Matériel : Partition
Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Clarinette / 44 pages / niveau : Facile - Elémentaire / Partition
SKU: CA.4018813
ISBN 9790007064556. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
Also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018800.
SKU: CA.4018805
ISBN 9790007064525. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
Also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018800.
SKU: CA.4018811
ISBN 9790007064532. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
SKU: CA.4018812
ISBN 9790007064549. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
SKU: CA.4018814
ISBN 9790007064563. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: SU.50600030
Commissioned by the Colonial Symphony, Paul Hostetter, Music Director and Conductor First performed in 2006 Published by: Dunsinane Music Composer's Note: My inspiration for Smiling Dennis is the great bass clarinet virtuoso Dennis Smylie. I have had the pleasure of getting to know Dennis over the past several years owing to our mutual affiliation at Montclair State University. We would meet unintentionally in the halls and begin conversations regarding all manners of topics: from the colorful history of the bass clarinet—and bass clarinetists—to the furious appetite of the New Jersey groundhog. Dennis inevitably finds the humor in things—he revels in discovering the comic story that can often be found, just underneath the topic. When Maestro Hostetter asked me to compose a new piece during his initial season with the Colonial Symphony, and mentioned the possibility of a work related to humor, I immediately thought of the Dennis. When I spoke with Maestro Hostetter the following day, I had already conceived of the title (very unusual for me—I’m much more a musical/visual thinker than a verbal one) as well as the overall musical narrative. Smiling Dennis is a concerto in one movement for one bass clarinetist and twenty string players. Somewhat unusually, each performer has a unique musical assignment—that is, the string players are not aligned into their typical alliances of first violins, second violins and so forth. This permits a more complex string texture, allowing each performer to assert his or her individuality. Indeed, the notion of individuality is essential to this concerto, as it often is in concerti. For example, Smiling Dennis begins with the bass clarinet not quite obeying the conventions of tuning to the orchestra. Rather than simply take the A offered by the Concertmaster, the soloist playfully performs a gently descending series of notes. Offered another A, the soloist repeats this gesture (though with a different descending series). This exchange occurs four times. In the final one, members of the string orchestra join the soloist in the first significant statement of one of the central melodies. The bass clarinet completes this introductory section alone, playing all the way down to a low A, a third below the lowest note in the celli. Following the introduction, Smiling Dennis consists of six sections, somewhat along the lines of a dance suite: an energetic Allegro, a lyric Arioso, a forward Piú mosso, a light-hearted and syncopated dance, a even more energetic passage for strings alone, and finally a modified return to the introduction. In the return, the string ensemble is no longer at all oppositional to the soloist. Rather, in response to the soloist’s gentle cajoling and supportive commentary, the strings accompany—with pleasure, you might say—the quiet, individual playfulness of the bass clarinet. The work ends with a return to the soloist’s substratum A, accompanied quietly by the strings.
SKU: AP.48854
UPC: 038081561783. English. Andy Beck.
Andy Beck brings his gift for vivid text painting, evocative piano motives, and tuneful melodies to a favorite wintertime poem. Though not a word-for-word setting, the themes of the Elinor Wylie's words are evident from the snow-covered introduction, winding melody, and expressive andante, to the silken harmonic palette and lacy choral layers. Choose this piece with the confidence that it has been carefully constructed to encourage musicality and artistry from any ensemble. Program the eloquent concert and contest work from fall to spring, anytime there might be snow on the ground. We shall walk in velvet shoes . . . under a veil of lace. This title is available in MakeMusic Cloud.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: AP.48853
UPC: 038081561776. English. Andy Beck.
SKU: AP.48852
UPC: 038081561769. English. Andy Beck.
SKU: AP.49675
UPC: 038081567624. Lat.
Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered to create artful polyphony that is easily achieved. Cue-sized notes in the SAB/3-Part Mixed provide options for changing voices, and the treble arrangement can be sung in either two or three parts. An ideal vehicle for improving vocal production and building musicianship.
