Hammered Dulcimer Classics

Classique

Contenu

All in a Garden Green Version #1
All in a Garden Green Version #2
Bouree Version #2
Bouree Version #1
Bransle Double #1 Version #2
Bransle de la Royne #9 Version #2
Bransle de la Royne #9 Version #1
Bransle de Villages #2 and 3 Version #1
Bransle de Villages #2 and 3 Version #2
Bransle Double #1 Version #1
Bransle Simple #2 Version #1
Bransle Simple #2 Version #2
Cantiga #166 (CLXVI) Version #2
Cantiga #166 (CLXVI) Version #1
Courante #124 (CXXIV) Version #1
Courante #183 (CLXXXIII) Version #1
Courante #98 (XCVIII) Version #2
Courante #124 (CXXIV) Version #2
Courante #183 (CLXXXIII) Version #2
Courante #98 (XCVIII) Version #1
Gilliecrankie Version #1
Gilliecrankie Version #2
Gilotte Version #1
Gilotte Version #2
Go From My Window Version #1
Go From My Window Version #2
La Rosette Version #1
La Rosette Version #2
Rondeau (Excerpt) Version #2
Rondeau (Excerpt) Version #1.
Symphony #3 (Movement #3) Version #1
Symphony #3 (Movement #3) Version #2
Volte #223 (CCXXIII) Version #1
Volte #223 (CCXXIII) Version #2
Volte Version #1
Volte Version #2

Description :

Standard notation and a simple alpha-numerical tablature system are used to present this unusual collection of pre-18th Century tunes for the standard 12/11-course hammered dulcimer. Creating a hybrid of folk and classical elements, Carol Koenig has expanded the repertoire of the hammered dulcimer with melodies from France, Spain, England, and Scotland. The tunes are first presented in a simple melodic statement, then in a more complex harmonized version. The author insists that it is not necessary to be an outstanding sight reader to make beautiful music on the hammered dulcimer, or with this book. Standard notation and a simplealpha-numerical tablature system areused to present this unusual collectionof pre-18th Century tunes for thestandard 12/11-course hammereddulcimer. Creating a hybridof folk andclassical elements, Carole Koenig hasexpanded the repertoire of the hammereddulcimer with melodies from France,Spain, England, and Scotland. The tunesare first presented in a simplemelodicstatement, then in a more complexharmonized version. The author insiststhat it is not necessary to be an outstanding sight reader to makebeautiful music on the hammereddulcimer, or with thisbook.