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PARTITIONS VIOLON ⮞

Konzert Für Violine Und Orchester 'Nr. 2'

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Barenreiter

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Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Part

5.50 GBP - Expédié d'Angleterre

Port minimal constaté chez ce vendeur : 2.90 EUR

Musicroom :

Wolfgang Amadeus Mozart: Violin Concerto No.2 in D major K.211: Violin: Part

5.50 GBP - Expédié d'Angleterre

Port minimal constaté chez ce vendeur : 2.90 EUR

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Konzert Für Violine Und Orchester 'Nr. 2'

7.30 EUR - Expédié de France

Port minimal constaté chez ce vendeur : 2.90 EUR

/ Violon Et Orchestre

Contenu:
Mozart Wolfgang Amadeus

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Konzert In G Für Violine Und Orchester 'Nr. 3'
37.10

Konzert In G Für Violine Und Orchester 'Nr. 3'

Orchestre, Violon [Partition]
Barenreiter

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort ...(+)

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Konzert In D Für Violine Und Orchester
44.10

Konzert In D Für Violine Und Orchester

Orchestre, Violon [Partition]
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Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort ...(+)

44.10 EUR - vendu par LMI-partitions
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Konzert In G-Dur Für Violine Und Orchester
24.40

Konzert In G-Dur Für Violine Und Orchester

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Barenreiter

Ce document, unique par son ISBN 9790006521432 a été conçu par Telemann Georg...(+)

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Konzert 1 In E Für Violine Und Orchester (1932/33)
68.50

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Orchestre, Violon [Partition]
Barenreiter

Les éditions Bärenreiter ont édité sous la référence BA 6720 cette partiti...(+)

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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
30.10

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Violon et Piano
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...(+)

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

30.10 EUR - vendu par Woodbrass
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...(+)

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

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Konzert Für 2 Violinen Und Orchester (1950)
67.30

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2 Violons et Basse continue [Conducteur d'étude / Miniature]
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Ce document, unique par son ISBN 9790006440467 a été conçu par Martinu Bohusl...(+)

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Konzert In F-Dur Für Violine, Cembalo Und Streichorchester
38.90

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/ Violon, Clavecin Obligatoire Et Instrument(s) A Cordes / Partition

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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
26.00

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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

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