3 Quintets

This String Quintet (with two Violas or three Violins) was composed in 1799. It is tuneful and straightforward and suitable for players who are not yet at the standard required to play the Mozart Dvorak or Brahms quintets with two Violas. This edition has the advantage of having a third Violin part included if two Viola players are not available. Johann Michael Haydn was the younger brother of his much more famous older brother Franz Joseph commonly regarded as the 'father' of the classical String Quartet format.

This edition of Onslow's fifteenth String Quintet has the advantage of being either a two Viola or a two Cello quintet as it is published with parts for two cellists or two violists. It is a major work with good parts for all players with the 1st Violin part having a particularly large numbers of fast semi quavers (sixteenths) in the outer movements.It is known as 'The Bullet' due to the circumstances of its composition: Onslow was boar hunting in the Auvergne when a theme occurred to him. He dismounted and sat on a nearby fallen tree trunk and wrote it down. A boar then burst from the bushes and his companions fired missing the boar and hitting Onslow.The quintet was completed on his recovery and graphically illustrates his sufferings. George Onslow an Anglo-French composer was born in Clermont-Ferrand in July 1784 and died there in October 1853.

Revisiting The Don is a piece of music composed by Michael Nyman for the album 'Mozart 252' a celebration of the 250th anniversary of Mozart's birth. Revisiting The Don is one of the twonewly-composed works on this album and is arranged here as parts for String Quintet. Nyman himself states that 'as the title suggests I revisit the same harmonic material thatmakes 'In Re Don Giovanni' so powerful and come up with more lyrical 'solutions'.' The result is a wonderful piece beginning with a smooth staccato that lays the foundations for wonderful lilting melodies. The piece graduallyprogresses to widen out the warm strings making this piece a real joy to play.

Revisiting The Don is a piece of music composed by Michael Nyman for the album 'Mozart 252' a celebration of the 250th anniversary of Mozart's birth. Revisiting The Don is one of the twonewly-composed works on this album and is arranged here as a full score for String Quintet. Nyman himself states that 'as the title suggests I revisit the same harmonicmaterial that makes 'In Re Don Giovanni' so powerful and come up with more lyrical 'solutions'.' The result is a wonderful piece beginning with a smooth staccato that lays the foundations for wonderful lilting melodies. Thepiece gradually progresses to widen out the warm strings making this piece a real joy to play.

La boule masquée par Pam Wedgwood est ici arrangé pour quintette à vent et présenté avec conducteur et parties pour flûte, hautbois, clarinette B Flat, basson et cor en fa / Quintet A Vent

Great Clarinet Quintets(2). Mozart's friendship with Anton Stadler, the clarinetist in Vienna's Royal-Imperial Court Orchestra, led to the composition of his beloved Quintet in A Major. The four-movement piece is arranged for clarinet, two violins, viola, and cello. Brahms's Clarinet Quintet in B minor, also in four movements, is equally popular and often recorded as a companion to Mozart's work. Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.

Par PLEYEL IGNAZ. The Quintet in G minor belongs to the first group of three quintets written by Ignaz Pleyel in 1785 and published for the first time in 1786. Of all his quintets, it was the most frequently published one and was available in various editions even during Pleyel's lifetime. The modern character of this piece shows in the 'new kind' of compositional technique and elaboration of the themes, as presented by Joseph Haydn for the first time in 1781 in his String Quartets Op. 33. As with Haydn, the modern compositional style shows in the thematic work of the development which is mainly derived from the main theme. Particularly impressive is the elaboration of the theme by imitation, sequencing, shortening, rhythmic and tonal changes as well as by inversion./ Répertoire / 2 Violons, 2 Altos et Violoncelle