Réduction pour 2 Pianos du Concerto pour Piano et Orchestre en Do majeur KV 467 (n° 21)

Descriptif : This edition of Mozart’s Concerto in C major K. 467 for Piano and Orchestra is based on Hans Engel’s and Horst Heussner’s Urtext edition, which is published in the New Mozart Edition (NMA V/15/6: Konzerte für ein oder mehrere Klaviere und Orchester mit Kadenzen, Kassel, BA 4528).'
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In the present arrangement for two pianos, the solo part was left unchanged and is thus identical with the version in the NMA. '
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Editorial corrections and additions are indicated in this part as follows: letters (words, dynamics, trill signs) and digits by italics; main notes, accidentals before main notes, dashes,dots, fermatas, ornaments and rests of lesser duration (half-note, quarter-note etc.) by small print; slurs by broken lines; appoggiaturas and grace-notes by square brackets. '
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All digits used to indicate triplets and sextuplets appear in italics, with those added by the editor set in a smaller type. Whole-note rests lacking in the source have been added without comment.'
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Mozart always notated isolated sixteenths, thirty-seconds and so forth with a stroke through the stem, i. e. , instead of , . In the case of appoggiaturas, it is thus impossible to determine whether they should be executed short or long. In such cases, the present edition prefers in principle to use the modern equivalents, etc. '
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Where an appoggiatura represented in this manner is meant to be short, “[ ]” has been added above the note concerned. '
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Slurs missing between the note (or group of notes) of the appoggiatura and the main note have been added without special indication, as have articulation marks on grace notes. Detailed information regarding the origin and history of the work and its sources as well as the editorial principles of the NMA are found in the Vorwort and Kritischer Bericht of NMA V/15/6.