Frank J.-Smith - Frank J.-Smith - Musical Equipment

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• Zappa, Frank

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Get a firm grip on greatness with the new Tony Franklin Fretless Precision Bass guitar. Franklin, a session great who has played with the Firm, Whitesnake, David Gilmour and many others, designed his namesake bass, which takes fretless bass to a new level. It has an alder body (Black or Three-color Sunburst finish) and a modern C-shaped maple neck with an unfinished, unfretted ebony fingerboard with side dot position markers. That famous growl comes from an American Series Precision Bass neck pickup and a Tony Franklin signature Jazz Bass bridge pickup with hex screw lugs and bar ceramic magnets. Other features include vintage tuning machines with Hipshot® Bass Xtender Drop D tuning key on the E string, and three-way switching. Model Name Tony Franklin Precision Bass® Model Number 019-0085-(Color #) Series Artist Series Colors (800) 3-Color Sunburst, (806) Black, (Polyurethane Finish) Body Alder Neck Maple, Modern C Shape, (Nitrocellulose Lacquer Finish) Fingerboard Ebony, 9.5 Radius (241mm) No. of Frets Fretless, (NO Fretlines; Single Side-Dots at Fret Locations 1, 3, 5, 7, 9, 15, 17, 19. Double Side-Dots at Fret Location12) Pickups 1 Tony Franklin American Precision Bass Split Single-Coil Pickup (Middle), 1 Tony Franklin Jazz Bass Single-Coil Pickup with Hex Screw Pole Pieces and Ceramic Bar Magnets (Bridge) Controls Master Volume, Master Tone Pickup Switching 3-Position Blade: Position 1. Jazz Bass Pickup Position 2. Jazz Bass and Precision Bass Pickups Position 3. Precision Bass Pickup Bridge American Vintage '70s Precision Bass with Single Groove Saddles Machine Heads '70s Fender Stamped Open-Gear Tuning Machines with Hipshot® Bass Xtender Drop D Tuning Key on the E String Hardware Nickel/Chrome Pickguard 4-Ply Brown Shell on (800), 3-Ply Black on (806), Scale Length 34 (864 mm) Width at Nut 1.625 (41.3 mm) Unique Features Unlined Fretless Ebony Fingerboard, P Bass and J Bass Pickups, 3-Way Pickup Switching, Matte Finish Pickup Covers, Tony Franklin Engraved Neck Plate, Hipshot® Bass Xtender Drop D Tuning Key on the E String, Tony Franklin Designed NPS Strings, Vintage Styling Strings Fender Tony Franklin, NPS, Gauges: (.045, .065, .085, .105), p/n 073- Accessories Deluxe Black Hardshell Case, Strap, Cable, Meguiar s Mist and Wipe Kit Case Deluxe Black Hardshell Case Introduced 1/2006 Learn more about guitars...

Catalinbread Airstrip : Console PreLa console Trident A-Range a dominé la scène d'enregistrement britannique de la fin des années 60 au début des années 80, en partie grâce à sa capacité à sublimer le son. Le cœur de cette console est constitué d'un préampli équipé de composants discrets, notamment un transistor au germanium et un transformateur, ajustable pour convenir à tous les goûts, des sonorités de Lou Reed aux distorsions psychédéliques de Frank Zappa. Et lorsqu'ils sont poussés, les préamplis de console saturent et créent une richesse harmonique très recherchée.L'Airstrip distille ces sonorités légendaires dans un préampli de console au format pédale, avec quelques extras en prime. Un amplificateur opérationnel discret, inspiré d'un design vintage de UREI, pousse l'entrée de la console vers un gain puissant si vous le souhaitez. En sortie, un filtre d'aigus soigné ajuste la luminosité du préampli selon votre configuration et un transformateur spécialement sélectionné ajoute une touche métallique au signal. Capable de produire toutes les sonorités imaginables, des cleans chauds etmasterisésaux fuzz agressifs et chaotiques, l'Airstrip apporte une console de mixage directement sur votre pédalier, dans un format bien plus pratique.L'Airstrip accepte une alimentation DC centre-négatif de 9 à 24 volts. Plus la tension est élevée, plus vous obtiendrez de dynamique, de volume et de clarté.RéglagesPush : Régit le gain d'un amplificateur opérationnel discret, basé sur un ancien design UREI, qui suralimente l'entrée du préampli de console. À sa valeur minimale, l'ampli op est en gain unitaire et n'affecte pas le fonctionnement du préampli. Lorsqu'on augmente ce réglage, son interaction avec le réglage Trim devient cruciale. Avec les deux réglages au maximum, le son se transforme en un fuzz qui s'effondre et se relève entre les notes.Volume : En laissant les réglages Trim et Push au minimum et en montant ce bouton, on obtient un excellent boost clean très puissant qui fait sonner votre guitare comme si elle était déjàmasterisée.Filter : Avec son filtre d'aigus, ce réglage réduit les aigus en position minimale et ajoute une brillance aiguë au produit final quand il est à fond.Trim : Ce réglage ajuste la quantité de gain du préampli en modifiant une résistance variable dans le circuit.

The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design - employed to record everyone from Frank Sinatra to Van Halen I - and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.- All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console- Signature 1176LN Class A FET compressor section - heard on countless hit records for more than 30 years- ''Split'' or ''Join'' switch allows separate or series operation of the preamp and compressor- Hand-built in USA; backed by 1-Year limited warranty- View All FeaturesThanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to ''Split'' or ''Join'' the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA's premier channel strip, and among the world's finest.610B Mic PreThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it ''hands-down, the most dimensional mic preamp I've ever heard''. Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, ''This box rocks.'' The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.1176LN Limiting AmplifierAs legendary engineer/producer Andy Johns put it, ''The 1176LN is the workhorse compressor.'' The 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strip units.Features :- All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console- Signature 1176LN Class A FET compressor section- heard on countless hit records for more than 30 years- Split or Join switch allows separate or series operation of the preamp and compressor- High and Low frequency shelving EQ- Variable impedance Input, Gain, and Output levels- Mic, balanced Line, and Hi-Z inputs- Ultra-quiet operation- Stereo interconnection via 1176-SA- Hand-built in USA; backed by 1-Year limited warrantyIn Join mode, a single input signal is fed through the microphone/instrument preamp and then through the compressor. In Split mode, one signal can be fed into and out of the preamp/EQ section while a second can be fed into and out of the compressor section.

Few equalizers enjoy the respect and admiration of the coveted API EQ. Designed by the now-legendary Saul Walker in the late '60s, this discrete EQ was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of this EQ, it quickly found its way into many custom cons... (+)