Miles Davis: Miles Davis for Solo Guitar: Guitar Solo: Instrumental Album

For Bass Clef Instruments-The ultimate resource for studying the work of Miles Davis. For Bass Clef instruments.The Miles Davis Omnibook contains 50 note-for-note transcriptions of his recorded solos for: Airegin • All Blues • All of You • Au Privave • Bags' Groove • Billie's Bounce (Bill's Bounce) • Blue Haze • Budo • But Not for Me • Bye Bye Blackbird • Diane • Dig • Doxy • E.S.P. • Footprints • Four • Freddie Freeloader • A Gal in Calico • Green Haze • I Waited for You • I'll Remember April • If I Were a Bell • It Could Happen to You • It's Only a Paper Moon • Jeru • K.C. Blues • Love Me or Leave Me • Miles Ahead • Milestones • My Funny Valentine • Oleo • On GreenDolphin Street • The Serpent's Tooth • Seven Steps to Heaven • Sippin' at Bells • So What • Solar • Some Day My Prince Will Come • Stablemates • Stella by Starlight • Stuff • Summertime • The Surrey with the Fringe on Top • The Theme • Trane's Blues • Tune Up • Walkin' • Well You Needn't (It's over Now) • Woodyn' You and Yesterdays.

For C Instruments-The ultimate resource for studying the work of Miles Davis. For C instruments. The Miles Davis Omnibook contains 50 note-for-note transcriptions of his recorded solos for: Airegin • All Blues • All of You • Au Privave • Bags' Groove • Billie's Bounce (Bill's Bounce) • Blue Haze • Budo • But Not for Me • Bye Bye Blackbird • Diane • Dig • Doxy • E.S.P. • Footprints • Four • Freddie Freeloader • A Gal in Calico • Green Haze • I Waited for You • I'll Remember April • If I Were a Bell • It Could Happen to You • It's Only a Paper Moon • Jeru • K.C. Blues • Love Me or Leave Me • Miles Ahead • Milestones • My Funny Valentine • Oleo • On GreenDolphin Street • The Serpent's Tooth • Seven Steps to Heaven • Sippin' at Bells • So What • Solar • Some Day My Prince Will Come • Stablemates • Stella by Starlight • Stuff • Summertime • The Surrey with the Fringe on Top • The Theme • Trane's Blues • Tune Up • Walkin' • Well You Needn't (It's over Now) • Woodyn' You and Yesterdays.

Jazz Play-Along Vol.50 . Par DAVIS MILES. A slice of Miles' career from 1957 to 1964 where he was at the apex of his popularity. An example of Miles' unparalleled influence as a trumpeter, composer, and band leader, his sidemen, Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins, and Wayne Shorter have all had compositions presented in this series! Commemorating the 50th Play-A-Long are the classic tunes that Miles made famous. These jazz classics represent a slice of Mile’s illustrious career, from 1957 to 1964, during which Miles was at the apex of his popularity. As an example of Miles unparalleled influence as a trumpeter, composer and band leader, several of his sidemen Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins and Wayne Shorter have all had play-a-longs of their own compositions presented here in this series! Commemorating the 50th play-a-long in the series, here are the classic tunes Miles Davis made famous. Pianists and everyone else interested in piano voicings/comping, now have the extra advantage of being able to purchaseall of Mark Levine’s piano comping transcribed note-for-note in the Volume 50 Transcribed Piano Voicings book! Rhythm section is Mark Levine, piano; Todd Coolman, bass; and Steve Davis, drums / Rép International / Recueil / Tout Instrument

Par DAVIS MILES. Arranged here in a medium swing style, this tune is a great way to introduce the music of Miles Davis to young players. The modal style makes soloing easier and a perfect opportunity to get everyone involved. / Date parution : 2023-01-24/ Répertoire / Jazz Ensemble

The music featured in this folio part of a continuing series of books covering the music of the legendary trumpet player/composer consists of original Davis compositions from three different periods. Miles was signed to the Prestige label in the '50s and many of the recordings he made for that label were recorded after Miles had already signed a contract with Columbia Records. There were a number of marathon sessions made to finish out the Prestige agreement. Most of the resulting recordings are regarded as classics today and such tunes as 'Green Haze' and 'Tune Up' are favorites among jazz musicians young and old. Davis' Columbia recordings of 1958-59are prized for the excellence of the material the solos of Cannonball Adderley John Coltrane Wynton Kelly and Bill Evans and the beauty of the recording quality. Kind of Blue included such gems as 'Blue in Green' 'So What' and 'Freddie Freeloader'. Not only is Kind of Blue one of the best-selling albums of all time it kick-started the new jazz shich stressed modes and scales rather than chords. Miles led another legendary quartet in the early '60s with Wayne Shorter Herbie Hancock Ron Carter and Tony Williams. 'Circle' and 'Agitation' became part of the group's active repertoire. The level of soling was consistently excellent and the quartet's appearances at clubs and concert halls were usually sold out.

Jazz Play-Along Volume 49-For use with all Bb Eb and C instruments the Jazz Play-Along series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. For Study: each tune includes a split track with: Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable Bass part • Removable Piano part. For Performance: each tune also has: An additional full stereo accompaniment track (no melody) • Additional choruses for soloing. Jazz Play-AlongVolume 49: Miles Davis Standards includes 10 songs: Autumn Leaves Bye Bye Blackbird Darn That Dream How Deep Is the Ocean (How High Is the Sky) If I Were a Bell My Funny Valentine On Green Dolphin Street Some Day My Prince Will Come Yesterdays and I Loves You Porgy.

Jazz Play Along Volume 7. Par DAVIS MILES. Intermédiaire et avancé niveau huit classique jazz originaux écrits par Miles Davis. Il s'agit d'un moyen unique d'apprendre huit des chansons les plus populaires des années cinquante. Ces airs sont considérés comme des classiques jazz, parce que la plupart tous les musiciens de jazz dans le monde entier ont appris leur. Et le reo de nombreux musiciens de jazz ont appris leur car ils sont tous ces véhicules intéressants pour les changements de corde improvisation et intéressant, les ponts altérées et les mélodies logiques qui ont été cités dans nombreuses compositions partout dans le monde de la musique. Gagner pourrait en Miles au début et à comprendre le bop transitoire pour la période post-bop. Section rythmique est Dan Haerle, piano - Rufus Reid, basse - Jonathan Higgins, batterie. / Rép International / Recueil / Tout Instrument