Suite Folklore

SKU: HL.49045476

ISBN 9790001203425. UPC: 841886029606. 9.0x12.0x0.21 inches.

“Suite, consisting of six short pieces for alto saxophone and piano, is a virtuoso work for this duo. I composed my Suite in 2014 in commission of the legendary saxophone virtuoso Mr. Sugawa with whom I played the world premiere in Tokyo in 2014. The pieces are very much inspired by Turkish music, rhythms, dances, folklore ... and composed in modal and sometimes atonal character.” –Fazil Say.

SKU: PR.114419150

UPC: 680160673674. 9 x 12 inches.

The Chinese Zodiac Suite is the culmination of a three-year project to honor the partnership of Old Dominion University with Minzu University of Beijing, a cooperative effort to bridge the cultures of both sides. In his new composition, Hailstork uses Western musical language to depict the 12 animal signs of the zodiac from Eastern folklore. The suite was performed by the Minzu University student orchestra at a meeting with the Board of Directors of the Confucius Institute at Old Dominion University (CIODU) in Beijing. Executive director of the CIODU, Dr. Qiu Jin Hailstork, prefaced the performance with, You can hear the sounds of rats scratching behind the walls; cows working hard in the fields; rabbits jumping up and down; a snake slithering through the grass; galloping horses and grazing sheep; a monkey swinging through the trees; the rooster, boss of the barnyard, crowing; the sleeping dog who wakes up and starts barking; and the poor pig, so sad because his life's only purpose is to be someone's dinner!.

SKU: PR.11441915S

UPC: 680160673698. 9 x 12 inches.

The Chinese Zodiac Suite is the culmination of a three-year project to honor the partnership of Old Dominion University with Minzu University of Beijing, a cooperative effort to bridge the cultures of both sides. In his new composition, Hailstork uses Western musical language to depict the 12 animal signs of the zodiac from Eastern folklore. The suite was performed by the Minzu University student orchestra at a meeting with the Board of Directors of the Confucius Institute at Old Dominion University (CIODU) in Beijing. Executive director of the CIODU, Dr. Qiu Jin Hailstork, prefaced the performance with, You can hear the sounds of rats scratching behind the walls; cows working hard in the fields; rabbits jumping up and down; a snake slithering through the grass; galloping horses and grazing sheep; a monkey swinging through the trees; the rooster, boss of the barnyard, crowing; the sleeping dog who wakes up and starts barking; and the poor pig, so sad because his life's only purpose is to be someone's dinner!.

SKU: LM.26653

ISBN 9790230966535.

Simp lement - Valse lente - Badinage - Chant d'automne - Poursuite - Colimacon - Menuet - Bourrasque - Sur l'eau - Tristesse - Cache-cache - Berceuse - Ronde - Pavane - Promenade - Printemps - Folklore - Nostalgie.

SKU: AP.48672

ISBN 9781470643768. UPC: 038081559469. English.

This three-movement suite for one piano, four hands was inspired by one of the largest lakes in North America, bordering Vermont, New York, and Quebec. The first movement, Wind on the Water, is a flowing piece in 5/4 meter that uses broken chords, broken intervals, and an expansive melody to capture the play of waves on the lake. The second movement, Mystery of the Deep, uses two contrasting sections, one mysterious and one cheerfully swinging, to musically portray a folkloric monster who lurks in the depths of Lake Champlain but also delights locals with occasional sightings. The final movement, Tides of Revolution, draws upon the lake's history as a pivotal battleground during the American Revolutionary War. Driving rhythms, biting dissonances, changing meters, and dramatic exchanges between the players bring the suite to an exciting close. Optional parts for percussion and violin/flute are available for download for two of the movements.

SKU: BO.B.3624

The Suite on Galician songs was written in 1899 and debuted on 31 October that same year, as part of a series of concerts organised by the Philharmonic Society of Barcelona at the Teatro Lirico, under the direction of Joan Lamote de Grignon.

The work is made up of four movements: I. Canto de la manana (‘Morning song'), also known as En la montana (‘In the mountains'), II. Danza Scherzo (Galician folk dance), III. Morrina (‘Homesickness') and IV. La Fiesta (finale). The entire composition is laced with Galician folk melodies, which serve as the pretext for developing a piece that is entirely descriptive and scenic in nature, by means of a meticulous and precise orchestration of great technical and folkloric interest. The work reveals not only Granados' great technical expertise as orchestrator, but also his imagination and intelligence when recreating the most distinctive sounds of traditional Galician folk music. He achieves this effect through a masterful use of instrumentation and experimentation throughout the 23 minute duration of this magnificent suite.

SKU: HL.49001794

ISBN 9790001117388.

Beca use of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suits, in particular, the needs of young players.

SKU: HL.48025367

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

SKU: HL.48025368

UPC: 196288194293.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

SKU: ML.021534090

In 1979 Badings was commissioned to compose a work in several parts for symphonic band which could also be performed by amateur players. This commission resulted in 'Golden Age', a composition in which he used a lot of material borrowed from the Dutch 17th century folklore. It is a four-part suite. The first part evokes the pompous dignity of The Hague, the 'distinguished royal village' as it was so deliciously described by the poet Constantijn Huygens. The second part is a gaillarde with a double (repetition with ornaments). The third part is a canonic march based on a Frisian theme. The final part is a quick gigue (jig) containing a fugue in which all previous themes return in a virtuoso way.

SKU: GH.CG-7229P

SKU: UT.CH-157

ISBN 9790215320369. 9 x 12 inches.

Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee

Th e Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.
The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...
The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.
(G. Signorile).

SKU: HL.48018328

UPC: 073999892994. 9.0x12.0x0.095 inches.