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T Drive
The T Drive is a sonic recreation of the legendary Trainwreck Express amplifier. Rooted in the tradition of British amps from the '60s & '70s, Trainwrecks are famous for their fast pick response and exceptional dynamics that range from chimey Vox style cleans, to a soaring Plexi overdrive. To m...
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The T Drive is a sonic recreation of the legendary Trainwreck Express amplifier. Rooted in the tradition of British amps from the '60s & '70s, Trainwrecks are famous for their fast pick response and exceptional dynamics that range from chimey Vox style cleans, to a soaring Plexi overdrive. To most accurately recreate the harmonic complexity of the Trainwreck amps in a stompbox, we took painstaking measures to find a real deal Trainwreck Express to compare for sonic accuracy. Additionally, longtime Trainwreck owners were consulted for guidance, providing us with recordings and feedback on A/B comparisons between their Trainwreck amplifiers and our T Drive Prototype. Our quest to create the the most accurate Wreck in a box has resulted in the T Drive: a pedal with dynamics, harmonic complexity, and voice-like overtones reminiscent of the amp it was inspired by. Features include: Designed alongside a real deal Trainwreck amplifier Superior dynamics from chimey Vox cleans, to soaring Plexi dirt Ultra sensitive pick attack and response True Bypass Assembled in California 9-18VDC center-negative power operation (adapter not included).
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Steel String MkII
Players like SRV, Eric Johnson, and John Mayer have been singing the praises of a rare 100-watt 6L6 Dumble Amp, the Steel String Singer, that achieved legendary status in the mid-1980s. And whether you're looking for a taste of Texas sweet tea or a return to Gravity, the Vertex Steel String Clean Dr...
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Players like SRV, Eric Johnson, and John Mayer have been singing the praises of a rare 100-watt 6L6 Dumble Amp, the Steel String Singer, that achieved legendary status in the mid-1980s. And whether you're looking for a taste of Texas sweet tea or a return to Gravity, the Vertex Steel String Clean Drive MkII now 33% slimmer and with an added trick up its sleeve faithfully captures that SSS magic using an actual Dumble Steel String Singer #001. The Steel String MkII is dead-simple in its operation yet matchless in its rootsy mojo. With gain settings below 1:00, the Steel String Clean Drive MkII makes an incredibly versatile clean boost, with a Filter control to dial in how much of that D-style midrange shaping your instrument demands. Above 1:00, the Steel String Clean Drive MkII begins to sweeten your signal with vine-ripened drive characteristics matured in the California sun. Wide open, this pedal virtually breathes fire, with enough juicy gain to take you from Flavor Town well into Brown County. Features include: Dumble SSS tone from a compact stompbox Based on model #001 of an original Dumble SSS amp 33% slimmer and lighter than the original Steel String New Jazz/Rock toggle thickens up cleans and tightens up drive tones Optional 9 to 18VDC operation (adapter not included) True Bypass Designed & Assembled in California.
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Ultra-Phonix HRM
Ultra-Phonix HRM recreates the much sought after Dumble HRM overdrive tone that pushed the tweaked Overdrive Special Amplifier into stardom. Amongst the limited amount of ODS amplifiers produced by the legendary amp maker, a handful were armed with EL-34 power amp tubes rather than the 6L6 tubes fo...
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Ultra-Phonix HRM recreates the much sought after Dumble HRM overdrive tone that pushed the tweaked Overdrive Special Amplifier into stardom. Amongst the limited amount of ODS amplifiers produced by the legendary amp maker, a handful were armed with EL-34 power amp tubes rather than the 6L6 tubes found in most ODS amps. This gives the HRM edition of the Ultraphonix a quintessentially British voicing and EQ shift compared to the original version. The Master control determines the total output of the pedal. The Volume control adjusts how hard the pedal's preamp is working, giving you more control over the amount of gain coming from the preamp. Turn up the Accent control to increase presence and slowly introduce more saturation into your signal. The Ratio control allows you to blend your distorted and clean signal, and the Tone knob allows you to accentuate different upper-mid frequencies, ranging from 800-1.6k Hz. Features include: EL-34 British Voiced Dumble-style Overdrive Sonic re-creation of Dumble ODS #0214 5 Voicing Controls for Overdrive Tone Master (volume), Volume (gain), Accent (presence), Tone, Ratio (clean blend) 100% Analog Circuit Designed in North Hollywood, California.
