve thee from all evil (John Weldon) - Tota pulchra es, Maria (Ernest Chausson) - We praise thee O God (Johan Helmich Roman) - We sing to Him (Henry Purcell) - Weicht, ihr Schatten (Johann Ludwig Bach)