Romantic Latin (Flute)

Flute. Arranged by Peter Linx. De Haske Play-Along Book. Softcover with CD. 24 pages. Published by De Haske Publications.

By BULLARD. For flute, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Keyboard

SKU: M7.ART-42202

20 moderne Spielstücke für Keyboard. Composed by Elmar Mihm. Score with online audio files. Performance book. 44 pages. MDS (Music Distribution Services) #ART 42202. Published by MDS (Music Distribution Services) (M7.ART-42202).

ISBN 9783866422025.

'My Modern Keyboard Collection' ist eine spannende und lehrreiche Sammlung moderner und klangschöner Kompositionen für Keyboard. Entdecke und erforsche romantische Balladen, Chillout Music, Rock, Pop, Latin, Country, traditionelle und keltische Musik mit den jeweils typischen Sounds, interessanten Harmonien und fesselnden Rhythmen. Die Stücke sind leicht bis mittelschwer spielbar und fördern besonders das Hineindenken in die Spielweise verschiedenster Instrumente und Musikstile aus aller Welt. Alle Stücke sind mit Griffbildern der verwendeten Akkorde und Vorschlägen für Sound, Style und Tempo versehen. Du bist jedoch herzlich eingeladen, kreativ die Klänge und Rhythmen Deines Instruments zu nutzen und eigene Versionen zu schaffen. 'My Modern Keyboard Collection' fördert Dein Verständnis für diverse verschiedene Musikstile, Dein Rhythmusgefühl und Deine Fingerfertigkeit. Das Buch richtet sich an Keyboardschüler ab dem dritten Unterrichtsjahr sowie an alle Liebhaber bunter und emotionaler Keyboardmusik. Eine schöne Zeit an Deinem Keyboard wünscht Elmar Mihm.

By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks; Score; SmartMusic. Highland First Philharmonic. Form: Transcription. Latin; Masterwork Arrangement; Romantic. Grade 2. 12 pages. Published by Alfred Music (AP

Edited by Richard Walters, compiled by Richard Walters. Collection for soprano voice solo and piano accompaniment. Text language Latin, German, English. 223 pages. Published by Hal Leonard.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300709

Composed by Anton Diabelli. 1x 23.007/21 flute, 1x 23.007/22 clarinet 1, 1x 23.007/23 clarinet 2, 1x 23.007/31 trumpet 1, 1x 23.007/32 trumpet 2, 1x 23.007/33 horn 1, 1x 23.007/34 horn 2, 1x 23.007/41 timpani. German title: Messe in Es 8. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 107. 44 pages. Duration 25 minutes. Carus Verlag #CV 23.007/09. Published by Carus Verlag (CA.2300709).

ISBN 9790007037673. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and parts available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300713

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/13. Published by Carus Verlag (CA.2300713).

ISBN 9790007037703. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300712

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/12. Published by Carus Verlag (CA.2300712).

ISBN 9790007037697. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300714

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/14. Published by Carus Verlag (CA.2300714).

ISBN 9790007037710. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300711

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/11. Published by Carus Verlag (CA.2300711).

ISBN 9790007037680. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706009

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. 1x 27.060/21 flute 1, 1x 27.060/22 flute 2, 1x 27.060/23 English horn 1, 1x 27.060/24 English horn 2, 5x 27.060/31 trumpet 1, 2 and trombones, 1x 27.060/42 harp. Harmony parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/09. Published by Carus Verlag (CA.2706009).

ISBN 9790007199777. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706014

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 3 bassoon, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 violins, viola, cello, contrabass, [organ] - Grade 3

SKU: CA.2702000

Composed by Heinrich von Herzogenberg. Edited by Bernd Wiechert. This edition: Paperbound. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Messe In E. Streicher Leihweise 20. Sacred vocal music, Masses, Latin. Full score. Op. 87. Duration 60 minutes. Carus Verlag #CV 27.020/00. Published by Carus Verlag (CA.2702000).

ISBN 9790007088958. Key: E minor. Language: Latin.

The musically convincing and, in many respects, original setting of the liturgical text in Herzogenberg's Mass represents a final culmination in the late romantic repertoire of the genre Missa solemnis. The full score, which is published here for the first time, makes this most inspiring work by Herzogenberg accessible for performance.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706013

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Viola. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Viola. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/13. Published by Carus Verlag (CA.2706013).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.