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Ultra Phonix Overdrive
The Ultraphonix Overdrive is designed to re-create the overdrive produced by a Dumble Overdrive Special amplifier. Four Overdrive Specials were used in the voicing and calibration of the Ultraphonix, each amp ranging in origin from the years 1970-1990. Being modeled after four different generations...
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The Ultraphonix Overdrive is designed to re-create the overdrive produced by a Dumble Overdrive Special amplifier. Four Overdrive Specials were used in the voicing and calibration of the Ultraphonix, each amp ranging in origin from the years 1970-1990. Being modeled after four different generations, the Ultraphonix accurately captures the character of the legendary Dumble amplifier, regardless of the minute and more apparent differences in the amp from year to year. The Ultraphonix is more than able to provide the D*style overdrive in front of any clean amp platform. Engage the Ultraphonix in tandem with another overdrive pedal or in front of a broken-up amp to really cut through a mix with a huge lead tone or thundering rhythm tone. Features include: Voiced alongside four Dumble ODS amps ranging from 1970s-1990s Quintessential D*style tone, note bloom, & harmonic overtones 100% Analog Circuitry Mechanical True Bypass Switching Assembled in California 9VDC center-negative power operation (adapter not included).
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Steel String Supreme
When it comes to Mayer-style compressed clean and lead tones, the Vertex Effects Steel String Supreme based on serial #001 of a legendary six-figure tube amp is the only tone shaper you'll need in your arsenal. Whether you're front-ending a stage amp with the SSS's expanded all-analog preamp, fe...
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When it comes to Mayer-style compressed clean and lead tones, the Vertex Effects Steel String Supreme based on serial #001 of a legendary six-figure tube amp is the only tone shaper you'll need in your arsenal. Whether you're front-ending a stage amp with the SSS's expanded all-analog preamp, feeding a little Texas sugar into your modeling device, or even running straight into a cab IR, this pedal is guaranteed to put a smile on your face. Just like the amp it's named after, the Steel String Supreme is characterized by a fat, clean, compressed sound that absolutely marinates signals in tubelike harmonics as you ramp up the gain. The Supreme's active EQ and Bright/Deep + Rock/Jazz switches add new tone-shaping capabilities to this latest addition to the Steel String family. From subtle fattening and clean compression to full-on overdrive, the Vertex Effects Steel String Supreme is the next best thing to having a real-deal SSS in your rig. Features include: Based on model #001 of an original run of legendary Dumble Steel String Singer A true amp in a box sounds great even direct into a cab simulator/IR loader Inspiring touch sensitivity, warmth, and sparkle Versatile Gain and Level controls make this a capable clean boost or full-on overdrive Active EQ, Bright/Deep switch, and Rock/Jazz switch supply plenty of tone-shaping potential Rugged steel housing Authentic D-style labels & aesthetics True bypass on/off switching of both Steel String & Supreme channels Designed & Assembled in Los Angeles, California.
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20/20 Volume Plus Pedal
Morley Pedals. General Merchandise. Hal Leonard #MTMV2. Published by Hal Leonard (HL.328362). Item Number: HL.328362 4.75x7.75 inches. Electro-Optical circuitry and audio taper allow smooth, studio quiet volume control. Minimum Volume knob is used for a smooth transition between rhythm and ...
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Morley Pedals. General Merchandise. Hal Leonard #MTMV2. Published by Hal Leonard (HL.328362). Item Number: HL.328362 4.75x7.75 inches. Electro-Optical circuitry and audio taper allow smooth, studio quiet volume control. Minimum Volume knob is used for a smooth transition between rhythm and lead volumes. Minimum Volume control is now foot-switchable. Powers from one 9V battery or optional Morley adapter. LED Indication, cold-rolled steel housing, quick clip battery door and two-year warranty. Features include: Electro-Optical Volume pedal is consistent and quiet (no pots to wear out) Audio taper allows smooth volume control or violin type swells Switchable Minimum Volume Control use as either a Rhythm/Lead pedals or Volume pedal with the click of a switch Minimum Volume knob is used for a smooth transition between rhythm and lead volumes Powers from one 9-volt battery or optional Morley 9V adapter Cold-rolled steel housing, LED indication, quick clip battery door and two-year warranty Works with guitar, bass or keys.
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EB-10 Preamp/EQ/Boost
Black. Walrus Pedals. General Merchandise. Hal Leonard #900-1049B. Published by Hal Leonard (HL.323220). Item Number: HL.323220 ISBN 1540070670. 4.25x5.5 inches. A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio...
