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Wolfgang Amadeus Mozart: Piano Quartets K. 478 and 493: Piano Quartet: Score and
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Mozart Wolfgang Amadeus
Quartet g minor K. 478Quartet E flat major K. 493
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Wordsworth: Piano Quartet in D minor Opus 36: Piano Quartet: Instrumental Work
Piano Quartet
[Partition]
Alfred Lengnick
Piano Quartet in D minor Opus 36
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
62.64
3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
(+)
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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Wolfgang Amadeus Mozart: Piano Quartets K. 478 and 493: Piano Quartet: Score and
35.99
Wolfgang Amadeus Mozart: Piano Quartets K. 478 and 493: Piano Quartet: Score and
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
G. Henle
Piano Quartets-C?est à peine imaginable aujourd?hui mais le public viennois de...
(+)
Piano Quartets-C?est à peine imaginable aujourd?hui mais le public viennois de l?époque reçut le quatuor avec piano K. 478 de Mozart avec une certaine froideur sans doute notamment liée au caractère dramatique de la tonalité de sol mineur en particulier dans le premier mouvement auquel ce compositeur ne l?avait pas habitué. C?est la raison pour laquelle l?éditeur Hoffmeister refusa d?imprimer d?autres quatuors et Mozart ne composa qu?un unique autre quatuor le quatuor en Mi bémol majeur K. 493 alors qu?il avait prévu à l?origine d?en écrire une série de six. C?est très dommage car ces deux quatuors avec piano comptent parmi les joyaux de sa musique de chambre et continuent à ce jourde jouir de la faveur de tous.
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Robert Schumann: Piano Quartet In E Flat Op. 47: Piano Quartet: Score and Parts
35.99
Robert Schumann: Piano Quartet In E Flat Op. 47: Piano Quartet: Score and Parts
Piano Quatuor: piano, violon, alto, violoncelle
[Conducteur et Parties séparées]
G. Henle
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and...
(+)
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and I was once again truly delighted at this beautiful and so youthful work? enthused Clara Schumann in 1842. Inpreparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally forming a splendid ensemble. Our edition has anextensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44 referred toas ?sister works? were both composed in Schumann?s ?chamber music year?. For this reason we were publishing them both in the 2006 ?Schumann Year?.
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Wolfgang Amadeus Mozart: Piano Quartet In C Arr. From Duet K521: Piano Quartet:
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Arranged From The Piano Duet K521-This Piano quartet started life as Mozart's Pi...
(+)
Arranged From The Piano Duet K521-This Piano quartet started life as Mozart's Piano duet K521. John Cooley's arrangement of it for Piano quartet is very successful and brings this lovely piece into the hands of string players.
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
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Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
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Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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