A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano

This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by 'The Big Three' of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and other artists. Popular tunes include Maple Leaf Rag, The Entertainer, and Tiger Rag. Novices of all ages will delight in these simplified arrangements of carefully selected pieces. The editor provides suggested fingerings and comments on each piece that include background on the composers and tips for performance.

L'étude de la guitare de ragtime classique est très exigeant. Pour cet ensemble de leçons pour le guitariste intermédiaire et avancé, nous avons choisi quatre chiffons toujours populaires. Vous avez l'avantage de cette série d'apprentissage de trois enseignants différents, chacun avec sa propre approche individuelle. livre de tab/musique de 32 pages avec trois disques compacts. UNE leçon : Rag classique qui a commencé la 'Renaissance de ragtime' était l'artiste. Cela a été utilisé dans la bande originale du film The Sting. C'est un chiffon classique lyrique de la quatre partie écrit par Scott Joplin. Cette leçon est enseignée par Stefan Grossman. LECON deux : Un des plus populaires chiffons classiques écrites par Scott Joplin était son Maple Leaf Rag. Canard Baker enseigne son arrangement à cette rag classique très énergique et syncopé. Il est suivi par Silver Swan. Stefan Grossman est votre enseignant pour cette belle rag classique. Leçon 3: Notre dernière leçon est un tour de force de ragtime arrangeant et en jouant. Il est hilarité Rag de James Scott. Il s'agit d'un cl quatre partie... / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

15 Classic Rags Arranged for Solo Ukulele-15 of the most popular ragtime Piano pieces for the Ukulele are arranged by Fred Sokolow in this collection featuring music notation tablature and online audio demonstration tracks. Each rag has several sections so there's a wealth of music here. Learning these rags will expand your Ukulele horizons and provide hours of musical fun! Selections include: Dill Pickles (Charles Johnson) • The Entertainer (Scott Joplin) • Maple Leaf Rag (Scott Joplin) • Pegasus (James Scott) • Slippery Elm Rag (Clarence Woods) • Smoky Mokes (Abe Holzmann) • Yankee Land (Max Hoffman) • and more.

Par BRYDERN BENEDIKT. This volume contains a delightful collection of 16 well-known Ragtimes by Scott Joplin (Country Club, Easy Winners, Elite Syncopations, Pineapple Rag), James Scott and original compositions by violinist/composer Benedikt Brydern - arranged for 2 violins (intermediate-level) in progressive order. It teaches syncopated rhythms, accompaniment and double-stops in an entertaining way. All arrangements are suitable for student recitals or could be used as effective encores. / Niveau : Débutant à Intermédiaire / Ragtime - Duets / Recueil / 2 Violons

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Compilation. Collection progressive de ragtimes classiques pour piano par Scott Joplin, James Scott, Joseph F. Lamb, Tom Turpin, Charles Hunter, Percy Wenrich et de nombreux autres / Rép International / Recueil / Piano

Par SCOTT ANDY. A new arrangement of Andy Scott's popular piece, And Everything is Still... is now available. Arranged by virtuoso guitarist James Girling, in conjunction with the composer. Inspired by a poem written by Lemn Sissay (taken from his children?s book The Emperor?s Watchmaker), And Everything Is Still? was commissioned by the Royal Northern College of Music and was premiered by Carla Souza (flute) and Lucy Colquhoun (piano) on 22nd June 2008. A simple melody unravels alongside delicate harmonic statements, creating a calm and gentle atmosphere. / Date parution : 2021-11-03/ Répertoire / Flûte Traversière et Guitare

Hawkes Pocket Scores HPS 1468-Originally a ballet score this 30' work is scored with strings and consists of three movements:'cumnock fair': A 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful rustic archaic ungainly dreamy boisterous stately brutal and grotesque to mysterious and unnerving.'shambards'': Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti’s Lucia di Lammermoor based on the novel by Walter Scott.'shamnation'. Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunesand following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys.

Scott Joplin's popular rag The Entertainer edited for intermediate Piano solo by James Bastien.

For the Beginning Pianist-Accessible to novices of all ages these 21 easy-to-play melodies for the piano include George Gershwin's 'I'll Build a Stairway to Paradise ' 'Alexander's Ragtime Band' by Irving Berlin Jerome Kern's 'They Didn't Believe Me ' and 'Bethena' by Scott Joplin. Additional selections include 'Frankie and Johnny ' 'Hello! Ma Baby ' 'Ja-Da ' 'Indiana ' ''Taint Nobody's Business If I Do ' and other jazz standards.Suitable for the true beginner these arrangements are simpler and more melodic than other versions. They include suggestions for fingering and are arranged in order of increasing difficulty.Dover Original.

The accompaniment to Barnes' Tuba Concerto was transcribed for band by R. Mark Rogers during the Fall of 1996. The premier performance took place on February 1 1997 with Scott Watson tuba soloist accompanied by the United States Army Band the composer conducting.