Matériel : Partition
Arrangement: Burton Ken. Par BURTON KEN. This second volume for SATB by Ken Burton follows in the wake of the outstanding success of Feel the Spirit! . Upbeat and lively, or lyrical and reflective, Ready To Ride! is a diverse collection of contemporary gospel choruses and spirituals, arranged for SATB choir by Ken Burton. These pieces will make a superb addition to your repertoire. Great Day , Were You There , Rivers Of Babylon and Deep River are arranged for SATB choir a cappella, with a piano accompaniment part scored for rehearsal purposes. Ready To Ride , however, is written for SATB choir and Piano. / Niveau : Assez Facile / Date parution : 2003-01-23/ Recueil / SATB
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled ??Il trionfo del Tempo e della Verità? (??The Triumph of Time and Truth?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio ??La Bellezza ravveduta nel trionfo del Tempo e del Disinganno? (??Beauty Reconciled in the Triumph of Time and Enlightenment?) HWV 46a written in 1707. With ??La Bellezza ravveduta?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as ??Il trionfo del Tempo e della Verità?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the evening??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handel??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part ??English? oratorio form that he had developed in ??Esther? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from ??Il trionfo del Tempo e della Verità?.
SKU: HP.2182P
UPC: 763628221829. 1 Corinthians 12:3, Acts 2:11, Acts 2:19, Deuteronomy 10:21, Exodus 15:1, Exodus 3:20, John 13:13, Job 37:14, Philippians 2:11, Psalms 101:1, Psalms 108:1, Psalms 119:27, Psalms 13:6, Psalms 147:1, Psalms 149:1, Psalms 30:4, Psalms 3.
Brazilian Folk Song Get ready for a bouncy ride with this setting of the Brazilian folk song for bells and Latin percussion!Get ready for a bouncy ride with this setting of the Brazilian folk song for bells and Latin percussion! Lots of staccato techniques (mallets, martellatos, thumb damps) figures highly in the accompaniment patterns, while dotted rhythms and sixteenth notes highlight the melody. Fun and challenging, this version is set in d minor and is 80 measures.
SKU: WD.080689543173
UPC: 080689543173.
Southern Gospel Songs… Just mention that phrase, and a certain sound and style immediately come to mind. And it comes simultaneously as both a visual and an audible trigger. It is sight and sound encapsulated in so many shapes and forms…from the original, iconic male quartet with a stride-style piano man, to the famous mixed groups—usually a family; Dad, Mom, sons and daughters, spouses—to the not infrequent trio, sometimes all male, sometimes all female, sometimes mixed voices, and even the occasional solo artist…all delivering soulful, joyful, heartfelt and inspiring songs. Songs for the church. Southern Gospel Songs. Songs about life, about prayer, about joy, about sadness, about Heaven, about victory, about coming home and about going home; songs of cheer, songs of love, songs of conviction, songs of salvation…Souther n Gospel Songs. And whether you first heard one of these songs sung by a quartet, a mixed group, a trio, a soloist, performed with piano accompaniment only, a full band, or accompanied by an orchestra, you haven’t really heard it until you’ve heard it sung by a choir! Southern Gospel Songs for Southern Gospel Choirs...one of the sweetest sounds this side of Heaven!That’s what this book, with its dynamic arrangements by Marty Hamby, is all about -- Southern Gospel radio hits, classic Southern Gospel songs, and new and emerging Southern Gospel hits; they are all ready and waiting for you to add the one missing ingredient… your choir! So grab your robes, get your choir folders in hand, do a vocal warm-up or two, and get ready to “sing the glory down” with this great new collection of Southern Gospel Songs!
SKU: BT.DOW-05535-404
ISBN 9789043162425. English-German-French.
This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 3”, HWV 376) in B minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with basso continuo accompaniment at the original tempo. All of the versions were recorded live. Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 3“, HWV 374) in h-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Basso continuo). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung; anschließend können Sie sich im Originaltempo von der Continuogruppe begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen. Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 3”, HWV 376) en Si mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et basse continue). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de la basse continue. Toutes les versions ont été enregistrées en live.
SKU: BT.DOW-05529-400
ISBN 9789043160803. English-German-French.
This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 1”, HWV 374) in A minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 1“, HWV 374) in a-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 1”, HWV 374) en La mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.
