Luigi Cherubini: Requiem in C Minor: Orchestra: Part

SKU: HL.14018437

The Requiem Mass in C Minor, Cherubini's first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically importantwork.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent.

SKU: CA.4008619

ISBN 9790007097141. Key: C minor. Language: Latin.

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critical new edition, is among the most significant contributions to this genre in the 19th century. It was composed in Paris in 1816 and within a short time it became well known. Musicians such as Beethoven, Schumann and Brahms held it in high esteem because of the work's superior compositional construction, orchestration, mastery of form and the balance in proportion between text and music. Score and parts available separately - see item CA.4008600.

SKU: BA.BA08961

ISBN 9790006559237. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans.

Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.

This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript.
Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).

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