Real Latin Piano 1: Piano: Instrumental Tutor

The Real Latin Piano authored by Kiki Sanchez teaches how to play the most important Latin rhythms on the Piano such as: Salsa Cumbia Gaujira Timba Cumbia Bolero and other styles. In addition the book explains clearly how to perform Latin Piano grooves on clave 2-3 and 3-2 as well as showing the traditional Salsa arranging structure and how to perform Piano montuno's using American Jazz Harmonies.Sanchez's vision is to expand your musical abilities and have a better understanding about how to play several Latin rhythms on the Piano. These will not only help you with your Piano abilities but will enrich your musical knowledge as a producer arranger and educator. In this book Kiki introduces a montuno from his native Peru called the Peruvian Festejo. As an educator Kiki has been working with Pati Vargas on the Latin America Musical Journey teaching music and the different cultures of Latin America in several public schools and colleges in the South Florida area.The CD that accompanies the book includes 50 audio tracks 114 mp3 files and 114 MIDI files

Complete piano transcription book from Vol. 64 'Salsa/Latin Jazz' - featuring Mark Levine. See how to play authentic Salsa/Latin voicings and figures from a widely recognized authority over the changes of: Sabor, Linda Chicana, Mambo Inn, Afro Blue, Manteca, Piccadillo, Curacao, and more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder “what’s he doing there?” Now you’ll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. Complete Piano transcription book from Vol. 64 'Salsa/Latin Jazz' - featuring Mark Levine. See how to play authentic Salsa/Latin voicings and figures from a widely recognized authority over the changes of: Sabor, Linda Chicana, Mambo Inn, Afro Blue, Manteca, Piccadillo, Curacao, and more. Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder “what’s he doing there?” Now you’ll know! Here, as never before, is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. / Méthode en anglais / Méthode / Piano ou Clavier

La Navidad es una época ideal para tocar de forma individual o colectiva ya sea en casa escuelas de música conservatorios primaria o secundaria. Este segundo volumen recoge una selección de veinte nuevos villancicos populares incluyendo catalanes en euskera en gallego andaluces e incluso de origen latino con sus letras originales. Este libro incluye un CD con varias opciones: En un equipo de música tradicional encontrará una pista de cada villancico con el piano y la percusión facilitando así su aprendizaje; pero si el CD se reproduce en un ordenador o DVD además se tendrá acceso acontenido extra de cada villancico en diferentes formas:1. Piano y percusión (mp3 y audio tradicional) Contenido extra para cada título:2. Sólo acompañamiento de piano y percusión (mp3)3. Flauta y percusión (mp3)4. Guitarra y percusión (mp3)5. Piano solo (mp3)6. Guitarra sola (mp3)7. Solo percusión (mp3)8. Piano flauta guitarra y percusión (mp3)9. Letras

This book is dedicated exclusively to jazz Piano solo. No Orchestral accompaniment is provided - you will be 'holding the reins' alone in a genre of music in which there's much scope as a pianist to do so. This collection offers many original pieces that are also real studies dealing with the harmonies and rhythms of jazz and its many derivatives: swing bebop bossa nova blues-jazz ragtime and Latin jazz. All tastes are catered for. This book is dedicated exclusively to jazz Piano solo. No Orchestral accompaniment is provided - you will be 'holding the reins' alone in a genre of music in which there's much scope as a pianist to do so.This collection offers many original pieces that are also real studies dealing with the harmonies and rhythms of jazz and its many derivatives; swing bebop bossa nova blues-jazz ragtime and Latin jazz. All tastes are catered for.

The Player's Guide to Authentic Stylings. The Hal Leonard Jazz Piano Method Book 2 is a detailed, easy-to-use guide for anyone interested in furthering their jazz piano skills. There are many harmonic concepts, useful licks, and comping techniques for you to absorb. The accompanying audio includes demonstrations of all the examples in the book. Includes: harmonic exercises, melodic vocabulary, chord progressions and substitutions: melodic minor scale theory, locked-hands style, drop-two voicings, stride, walking bass lines, Latin styles, modern sounds, and much more! This is a powerhouse of a book - a real 'owner's manual' for the jazz piano mind. Mark Davis presents the essential material in easily digestible packets, each buidling on the last, and as a whole building on the concepts from the first book. I'll be referring both beginning and intermediate students to this course. - Geoffrey Keezer, multiple Grammy'-nominated pianist. / Méthode / Méthode / Piano

Robert Saxton's Hortus Musicae Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title less 'literal' in Latin than in the vernacular refers to the idea of an allegorical/metaphysical garden (reference to a 'real' or existing garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements with their respective garden image are as follows: 1) Hortus Somniorum: afleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floral clock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drewOf flowers and herbs this dial newWhere from above the milder sunDoes through a fragrant zodiac run;And as it works the industrious beeComputes its time as well as we.How could such sweet and wholesome hoursBe reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises) in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing celebratory nature. Its essence (and that of the entire cycle both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror;So to remember our changing garden weAre linked as children in a circle dancing. Duration: 15

The Syncopated Piano Music-This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms which are really African rhythms brought to the Americas by slaves and appliedto the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America but also in theUnited States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this'Latin tinge' is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like 'The Buena Vista Social Club.' Includes historic tangos written by Ignacio Cervantes - Cuba Manuel Saumell - Cuba Juan Morel Campos - Puerto Rico Jose Quinton - Puerto Rico Ernesto Nazareth -Brazil Tomas Leon - Mexico Sebastian Yradier - Spain Eduardo Sanchez du Fuentas - Cuba Will Tyers - USA Vincente Greco -Argentina Anselmo Rosendo (Mendizabal) - Argentina Angel Villoldo - Argentina Eduardo Arolas - Argentina Juan Maglio - Argentina