Suzuki Cello School, Volume 3 - Piano Accompaniments

Par SUZUKI SHINICHI. This book contains harmony parts to go with each of the pieces in the Suzuki Cello School, Volume 2. All parts have been arranged to resemble, as much as possible, the exciting piano accompaniment. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Violoncelle

Par SUZUKI SHINICHI. Viola part for Suzuki Viola School Volume 5 (Revised Edition). / Pédagogie / Méthode / Alto

Titres: Concerto in B-Flat Major (Allegro moderato (Cadenza by Frederich Grutzmacher), Adagio non troppo, Rondo: Allegro (Cadenza 1 by Frederich Grutzmacher, Cadenza 2 by Pablo Casals)) (L. Boccherini/arr. F. Grutzmacher). The final volume in the Suzuki Cello School consists of the Boccerini Concerto in B-Flat Major, Grutzmacher edition. A very special feature is the inclusion, exclusive to this edition, of the Pablo Casals cadenza for the third movement. The book also presents initial warm-up exercises and practice tips

Arranged by Rick Mooney Prepared and edited by Rick Mooney, a well-known Suzuki teacher, teacher-trainer, and member of the Suzuki Cello Committee, these books contain harmony parts to go with many of the pieces in the Suzuki Cello School, Volumes 1, 2, 3, and 4. All of these pieces have been arranged to resemble, as much as possible, the existing piano accompaniments. These ensembles enable a cello teacher (who does not play or have access to a piano) to play harmony parts with students to prepare them for the time when a piano and pianist are available. These parts also provide additional challenges for the more advanced player during a group lesson. Contents include: Sonata in C Major, Op. 40, No. 1 (Cello Duet, Allegro, Rondo grazioso) (Jean Baptiste Breval); Adagio and Allegro, from Sonata in E Minor, Op. 1, No. 2 (Cello Duet, Cello Trio Score, Cello Trio Cello 2, Cello 3) (Benedetto Marcello); Chanson Triste, Op. 40, (Cello Trio Score, Cello Trio Cello 2, Cello Trio Cello 3, Cello Duet) (Piotr Ilyich Tchaikovsky)

Cello-Bass-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The piecesmaybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is notnecessary. The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment ANDensemble score downloads are available for use with this title.

This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello, BWV 1007 (Allemande, Minuet I, Minuet II) (J.S. Bach) * Arioso, Sinfonia for Oboe, Violin, Viola, Basso Continuo, Ich Steh mit einen Fuss im Grabe, BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio, Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) * Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins, Violin II arranged for Viola, BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso, II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus).

Cello-Bass. Par MILLER DONALD. Plusieurs sélections dans ce volume sont uniques et jusqu'à présent ont été inaccessibles au répertoire chaîne ensemble. Ces pièces sont destinées aux chaînes multiples pour la performance en classe ainsi que le rendement en concerts. Plusieurs joueurs peuvent être utilisés sur chaque partie. Chaque fois que possible, tous les efforts faits pour garder l'alto et violoncelle ou double parties bass mélodique plutôt que de simplement remplir les progressions harmoniques chord divers. Les pièces effectué peut-être comme un solo pour chaque instrument (violon 1, 2 de violon, alto ou violoncelle) avec accompagnement piano ou duos ou trios, ainsi que l ' orchestre complet. Si le produit avec l'orchestre complet, l'accompagnement au piano n'est pas nécessaire. La série d'ensemble de chaîne répond à toutes les normes pour ASTA avec NSOA (American String Teachers Association/National School Orchestra Association) et l'Association Suzuki de l'accompagnement au piano libre Americas, Inc. et ensemble score téléchargements sont disponibles pour une utilisation avec ce titre. / Niveau : Débutant à Intermédiaire / World Music - Ensemble / Recueil / Violoncelle et Contrebasse