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	Dunlop Crybaby Wah - Slash Signature - Sw95 (3 comments) Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash's very own custom wah pedal a tool as essential to the hard rock icon's ...(+) Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash's very own custom wah pedal a tool as essential to the hard rock icon's style as his Les Paul and Marshall amp. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down. And with the batteries readily accessible from the top of the rocker pedal, you don't have to fumble with a screwdriver when its time to re-power. So get your boot on a Dunlop Slash Wah. Top hat not included. High gain distortion circuit LEDs to indicate distortion on/off and wah-wah on/off modes Tuned to Slash's specs for more upper midrange focus and sparkle 18-Volt operation to add more headroom and clarity Features the heralded Fasel Inductor for a sweet and singing top end 259.00€ - Sold by Woodbrass In Stock (24 hours) Similar Items

	Electric Guitar Gretsch G5135cvt-ps Corvette Black Patrick Stump Fall Out Boy News Designed to meet the demanding specifications of Fall Out Boy singer/guitarist, Patrick Stump, the G5135CVT-PS Patrick Stump Signature Series Stump-O-Matic Electromatic CVT is aimed at creating raging modern rock riffs. Now featuring an elegant black finish with silver competition stripes, this fe...(+) Designed to meet the demanding specifications of Fall Out Boy singer/guitarist, Patrick Stump, the G5135CVT-PS Patrick Stump Signature Series Stump-O-Matic Electromatic CVT is aimed at creating raging modern rock riffs. Now featuring an elegant black finish with silver competition stripes, this ferocious instrument growls and sings with versatile tone. State-of-the-art features and Stump s unique aesthetic sensibility combine for a truly unbeatable solidbody guitar. The customized electronics package creates a host of exceptionally useful tones and pickup configurations even boasting a kill switch for stuttering guitar effects. The mere turn of a two-position rotary switch selects between two- and three-pickup arrangements. In three-pickup mode, use the middle pickup s volume/blend control to create fresh tones from the three powerful Mega TronTM humbucking pickups. The set maple neck with 21-fret rosewood fingerboard and string- through-body are engineered for silky-smooth playability and singing sustain while the anchored Adjusto-MaticTM bridge, vintage- style tuning machines and synthetic bone nut create stable tuning ensuring every note rings out in authoritative style. The truss rod cover is emblazoned with the legend Stump-O-Matic , while the headstock bears the classic Electromatic and Gretsch T- Roof logos. The G5135CVT-PS Patrick Stump Signature Series Stump-O-Matic Electromatic CVT brazenly combines loud sound and proudly bold visual style with panache. 1099.00€ - Sold by Woodbrass On order Similar Items

	Live Scene Cardoid Vocal Mic Neumann Kms104 Black Acts as reference on the stages of the world. For demanding singers, the microphone for a lifetime! Neumann sound on stage Excellent transparency for vocals/speech cardioid polar pattern with excellent feedback rejection Without off-axis coloration Transformerless output Effective pop shieldin...(+) Acts as reference on the stages of the world. For demanding singers, the microphone for a lifetime! Neumann sound on stage Excellent transparency for vocals/speech cardioid polar pattern with excellent feedback rejection Without off-axis coloration Transformerless output Effective pop shielding without any side effects Set includes stand clampThe KMS 104 and KMS 105 microphones have been developed to permit optimal transmission of the human voice, and are thus microphones of choice for demanding live applications. The KMS 105, which has already been available on the market for some time, has become an internationally recognized standard in the field of high-quality stage microphones.Due to their low self-noise and crosstalk behavior which is free of coloration, both microphones are ideal for use with in-ear monitoring systems.The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The user can thus select the version that is optimally suited to the specific application.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.Acoustic featuresThe studio condenser capsules used in both microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.In both microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 and KMS 105 vocalist microphones when they are used with a stage sound system.Electrical featuresSince vocalist microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.In addition, each microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz ( 3 dB, measured in a free sound field). The dynamic range of the KMS 104/105 is 132 dB, and the maximum sound pressure level is 150 dB.The low self-noise level of only 18 dB-A permits both microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.Mechanical featuresMicrophones designed for use on stage require a particularly robust construction. The KMS 104 and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.Delivery RangeThe KMS 104 and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring. 561.00€ - Sold by Woodbrass In Stock (24 hours) Similar Items