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Black. Walrus Pedals. General Merchandise. Hal Leonard #900-1049B. Published by Hal Leonard (HL.323220). Item Number: HL.323220 ISBN 1540070670. 4.25x5.5 inches. A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of low, mid, and high frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch. Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had. The EB-10 offers two operating modes, Live and Preset. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets. A portion of proceeds from each pedal sold will be donated to www.raicestexas.org. SPECS: The EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans. The die-cast enclosure's exact size is 3.68″ x 4.67″ x 1.547″. Power requirements are 9VDC, center negative (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
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Nyle Compressor/Preamp
Having trouble getting that uber-punchy clean tone or glassy bass tone heard on your favorite '70s funk records Vertex Effects has you covered with the NYLE compressor: a compressor-preamp hybrid. The NYLE compressor marries the classic studio rack compressors of the '70s and '80s with a vintage pr...
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Having trouble getting that uber-punchy clean tone or glassy bass tone heard on your favorite '70s funk records Vertex Effects has you covered with the NYLE compressor: a compressor-preamp hybrid. The NYLE compressor marries the classic studio rack compressors of the '70s and '80s with a vintage preamp, putting the legendary clean tone of the likes of Prince or Nile Rogers directly at your feet. The top row of knobs & toggles control the compressor side of the NYLE, offering traditional volume and sustain controls as well as ratio to control the blend of your dry and compressed signal. The three-way attack toggle switch allows you to control the sensitivity of the compressor, offering subtle to ultra-squashy compression. Additionally, you can use the three-way treble toggle switch to dial in high frequencies that best suit your rig. The bottom three knobs control the mic pre circuit, giving you control of the volume, EQ, and gain. The EQ adjusts the low-mid frequencies of your signal to bring out the warmth of the preamp circuit. If you have been on the hunt for that classic funk clean tone or glassy bass tone, the NYLE Compressor will put an end to your journey, offering compression, EQ shaping, and level control in one humble enclosure. Features include: Analog Studio-Grade Compressor Vintage Voiced Mic Preamp 100% Mechanical True Bypass Designed in California Lifetime Warranty.
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Tone Secret OD
The Tone Secret (TS) is the answer to the love/hate relationship countless guitarists have with a particular screaming green overdrive pedal that originated in late 1970s Japan. The Tone Secret recreates the sonic DNA of the most iconic users of the green screamer heard on countless studio recording...
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The Tone Secret (TS) is the answer to the love/hate relationship countless guitarists have with a particular screaming green overdrive pedal that originated in late 1970s Japan. The Tone Secret recreates the sonic DNA of the most iconic users of the green screamer heard on countless studio recordings and live performances without the need for a cranked mid-scooped amplifier to run the pedal into. The TS only utilizes 50% of the gain found in a traditional green OD pedal; however, the added pre-overdrive and post overdrive controls allow you to tweak the OD characteristics to match any amplifier and simulate amp break-up without dime-ing the DRIVE knob on your pedal. Additionally, we've added individual controls for treble and mid-range frequencies, along with our GRIT control to dial in the ratio of your amp's natural break-up in tandem with the overdrive produced by the Tone Secret. If you're looking for a screaming OD pedal that nails the classic and contemporary sounds heard on your favorite records, look no further than the Tone Secret. Features include: DNA of a classic Screamer hitting a Blackface 12AX7 preamp Super versatile drive voicing with Pre-Vol, Grit, & Master Vol controls True Bypass Designed in California 9VDC center-negative power operation (adapter not included).
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ARP-87 Multi-Function Delay and Fathom Reverb (Limited Edition)
Combo Guitar Pedal. Walrus Audio Custom Products. General Merchandise. Hal Leonard #ARP87FATHOM. Published by Hal Leonard (HL.322809). Item Number: HL.322809 6.75x10 inches. Limited edition ARP-87 Delay and Fathom Reverb combo pedal with exclusive art work! Two of Walrus Audio\'s best-selling ped...
