While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.
SKU: FG.55009-532-8
ISBN 979-0-55009-532-8.
Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.
SKU: FG.042-04246-5
ISBN 979-0-042-04246-5.
SKU: FG.042-04244-1
ISBN 979-0-042-04244-1.
SKU: HH.HH423-FSP
ISBN 9790708146247.
Eber l's Sonata in D major, Op. 20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's 'Immortal Beloved', and to whom that composer dedicated his Piano Sonata in A major, Op. 101. Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op. 20 shares much of the musical ambition and quality of Beethoven's works in this genre. 1803 saw the publication of Eberl's Op. 20, and Beethoven's set of three sonatas with violin, Op. 30, all produced by the Bureau des Arts et d'Industrie firm in Vienna. Beethoven's set were advertised for sale in the Wiener Zeitung in May 1803, days after the premiere of his Op. 47 sonata with violin (given by George Bridgetower and Beethoven, but later dedicated to Rudolphe Kreutzer). Eberl's Op. 20 was advertised in the Wiener Zeitung six weeks later, in July 1803.
SKU: ST.R9001
ISBN 9790220207204.
No. 3 in A; No. 10 in G minor; No. 12 in F; No. 1 in D minor The numbering of the sonatas in this completely new edition by Michael Pilkington follows that of Chrysander.
SKU: HH.HH424-FSP
ISBN 9790708146254.
Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.
SKU: FZ.1279
ISBN 9790230612791. 24.00 x 33.00 cm inches.
This facsimile of an original by Etienne-Nicolas Mehul is part of our Dominantes collection. Three sonatas for harpsichord or fortepiano, Opus I - Edition : Paris, Jouve, s. d. (=1783). Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2 - Editions : Paris, Le Duc, s. d. (=1788). Two volumes: piano part of opus I and II - preface and violin part of opus II. Preface by Joel Pontet: The keyboard sonatas of E. N. Mehul - a precocious talent - remarks on performance (choice of instrument and indications of nuances - articulations - ornaments). The preface sets out the essential points for performance of these youthful works. Editions originales of 1783 and 1788, preserved at the library national of Paris. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