	Live Scene Vocal Cardoid Mic Neumann Kms105 Silver Kms 104 Acts as reference on the stages of the world. For demanding singers, the microphone for a lifetime! Neumann sound on stage Excellent transparency for vocals/speech cardioid polar pattern with excellent feedback rejection Without off-axis coloration Transformerless output Effective pop shieldin...(+) Acts as reference on the stages of the world. For demanding singers, the microphone for a lifetime! Neumann sound on stage Excellent transparency for vocals/speech cardioid polar pattern with excellent feedback rejection Without off-axis coloration Transformerless output Effective pop shielding without any side effects Set includes stand clampThe KMS 104 and KMS 105 microphones have been developed to permit optimal transmission of the human voice, and are thus microphones of choice for demanding live applications. The KMS 105, which has already been available on the market for some time, has become an internationally recognized standard in the field of high-quality stage microphones.Due to their low self-noise and crosstalk behavior which is free of coloration, both microphones are ideal for use with in-ear monitoring systems.The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The user can thus select the version that is optimally suited to the specific application.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.Acoustic featuresThe studio condenser capsules used in both microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.In both microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 and KMS 105 vocalist microphones when they are used with a stage sound system.Electrical featuresSince vocalist microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.In addition, each microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz ( 3 dB, measured in a free sound field). The dynamic range of the KMS 104/105 is 132 dB, and the maximum sound pressure level is 150 dB.The low self-noise level of only 18 dB-A permits both microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.Mechanical featuresMicrophones designed for use on stage require a particularly robust construction. The KMS 104 and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.Delivery RangeThe KMS 104 and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring. 599.00€ - Sold by Woodbrass On order Similar Items

	Thomastik Dominant 3/4 Violin Set Medium Tension Fopc The world-renowned chord of reference unparalleled in sound and playability Nylon multi-fiber core Insensitive to humidity variations Smooth and rich harmonics close to the sound of natural casings 46.00€ - Sold by Woodbrass In Stock (24 hours) Similar Items

	MXR : EVH 5150 Overdrive Bundle RB MXR EVH 5150 Overdrive Effects pedal for electric guitar- Overdrive- Eddie Van Halen signature model- Controls for output, bass, mids, treble, gain, and a gate control that can be activated- Input: 6.3 mm Jack mono- Output: 6.3 mm Jack mono- Solid metal housing- Status LED- Powered via a 9V ...(+) MXR EVH 5150 Overdrive Effects pedal for electric guitar- Overdrive- Eddie Van Halen signature model- Controls for output, bass, mids, treble, gain, and a gate control that can be activated- Input: 6.3 mm Jack mono- Output: 6.3 mm Jack mono- Solid metal housing- Status LED- Powered via a 9V battery or 9V power supply (not included, e.g. Article Nr 409939)- Dimensions (W x D x H): 122 x 91 x 52 mm- Weight: 809 g Rockboard Pedalsafe Type D2 Rockboard Protective Cover- Suitable for Electro Harmonix, Keeley Electronics, MXR and many other pedals with large, horizontal housings and a configuration with two rows of pots- Fits most effect pedals with housing dimensions of approx. 94 x 125 x 37 mm- With base plate for mounting on Rockboard pedalboards with click system- Distance of QuickMount mounting holes (W x D): 110 x 78-83 mm- Protects effect pedals from dirt and weather influences- Protects settings from unintentional adjustment- Mounts effect pedals securely on RockBoard pedalboards- No permanent modifications required- Includes QuickMount pedal mounting plate Type D for RockBoard pedalboards, spare screws and shim plate for easy lifting of pedals 279.00€ - Sold by Thomann In Stock (24 hours) Similar Items

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