Monolog 3

SKU: GH.CG-5995

Erland von Koch's 18 Monologues for various instruments are solo pieces that in an ingenious way explore the instruments different means of expression. The pieces are permeated by inspiration from Swedish folk music, melodies and rhythmic vitality.

For solo voice. Optional key.

SKU: GH.CG-5992

ISBN 979-0-070-04339-7. A4 inches.

Erland von Koch's 18 Monologues for various instruments are solo pieces that in an ingenious way explore the instruments different means of expression. The pieces are permeated by inspiration from Swedish folk music, melodies and rhythmic vitality.

SKU: HL.49006953

ISBN 9790001074445.

SKU: GH.CG-5991

Erland von Koch's 18 Monologues for various instruments are solo pieces that in an ingenious way explore the instruments different means of expression. The pieces are permeated by inspiration from Swedish folk music, melodies and rhythmic vitality.

SKU: GH.CG-5930

ISBN 9790070007016. A4 inches.

Erland von Koch's 18 Monologues for various instruments are solo pieces that in an ingenious way explore the instruments different means of expression. The pieces are permeated by inspiration from Swedish folk music, melodies and rhythmic vitality.

SKU: HL.49005685

ISBN 9790001061254. UPC: 884088072452. 12.5x8.75x0.428 inches.

In January 1964 Bernd Alois Zimmermann interrupted the completion of his opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. Monologe is a piece for two pianists; real monologues of these pianists who, though simultaneously, [...] do not always play at the same time; [...] losing themselves in their own thoughts, as it were. -Zimmermann.

SKU: CA.1140600

ISBN 9790007026509. Language: all languages.

SKU: CA.1140400

ISBN 9790007026493. Language: all languages.

SKU: CA.1140800

ISBN 9790007026523. Language: all languages.

SKU: CA.1140900

ISBN 9790007026530. Language: all languages.

SKU: IS.F4883EM

ISBN 9790365048830.

Augu st Verbesselt's Three Monologues for flute alone, like much of his music, lies somewhere in between Bartók and Muczynski. His experimentations with dodecaphony and atonality, like Bartók, were directed towards making strange and different types of music appealing - and Verbesselt was intent on making music that was comprehensible to audiences. The deeper influences of Bartók can be heard clearly in the recitativ and night music of the second Monologue, written in near-free time. The first and third Monologues, however, hold more resemblance to Muczynski's Three Preludes - more aggressive, more Flemish, but with a rhythmic vitality that transforms less traditional ideas into intriguing, appealing patterns and dances. The high level of playing required also matches Muczynski's Preludes, and allows the Monologues to easily hold their own in recital or competition.

Billy Bennett (1887-1942) was a British comedian who specialised in comic monologues. He was born into the music hall industry and, after a decorated spell in the Army during the First World War, he began his own successful stage career in 1919. Often billed as Almost a Gentleman, he shot to fame at the 1926 Royal Command Performance (now the Royal Variety Shows), and remained a popular public figure for over a decade.

The First Budget Of Burlesque Monologues is the first volume of the collected monologues that were written, performed, and broadcast by Billy Bennett during the 1920s and 1930s

SKU: TM.03888SET

Act II Scene 3. Organ Monologue. Sung by Sachs. Sc pg 191-198.