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Combo Guitar Pedal. Walrus Audio Custom Products. General Merchandise. Hal Leonard #ARP87FATHOM. Published by Hal Leonard (HL.322809). Item Number: HL.322809 6.75x10 inches. Limited edition ARP-87 Delay and Fathom Reverb combo pedal with exclusive art work! Two of Walrus Audio\'s best-selling pedals combined into one unit. The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin\' runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. The long-awaited Fathom Multi-Function Reverb is ready to surface. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. Players will find the Fathom a very useful tool in a small footprint under $200. The Fathom features 4 different algorithms. Hall, Plate, Lo-fi and Sonar, wich gives a tip of the hat to its older brother, the Descent with a blendable shimmer/octave. Each algorithm can be modified with the X knob changing predelay, filter width, or mix low and high octaves, respectively. A three-way toggle also offers very tasteful amounts of modulation to your trails.
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20/20 Lead Wah
Switchless, Optical Wah Guitar Pedal. Morley Pedals. General Merchandise. Hal Leonard #MTLW. Published by Hal Leonard (HL.326389). Item Number: HL.326389 5x8 inches. This wah pedal features juiced up wah tone with a wider frequency sweep and preset for extra gain. SAve Pedal board real esta...
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Switchless, Optical Wah Guitar Pedal. Morley Pedals. General Merchandise. Hal Leonard #MTLW. Published by Hal Leonard (HL.326389). Item Number: HL.326389 5x8 inches. This wah pedal features juiced up wah tone with a wider frequency sweep and preset for extra gain. SAve Pedal board real estate with this guitar pedal, powered from one 9V battery or optional Morley adapter. It's equipped with a MQ2 custom inductor, LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip, and a one year warranty. Features include: Switchless, optical wah with juiced up Wah tone Wider frequency sweep and preset for extra gain Buffer circuit prevents signal loss and maintains tone 6.85″ long x 4.5″ wide x 2.75″ high Powers from one 9V battery or optional Morley adapter MQ2 custom inductor, LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo One-year warranty; lifetime warranty available with registration.
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Walrus 385 Overdrive Anodized Red Hal Leonard Limited Edition
Walrus Audio Custom Products. General Merchandise. Hal Leonard #900-1002HAL1. Published by Hal Leonard (HL.280353). Item Number: HL.280353 3.5x5.5 inches. Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully res...
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Walrus Audio Custom Products. General Merchandise. Hal Leonard #900-1002HAL1. Published by Hal Leonard (HL.280353). Item Number: HL.280353 3.5x5.5 inches. Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Head up it sounds amazing. After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector's tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as its grandfather. The amp has this as well, but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in just like the amp.
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20/20 Wah Boost Pedal
Switchless, Optical Wah Pedal with 20dB Boost. Morley Pedals. General Merchandise. Hal Leonard #MTMK2. Published by Hal Leonard (HL.326367). Item Number: HL.326367 5x8 inches. Our world-famous optical circuitry and switchless design are the heart of this guitar pedal and its buffer circuit ...
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Switchless, Optical Wah Pedal with 20dB Boost. Morley Pedals. General Merchandise. Hal Leonard #MTMK2. Published by Hal Leonard (HL.326367). Item Number: HL.326367 5x8 inches. Our world-famous optical circuitry and switchless design are the heart of this guitar pedal and its buffer circuit prevents signal loss and maintains tone. Just right for pedal boards, you simply step on the pedal to engage the wah function, and step off to go to bypass. Features include: a MQ2 custom inductor, LED indication, cold-rolled steel housing, a quick clip battery door, a glow-in-the-dark treadle grip and a 1 year warranty. Features include: Switchless, optical wah with 20db boost Buffer circuit prevents signal loss and maintains tone 6.85″ long x 4.5″ wide x 2.75″ high Powers from one 9V battery or optional Morley adapter MQ2 custom inductor, LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo One-year warranty; lifetime warranty available with registration.
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EB-10 Preamp/EQ/Boost
Cream. Walrus Pedals. General Merchandise. Hal Leonard #900-1049C. Published by Hal Leonard (HL.323221). Item Number: HL.323221 4.25x5.5 inches. A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio-grade electric g...
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Cream. Walrus Pedals. General Merchandise. Hal Leonard #900-1049C. Published by Hal Leonard (HL.323221). Item Number: HL.323221 4.25x5.5 inches. A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of low, mid, and high frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch. Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had. The EB-10 offers two operating modes, Live and Preset. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets. A portion of proceeds from each pedal sold will be donated to www.raicestexas.org. SPECS: The EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans. The die-cast enclosure's exact size is 3.68″ x 4.67″ x 1.547″. Power requirements are 9VDC, center negative (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
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