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Ludwig van Beethoven: Complete Violin Sonatas: Violin: Score
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Violon et Piano
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Dover Publications
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Ludwig van Beethoven: Complete Violin Sonatas: Violin: Score
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Complete Violin Sonatas (BEETHOVEN LUDWIG VAN)
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All 10 sonatas for violin and piano. Violin Part not included.
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Ludwig van Beethoven: Symphony No. 4 In B Flat Op. 60: Orchestra: Study Score
11.99
Ludwig van Beethoven: Symphony No. 4 In B Flat Op. 60: Orchestra: Study Score
Violon et Piano
[Reduction]
G. Henle
Beethoven's Symphony No. 4 In B Flat Op. 60 was composed in 1806 a very product...
(+)
Beethoven's Symphony No. 4 In B Flat Op. 60 was composed in 1806 a very productive year for the composer during which he wrote numerous other great works such as the 4th Piano Concerto and theViolin Concerto. Today this work is unjustly overshadowed by its famous neighbours the ?Eroica? and the 5th Symphony although it was one of Beethoven?s best-loved and most often performed works throughout the19th century. The Henle Urtext edition features a preface by the editor Bathia Churgin. This edition is based on the musical text of the Beethoven Complete Edition and continues the series of study editions ofBeethoven symphonies in a convenient format.
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Ludwig van Beethoven: Violin Concerto In D major Op. 61: Violin: Study Score
12.99
Ludwig van Beethoven: Violin Concerto In D major Op. 61: Violin: Study Score
Violon et Piano
[Conducteur d'étude / Miniature]
G. Henle
For decades Henleâs edition of this masterpiece from the Violin repertoire ...
(+)
For decades Henleâs edition of this masterpiece from the Violin repertoire has been de rigueur for all serious violinists. Now we are presenting it with a revised text reflecting the latest research findings from theBeethoven Complete Edition. A new preface provides a full account of the concertoâs convoluted genesis.
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Ludwig van Beethoven: Trio In C Op.87 - Study Score: String Trio: Study Score
8.75
Ludwig van Beethoven: Trio In C Op.87 - Study Score: String Trio: Study Score
Violon, Alto (duo)
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G. Henle
Around 1800 Beethoven seems to have completely distanced himself from chamber mu...
(+)
Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore he did not write any new works for wind ensembles.By contrast he ennobled his Trio op. 87 originally for two oboes and cor anglais by making an additional version for two violins and viola. This charming work ispublished following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.
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Trio in B-flat major op. 97 (BEETHOVEN LUDWIG VAN)
40.54
Trio in B-flat major op. 97 (BEETHOVEN LUDWIG VAN)
Piano Trio: piano, violon, violoncelle
[Conducteur]
Barenreiter
Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduk...
(+)
Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today it numbers among his most celebrated pieces of chamber music, not least because of its remarkable melodiousness ? a feature typical of Beethoven?s music from these years ? and its spacious formal design. Jonathan Del Mar?s new critical edition of the Trio draws not only on early prints but also on various handwritten sources. A detailed introduction by Misha Donat is devoted to the work?s historical contexts. - Urtext edition of Beethoven?s most famous piano trio - Detailed introduction (Eng/Ger), editor?s foreword (Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-11-29/ Répertoire / Violon, Violoncelle et Piano
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Ludwig van Beethoven: Flotenserenade Op.25 Urtext: Mixed Ensemble: Score
9.25
Ludwig van Beethoven: Flotenserenade Op.25 Urtext: Mixed Ensemble: Score
Flûte, Violon, Alto
[Conducteur d'étude / Miniature]
G. Henle
Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven...
(+)
Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethovenâs few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
30.10
Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
(+)
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
16.18
Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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